by Neil Brewer - March 07, 2026
Bold, often raunchy, frequently funny, and unexpectedly tender...
by Glenda Pearce - March 02, 2026
On a sultry Auckland night (in more ways than one), an expectant crowd gathered, some in drag and raucous garb, others bustling from a long week of work. The majestic Civic Theatre beckoned with ample arms, its two tiered hall resplendent in historic finery. The scene was set for Richard O’Brien�...
by Neil Brewer - February 28, 2026
What did our critic think of FRANK. THE MUSICAL at Gryphon Theatre?...
by Glenda Pearce - February 21, 2026
What did our critic think of THE LAST FIVE YEARS at PUmphouse Theatre Auckland?...
by Neil Brewer - February 22, 2026
What did our critic think of KING LEAR at Butterfly Creek Theatre Troupe?...
by Neil Brewer - February 04, 2026
The Book of Will is a contemporary play by American playwright Lauren Gunderson, first premiering in January 2017 at the Denver Center for the Performing Arts. It went on to win the 2018 Harold and Mimi Steinberg / American Theatre Critics Association New Play Award, recognising it as one of the mos...
by Glenda Pearce - January 18, 2026
What did our critic think of 'MUCH ADO ABOUT NOTHING' AND 'ROMEO AND JULIET' at Shoreside Theatre?...
by Glenda Pearce - December 11, 2025
Imagine the situation. You’re in love. You are asked to defend your present relationship as one that could endure. Could you be supremely confident that nothing could shake its foundations? If asked by authorities, what proof would youneed? How easy is it to truly have an open mind? Do we make a...
by Glenda Pearce - December 10, 2025
What did our critic think of A CHRISTMAS CRISIS at Q Theatre, Auckland?...
Past Shows
Want to experience Dungeons & Dragons without doing all that math? Is watching a wizard fight a shapeshifting dragon on your Must-See list? Then Can...
Tadpole Productions will be celebrating ten years since their formation with the staging of the World Premiere of The Campervan, by Kathryn Burnett. At The...
Thirteen women share the PumpHouse Theatre stage as they explore direct and indirect encounters with reproduction, vaginal care, consensual and non-consensual sexual experiences, body image,...
Disguises, Trickery and a bit of Cross-Dressing.In Twelfth Night Shakespeare has Cupid, the god of love working overtime and uses intrigue and disguise (girls dressed...
Videos