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LOS ANGELES THEATER REVIEWS

The latest reviews and critic recommendations from Los Angeles
BWW Review: CASTING CONFESSIONS FROM La to LA Uncovers Amy Snowden's Outlandish Journ

BWW Review: CASTING CONFESSIONS FROM La to LA Uncovers Amy Snowden's Outlandish Journey from Innocence to Happy Endings!

by Shari Barrett — September 23, 2016
Created and performed by Amy Snowden, Casting Confessions from La to LA is an outrageous and comical insight into her formative years in a small town in Louisiana, her move to Hollywood to become a sitcom actress but getting chewed up and spit-out in Hollywood, and her unique secret ways of finally ...
BWW Review: A MEXICAN TRILOGY: An American Story: A Legacy of Letting Go

BWW Review: A MEXICAN TRILOGY: An American Story: A Legacy of Letting Go

by Ellen Dostal — September 23, 2016
The essence of Latino Theatre Company's monumental production of A MEXICAN TRILOGY: An American Story is beautifully captured in the simple photograph above. In this starry night scene, a family poised on the edge of major change looks to the infinite sky with hope. Quietly, in these few moments of ...
BWW Review: World Premiere THROW ME ON THE BURNPILE AND LIGHT ME UP Shares Lucy Aliba

BWW Review: World Premiere THROW ME ON THE BURNPILE AND LIGHT ME UP Shares Lucy Alibar's Southern Childhood Memories

by Shari Barrett — September 22, 2016
Solo shows written and performed by their authors need to be told with enough personal stage presence to be truly interesting to the audience. Such is the case in Lucy Alibar's world premiere THROW ME ON THE BURNPILE AND LIGHT ME UP in which she enthusiastically and humorously shares journal entrie...
BWW Review: Bonnie Joy Sludikoff Shares Theatre as Therapy in BACKWARDS: A COMEDY (AB

BWW Review: Bonnie Joy Sludikoff Shares Theatre as Therapy in BACKWARDS: A COMEDY (ABOUT TRAUMA)

by Shari Barrett — September 20, 2016
Solo Performance Artist Bonnie Joy Sludikoff has spent the last 2 years performing her 2014 Hollywood Fringe Hit, That's What She Didn't Say: A True Story of Taboo, Redemption, and Musical Theatre. But always feeling she had blown the chance to have dozens of important, meaningful conversations over...
BWW Review: Art-In-Relation Ups Its Production Ante with THE WILD PARTY

BWW Review: Art-In-Relation Ups Its Production Ante with THE WILD PARTY

by Shari Barrett — September 20, 2016
Art-In-Relation (A.I.R.) is an innovative production company focusing on breathing new life into lesser-known plays and musical theater. I have seen their productions at other locations throughout the city, but unfortunately the facilities and cast talent in past productions has been less than stel...
BWW Review: GENERATION ME Tackles Important Teen Issues

BWW Review: GENERATION ME Tackles Important Teen Issues

by Ellen Dostal — September 19, 2016
Two years ago this teen musical was one of the best new works to come through Hollywood. Its young writers Julie Soto, Ryan Warren, and composer Will Finan had found a way to tell a story about teen suicide that was relatable to both youth and adults alike. It's a parent's worst nightmare; the thoug...
BWW Review: Outstanding ALL THE WAY Stirs at South Coast Repertory

BWW Review: Outstanding ALL THE WAY Stirs at South Coast Repertory

by Michael L. Quintos — September 19, 2016
Right at the start of Robert Schenkkan's mesmerizing Tony Award-winning play ALL THE WAY---now playing in an outstanding new production at Orange County's South Coast Repertory in Costa Mesa through October 2---actor Hugo Armstrong is introduced in what would become one of the most powerful, fiery a...
BWW Review: BARBECUE Will Keep You Laughing as the Tale of Two Families Evolves

BWW Review: BARBECUE Will Keep You Laughing as the Tale of Two Families Evolves

by Shari Barrett — September 18, 2016
Playwright Robert O'Hara provides the mood-setting intro for the West Coast premiere of his comedy BARBECUE now playing at the Geffen Playhouse in Westwood through October 16. And while his very off-color language is shocking at first, I guarantee it will start you laughing and prepare you for the ...
BWW Review: MA RAINEY'S BLACK BOTTOM Offers a Searing Look at a Tension-Filled Record

