THE HEAD HUNTER to Open on Halloween Off-Broadway
By: Tyler Peterson
To bring a new life to an undiscovered, underground gem, Termination Productions LLC will present "The Head Hunter," a dramatic encounter between a screenwriter and his mobster cousin, Off-Broadway at The Dorothy Streslin Theater October 31 to November 28, 2015. The play is written by Mark Borkowski, a New York-based playwright, screenwriter and actor who is now best known for playing Paul Sagorsky in the third and fourth seasons of HBO's Boardwalk Empire. Richard Gekko directs. It is a revival of a horrific yet hilarious two-hander that Backstage (Elias Stimac) labeled "one of the best plays of 2000" when it debuted that year and which was showered with glowing web reviews during a modest resurrection in a studio theater last season.
In the play, Casmir, a screenwriter, has sold the exclusive rights of his screenplay to a sleazy Hollywood producer. He confesses what he has done to his cousin Salvatore, a hit man for the mob. The screenplay, a bio-pic, contains truths about Sal's father that are more then incriminating. Enraged, Salvatore vows to get the screenplay's rights back to Casmir even if it means eliminating the producer. The two cousins are forced to deal with issues that tore their family apart and drove them to be who they are: one an artist, the other a ruthless killer. The play debuted Off-off Broadway 15 years ago to little notice. In its only review, Elias Stimac announced in Backstage, "The new year has barely begun, and already one of the best plays of 2000 has emerged on the New York theatre scene at The Common Basis Theatre. Mark Borkowski's 'The Head Hunter' is an intensely inventive and fiercely funny new drama which mixes shades of Shepard and Mamet while painting a horrific yet hilarious portrait of both modern-day mob life and the equally precarious film industry." He continued, "Borkowski fills his play with wicked twists and turns that catch viewers off-guard each step of the way. He also has an uncanny ear for dialogue, resulting in sly soliloquies and rapid-fire repartee." The review ended in a call for an extended stage run and an "inevitable big screen adaptation."
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