NNPN Announces WOLF AT THE DOOR By Marisela Treviño Orta As Its 83rd Rolling World Premiere

By: Aug. 28, 2018
Enter Your Email to Unlock This Article

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe.




Existing user? Just click login.

National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announces its 83rd Rolling World Premiere (RWP): Wolf at the Door by Marisela Traviño Orta. The Roll kicks off at Member Theater New Jersey Repertory Company (October 18-November 18 in Long Branch), followed by Kitchen Dog Theater (April 11-May 5 in Dallas), Milagro (May 2-25 in Portland) and Halcyon Theatre (May 16-June 29 in Chicago).

In an NNPN Rolling World Premiere, the Network provides production support to the playwright and the partnering theaters, including assistance with the creation and the contracting of the premiere agreement, collaborative interactions between the theaters, and travel and housing funds for the playwright to further develop the play in each city.

In this dark fairy tale, Isadora finds the strength to stand up to her abusive husband Septimo when he forces the very pregnant Yolot to stay against her will. While Septimo makes plans for the baby, Isadora and Yolot devise one of their own. And as a pack of wolves closes in on the hacienda, Isadora must decide what price she'll pay for her own freedom.

Marisela Treviño Orta is an accidental playwright. She found her way to the genre while completing an MFA in Writing at the University of San Francisco (USF) where she studied poetry exclusively. While a student at USF, Marisela became the Resident Poet of El Teatro Jornalero!, a social justice theatre company comprised of Latinx immigrants. Marisela's first play Braided Sorrow was presented at the 2005 Bay Area Playwrights Festival and the 2006 [Inside] the Ford Summer Reading Series. Braided Sorrow went on to win the 2006 Chicano/Latino Literary Prize in Drama and received a 2008 world premiere at Su Teatro in Denver, CO, and won the 2009 Pen Center USA Literary Award in Drama. Her other plays include: American Triage (2012 Repertorio Español Nuestras Voces Finalist); Ghost Limb (2017 Brava Theatre world premiere); Heart Shaped Nebula (2012 O'Neill National Playwrights Conference Semi-Finalist, 2015 Shotgun Players world premiere); Shoe (2019 Kendeda Finalist; 2017 NNPN/Kennedy Center MFA Playwrights' Workshop); Return to Sender (Nashville Children's Theatre commission); and Woman on Fire (2016 Camino Real Productions world premiere). In 2011, she began writing her cycle of grim Latinx fairy tales-fairy tales for adults inspired by Latinx mythology and folklore-which include: Alcira; The River Bride (2013 National Latino Playwriting Award Co-Winner, 2016 Oregon Shakespeare Festival world premiere); Wolf at the Door (2016 Kilroys List, 2018/2019 National New Play Network Rolling World Premiere). Marisela is an alum of the Iowa Playwrights Workshop, the Playwrights Foundation's Resident Playwright Initiative, a founding member of the Bay Area Latino Theatre Artists Network, and a member of the Latinx Theatre Commons' national Steering Committee. In 2018 Marisela was selected as a Core Writer at The Playwrights' Center. Currently, Marisela is working on a new cycle of worst-case scenario plays-sci-fi thriller plays which include WMB (pronounced "womb") and Nightfall. She is also adapting Charles Dickens' Little Dorrit into a six-hour epic piece of theatre.

The New Jersey Repertory Company is a professional, non-profit theater founded in 1997 by Suzanne Barabas (Artistic Director) and Gabor Barabas (Executive Producer). Located in Long Branch, New Jersey, the theater's primary mission is to develop and produce new plays and to make a lasting contribution to the American stage. In addition, it also seeks to achieve the following: to be a catalyst in the redevelopment and revitalization of its surrounding community; to build and encourage young audiences and inspire interest in theater arts among young people and to nurture the work of writers from diverse backgrounds and build diverse audiences. njrep.org

Now in its 28th season, Kitchen Dog Theater (KDT) has established itself as one of the leading theaters in the region, boasting a 40-member artistic company of top local talent. A place where questions of justice, morality, and human freedom can be explored, KDT's mission is to challenge moral and social consciences, and invite audiences to be provoked, challenged, and amazed through its critically-acclaimed productions. A staunch champion of new work, KDT is a founding member of the NNPN, producing timely, exciting plays that may have otherwise never been seen in Dallas. kitchendogtheater.org

As the premier Latino arts and culture organization of the Pacific Northwest, Milagro has provided extraordinary Latino theatre, culture, and arts education for the enrichment of all communities since 1985. Teatro Milagro, Milagro's touring & arts education program, presents its original bilingual plays and educational residencies to diverse and underserved communities across the nation. On the mainstage, Milagro produces a full season of regional or world premieres, including one Spanish-language play each year, as well as our long-running Día de los Muertos signature production. At Milagro, we entertain our audiences; we give them pause to think, feel and imagine; and, through the cultural lens of latinidad, we reflect the full spectrum of humanity. milagro.org

Based in Chicago's Albany Park neighborhood, Halcyon Theatre was formed in 2006 to connect people, transform our borders and ascend toward a more just union. We create theatre that looks like our world. Representation matters. We feel it deeply when it's absent. If we can't see ourselves, it's almost impossible to welcome another with our whole hearts. If we can't see another as their whole self, we can't listen to them with our whole hearts. That's something we think our whole country is missing right now. Our artistic philosophy is driven by our continuing belief that at every point of human history where there has been an explosion of artistic creativity, it has happened when different cultures and traditions have listened and learned from each other. No artist can fully represent a community; however, a community of artists can. Halcyon works continuously to connect people and organizations from across all of our communities to accomplish our mission: we are fiercely committed to making the stage as diverse as the city of Chicago--presenting new voices from inadequately represented communities and recasting classic works to showcase their contemporary relevance. halcyontheatre.org

National New Play Network is an alliance of professional theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays. Since its founding in 1998, NNPN has supported more than 250 productions nationwide through its innovative National New Play Network Rolling World Premiere program, which provides playwright and production support for new works at its Member theaters. Additional programs - its annual National Conference, National Showcase of New Plays, and MFA Playwrights Workshop; the NNPN Annual and Smith Prize commissions; its residencies for playwrights, producers and directors; and the organization's member accessed Collaboration, Festival, and Travel banks and online information sessions - have helped cement the Network's position as a vital force in the new play landscape. NNPN also strives to pioneer, implement, and disseminate ideas and programs that revolutionize the way theaters collaborate to support new plays and playwrights. Its most recent project, the New Play Exchange, is changing the way playwrights share their work and others discover it by providing immediate access to information on more than 21,000 new plays by living writers. NNPN's 30 Core and 80 Associate Members - along with the more than 250 affiliated artists who are its alumni, the thousands of artists and artisans employed annually by its member theaters, and the hundreds of thousands of audience members who see its supported works each year - are creating the new American theater.



Comments

To post a comment, you must register and login.
Vote Sponsor


Videos