BWW Review: MA RAINEY'S BLACK BOTTOM Offers a Searing Look at a Tension-Filled Recording Session

by Shari Barrett — September 15, 2016
Like all of August Wilson's plays, this one contains more dialogue than perhaps is needed, with the first act seemingly bogged down at times as you listen to four musicians (Damon Gupton as Cutler, Glynn Turman as Toledo, Keith David as Slow Dawg, Jason Dirden as Levee) stuck in a rehearsal room as ...
BWW Review: Tony Winner Patti LuPone Returns to the OC with COULDA, WOULDA, SHOULDA

BWW Review: Tony Winner Patti LuPone Returns to the OC with COULDA, WOULDA, SHOULDA

by Michael L. Quintos — September 12, 2016
The very second that Tony Award-winning Broadway Legend Patti LuPone sings---heck, even when she walks out before she belts a single note---you know you're in the presence of someone that deserves the mountains of accolades she has continuously enjoyed through a very long, illustrious career on the ...
BWW Review: AROUND THE WORLD IN 80 DAYS  - Non-Stop Hi-jinks With Some Very Entertain

BWW Review: AROUND THE WORLD IN 80 DAYS - Non-Stop Hi-jinks With Some Very Entertaining Bits

by Gil Kaan — September 12, 2016
Those nostalgic for Three Stooges slapstick or old-time vaudeville will thoroughly enjoy playwright Mark Brown's AROUND THE WORLD IN 80 DAYS. The very committed cast of five enact 30+ different characters, sometimes within the same scene. Allison Bibicoff directs her talented cast in a relentless pa...
BWW Review: The Troubies and Getty Villa Throw a HAUNTED HOUSE PARTY

BWW Review: The Troubies and Getty Villa Throw a HAUNTED HOUSE PARTY

by Ellen Dostal — September 9, 2016
Troubadour Theatre Company's classless clowns of classical comedy go rogue in their latest adaptation at the Getty Villa. Taking generous liberties with the source material (Plautus's Mostellaria) they reinvent the over-2000-year-old play as HAUNTED HOUSE PARTY, A Roman Comedy in their own unique st...
BWW Review: NEWSIES Continues to Win Audiences' Affection in LA

BWW Review: NEWSIES Continues to Win Audiences' Affection in LA

by Ellen Dostal — September 1, 2016
I already knew Disney's NEWSIES had developed cult status before I saw the show. Its legions of loyal 'Fansies' have championed it from the very beginning. But even I wasn't prepared for the audience's screams of appreciation for the hard-working boys - and one girl - who form the heart of the curre...
BWW Review: KURTIS SIMMONS Rocks Rockwell Table and Stage in his LA Solo Cabaret Debu

BWW Review: KURTIS SIMMONS Rocks Rockwell Table and Stage in his LA Solo Cabaret Debut

by Don Grigware — August 31, 2016
On Monday August 29 actor/singer Kurtis Simmons made his solo cabaret debut at Rockwell Table and Stage to a SRO crowd of adoring fans and well-wishers. Simmons is no stranger to Los Angeles audiences, as he has appeared onstage in such popular shows as Forever Plaid and premiered his musical H...
BWW Review: Dynamite Production of THE TWO KIDS THAT BLOW SHI*T UP

BWW Review: Dynamite Production of THE TWO KIDS THAT BLOW SHI*T UP

by Gil Kaan — August 26, 2016
The thoroughly involving world premiere of playwright Carla Ching's THE TWO KIDS THAT BLOW SHIT UP combines the potent mixture of a witty script with two totally dynamic actors directed in a steady, flowing, non-stop pace of a brisk 90 minutes.  Jeremy Lelliott deftly directs his two brilliantly be...
Theatre in Historic Places: THE LIGHT OF WESTERN STARS at El Molino Viejo

Theatre in Historic Places: THE LIGHT OF WESTERN STARS at El Molino Viejo

by Ellen Dostal — August 25, 2016
Over the weekend, I had an opportunity to enjoy an evening of theatre outdoors in one of the area's loveliest and most unique venues - El Molino Viejo, The Old Mill, in San Marino. I'd never been there before, but since I love historic buildings and grew up on Sunday afternoon westerns, I was immedi...
BWW Review: Another Resoundingly Special EVENING OF CLASSIC BROADWAY

