Review: DON'T TOUCH MY HAIR at Unicorn Theatre
It is not often that Kansas City audiences get the chance to see the “World Premiere” engagement of a new comedy from an award-winning Broadway performer and playwright.
The latest reviews and critic recommendations from Kansas City.
It is not often that Kansas City audiences get the chance to see the “World Premiere” engagement of a new comedy from an award-winning Broadway performer and playwright.
Kansas City Repertory Theatre’s THE WIZARD OF OZ does not attempt to recreate nostalgia in its simplest form.
They keep people alive.
The air at New Theatre Restaurant in Overland Park is thick with the scent of high-end buffet favorites and the electric hum of a sold-out crowd.
A full auditorium of just over a hundred patrons filed into the newly renovated Warwick Theater for a re-imagination of Stephen King’s “The Shawshank Redemption.
Think of the greatest songs you’ve never heard - the soaring melodies, the unexpected anthems, the driving beats, the lyrics that speak to a feeling you didn’t know could be expressed in words.
MTH’s World Premiere production of “Moby Dick a sea shanty” should not be missed.
If Broadway’s Great Gatsby trades in spectacle, the first national North American Tour proves that its success on the road depends on something more grounded: a cast capable of sustaining the illusion night after night, city after city.
Producing The Play That Goes Wrong at a community-theater level is an act of courage.
What did our critic think of TROJAN WOMEN MCI at Unicorn Theatre?
The new Kansas City Actors Theater production of “Everybody” is a sly meditation on the human condition.
Lyric Opera of Kansas City’s The Gershwins’ PORGY AND BESS is a vocally commanding and spiritually powerful production, led by standout performances from Eric Greene and Michelle Bradley under the legendary direction of Francesca Zambello.
“Elvis and Elton Together” rates a big five stars.
When the musical juggernaut titled “Hamilton” stormed into Kansas City’s gilded Music Hall this week, it arrives not as a relic of mid-2010s hype, but as a living, breathing re-invention of America’s founding fathers.
Now “playing” at Music Theatre Heritage inside Crown Center through February 22 is the latest iteration of the most produced modern musical play in history.
A new production of Jonathan Larson’s 1996 Pulitzer Prize Winner RENT, itself a re-interpretation of Puccini’s “La Boheme,” arrives like a time capsule that refuses to stay shut as a first ever co-production of the White Theatre (inside the Jewish Community Center) and Kansas City’s vener
The Drum Closet is a deeply spiritual, urgent, and profoundly human coming-of-age story that resonates far beyond its Midwestern high school setting.
Casey and Diana, now running January 28 through February 15, 2026, is a luminous, heartbreaking, and deeply necessary work of theatre.
“Kimberly Akimbo” is a tiny, idiosyncratic musical with a cast of only nine actors that somehow manages to share the full Broadway experience with its opening night audience at Kansas City’s Kauffman Center for the Performing Arts.
Overland Park, KS — The New Theatre & Restaurant has built its reputation on polished, crowd-pleasing comedies, and its latest production of Nobody’s Perfect keeps that tradition humming along with bright energy and old-fashioned farce.
What did our critic think of A CHRISTMAS CAROL AT KANSAS CITY REPERTORY THEATRE at Kansas City Repertory Theatre – Spencer Theatre, UMKC Campus?
MAXINE’S CHRISTMAS CAROL opened Friday night, November 28th, to an eruption of laughter inside The City Stage, located at Union Station in Kansas City, MO.
Titanic… An Immersive Experience.
The national tour of “& Juliet” opened Tuesday night for a run through Sunday at the Kansas City Music Hall with enough voltage to transform the theater into a full-color pop arena.
“Hello, Dolly!” is a crown jewel of American Musical Theatre.
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