Review: SLEEPING GIANT at The Road Theatre Company
In SLEEPING GIANT, it was clear I was witnessing more than a metaphor about the continuing evolution of MAGA.
The latest reviews and critic recommendations from Los Angeles.
In SLEEPING GIANT, it was clear I was witnessing more than a metaphor about the continuing evolution of MAGA.
The production’s thrifty staging directed by Judith Hendra for Topanga Actors Company feels stagnant instead of urgent, indifferent where it could have been thought-provoking.
Directed by Mina Morita, the play—an emotionally-absorbing drama with sprinkled bits of comedy—is, at its core, a poignant exploration of deep friendships, colored by a devotion to cultural and religious identity and the fears of displacement and upheaval set against the backdrop of Iran's polit
The themes in DEATH OF A SALESMAN are universal and timeless, though that doesn’t mean they always resonate.
This deceptively dark world premiere, co-produced by People with Plays Productions and the Road Theatre Company at the Broadwater Studio Theatre, is not one for those looking to 2025 with visions of sunny skies ahead.
A riotous, mostly silly, but also sometimes laughably odd theatrical entity, this touring production of this enjoyable, endearingly-familiar stage musical adaptation of the hit 1985 sci-fi comedy is definitely a fun time—but mostly due to its visual wow factor.
Lear deBessonet’s rollicking production of Once Upon A Mattress brings festive glee to the Southland.
The mixture this time around is entertaining if not the company’s A-game.
Little Women Ballet is the world premiere of a charming new ballet at the Wilshire Ebell Theatre in Mid-Wilshire.
If you have yet to see the work of Handspring Puppet Company, hurry to get tickets for Life & Times of Michael K in its limited run.
Written by acclaimed actress and playwright June Carryl and produced by Imagine Theatre, this light-hearted, fantastical voyage through the savanna is inspired by folktales and origin stories from South Africa.
As embodied by Rainn Wilson and Aasif Mandvi in the revival of GODOT at the Geffen Playhouse, Vladimir and Estragon are a formidable pair.
Pinkleton has thrown every prop gimmick and novel idea in the book at the show, and in the process has disrupted the stuff that simply works about the piece.
Led by a brilliant performance by Jason Alexander, this lively, emotionally-grounded, classic-leaning staging still somehow manages to feel fresh, reinvigorated, and much more searing than prior iterations.
NIGHTINGALE is by turns stark, humorous, shocking, and devastating, revealing truths and realities obliquely but with the power of blunt force.
Is there some sort of formula for roping in both fans of a hit movie and stage hounds, to catch lightning in a new medium? Judging by what the musical's book writer Bob Gale, director John Rando and the musical team must have been thinking, the answer is you slavishly remake the movie on stage.
Before seeing this show, I knew nothing of it besides a quite comedically tantalizing Instagram promo video and a snazzy 60’s referencing sci-fi movie poster.
Featuring a remarkable, gutsy performance by Tessa Auberjonois as the legendary comedienne, JOAN is an absorbing and hilarious new work that also feels like an on-going work-in-progress.
This production feels contemporary and fresh, with an edgy, f-you, punk rock rebelliousness.
In the end, the show is all about seduction, and it has all the dark, gritty sex appeal of a dingy French Quarter speakeasy.
At a brisk 80 minutes, the rock opera flies by in a flash of opulence and sin with an infectious joie de vivre
Barely six months since braving Wilson's KING HEDLEY II, the company and director Gregg T.
Vibrant, colorful, and charming, this Inland Valley Repertory Theatre production of the Academy Award winning 1989 animated Disney film is a delight.
Eric McCormick and Laura Bell Bundy recently stopped by Segerstrom Center of the Arts to present the OC debut of their cabaret show “A Blonde, A Brunette, and Some Duets: From Primetime to Sondheim,” a fun and cheeky night of silly songs and even sillier stories for a limited three-night engagem
The Road Theatre’s 2024–2025 season opener, Marlow Wyatt’s ROBBIN, FROM THE HOOD, is a smart and sensitive look at two kids in the projects of an unnamed tropical American city who strive for more.
|
Next to Normal Phantasma Arts (7/17-7/25) |
|
After the Blast The Broadwater Second Stage (8/05-8/13) |
|
E=MC² Einstein The Musical Kiki & David Gindler Performing Arts Center (7/03-7/26) |
|
Fool for Love Santa Monica Playhouse (7/23-7/26) |
|
Gershwin and the Golden Age Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) (10/11-10/11) |
|
Babatunde Blends Hip Hop and Opera Sierra Madre Playhouse (8/28-8/28) |
|
Shrek the Musical Morgan-Wixson Theatre (6/28-7/26) |
|
A Faery Hunt and Their Animal Friends Kindred Spirits Care Farm (7/26-7/26) |
|
A Faery Hunt and Their Animal Friends Kindred Spirits Care Farm (12/06-12/06) |
|
Doja Cat at The Kia Forum The Kia Forum (10/22-10/22) |