BWW Review: Another Resoundingly Special EVENING OF CLASSIC BROADWAY

by Don Grigware — August 24, 2016
On Monday evening August 22 An Evening of Classic Broadway returned to Rockwell Table and Stage for another resoundingly superb and downright mirthful show. Headed by Brad Ellis and Dianne Fraser, this show really grows on you. I love talent, and you can definitely find it here in abundance. On...
BWW Review: Engrossing NEXT TO NORMAL at Pico Playhouse

BWW Review: Engrossing NEXT TO NORMAL at Pico Playhouse

by Don Grigware — August 22, 2016
Bipolar disease most often occurs in women creating abnormal behavior patterns, and usually treated with drugs. In the Pulitzer Prize winning Next to Normal, the problem is presented via a wife and mother, Diana (Michelle Lane). Her behavior shows extreme mental instability, and the effects on her ...
BWW Review: Moonlight Amphitheatre Mounts Gorgeous Rendition of the Rarely Seen TITAN

BWW Review: Moonlight Amphitheatre Mounts Gorgeous Rendition of the Rarely Seen TITANIC THE MUSICAL

by Don Grigware — August 22, 2016
Despite boasting one of the most gloriously majestic musical scores ever written for a Broadway stage by Maury Yeston in 1997, Titanic the Musical was, no pun intended, a disaster with lukewarm reception from both audience and critics. Come to think of it, how entertaining can a musical be about t...
BWW Review: Welk Resort Presents Sturdy ARSENIC AND OLD LACE

BWW Review: Welk Resort Presents Sturdy ARSENIC AND OLD LACE

by Don Grigware — August 22, 2016
Joseph Kesselring's dark comedy farce Arsenic and Old Lace dates back to 1941 and was made into one hilarious film starring Cary Grant and directed by Frank Capra in 1944. Nevertheless, the comedy is timeless, so it still holds up quite deliciously in 2016. One never tires of murder especially whe...
BWW Review: DRAMA QUEENS FROM HELL - A PC Sunset Blvd. Gone Awry

BWW Review: DRAMA QUEENS FROM HELL - A PC Sunset Blvd. Gone Awry

by Gil Kaan — August 22, 2016
Playwright Peter Lefcourt manages to cram every current political hot topic into DRAMA QUEENS FROM HELL, his two-act dramedy on the proposed re-make of the classic Sunset Boulevard. DRAMA QUEENS FROM HELL's chronicling the beginnings of Gerard, an indie director's quest to cast his remake of the Glo...
BWW Review: RAPTURE, BLISTER, BURN Posits Feminism Front and Center at Little Fish Th

BWW Review: RAPTURE, BLISTER, BURN Posits Feminism Front and Center at Little Fish Theatre

by Stacy Davies — August 19, 2016
Under the light of a turbulent society in which women are having discussions and debates about themselves with other women (and men) every day, particularly on social media, Gionfriddo's play climbs to an even more enlightened height....
BWW Review: THE HOW AND THE WHY Explores a Challenging Relationship Between Two Profe

BWW Review: THE HOW AND THE WHY Explores a Challenging Relationship Between Two Professional Women Personally Intertwined

by Shari Barrett — August 18, 2016
As the eighth production of Little Fish Theatre's 2016 season, THE HOW AND THE WHY written by Sarah Treem, the Emmy-nominated House of Cards writer and producer, continues through September 1, 2016 on select Wednesdays and Thursdays at 8:00pm. The production is directed by Danielle Ozymandies and fe...
BWW Review: MUCH ADO ABOUT NOTHING Mixes Shakespeare's Classic Romantic Comedy with a

BWW Review: MUCH ADO ABOUT NOTHING Mixes Shakespeare's Classic Romantic Comedy with a Rockin' Song Score

by Shari Barrett — August 17, 2016
Director Gloria Gifford takes her job of inspiring upcoming stars in proper stage presentation, and above all, I must commend her for making sure each actor in MUCH ADO ABOUT NOTHING at TU Studios understood exactly what they were saying so audience members could not only understand the words but al...
BWW Review: RTC's Revived CABARET Tour Returns to OC's Segerstrom Center

BWW Review: RTC's Revived CABARET Tour Returns to OC's Segerstrom Center

by Michael L. Quintos — August 16, 2016
CABARET's Tony Award-winning 1998 Broadway revival co-directed by Sam Mendes and Rob Marshall, still stands, arguably, as the show's definitive stage iteration. That same vibrant Roundabout Theatre Company production rightly serves as the basis for the newer 2014 revival that is now in the midst of ...
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