
Alan Portner
Al Portner is regional editor for Broadway World – Kansas City. He is a retired career journalist and media executive who has written for publication over more than 40 years. Portner has published daily newspapers in venues as far east as Washington DC, as far west as Honolulu HI.
Learn More About Alan Portner
First Show
The first musical I saw on Broadway was 1776 with the original cast.Favorite Show
My favorite show current recent show is Phantom Of The OperaFavorite Stories
- BWW Review: AN EVENING WITH SIERRA BOGGESS at Musical Theater Heritage - Because of the presence of Ms. Boggess' parents in a small space environment, I felt like the veil dropped and we saw a glimpse of who this excellent performer really is as a person. I was able to feel the relationship of this family in relation to my own children.
- BWW Review: BETWEEN THE LINES at Kansas City Repertory Theatre - BETWEEN THE LINES was a Pre-Broadway tryout production performed in front of the Broadway creative team. The show has yet to open in New York, but it remains clever and engaging. It also generated Broadway World reads at a rate four or five times what would normally be expected in a market of about two million.
- The Last Romance at New Theatre Restaurant - THE LAST ROMANCE marked the final teaming of Charley Robinson and Michael Learned. Both were charming in a super venue.
- Review: HADESTOWN at Kansas City Music Hall - The touring company of HADESTOWN featured a complex and thoughtful exploration of an ancient myth transported into another, but indefinite point in time. It was early in the run and a super cast was still extremely excited about performing something new. I personally enjoyed sharing uncommon background material that hoped to enhance the audience experience.
- BWW Review: CATS at Musical Theater Heritage - CATS is not a favorite musical play. This particular production, however, featured a director who disassembled the entire show and rebuilt it with young, talented actors for a small theater and limited costume/makeup. It was an especially involving experience.
Most Popular Articles


Review: A.J. CHRIS COMEDY at Clint's Comedy Club
July 13, 2026

Review: LEGALLY BLOND, THE MUSICAL at New Theatre Restauant
July 19, 2026

Review: NOBODY'S PERFECT at New Theatre & Restaurant
December 1, 2025

Review: ELVIS AND ELTON TOGETHER at New Theatre Restaurant
February 22, 2026

Review: AN IMMERSIVE VOYAGE ON TITANIC at Union Station
November 24, 2025

Review: LEGALLY BLOND, THE MUSICAL at New Theatre Restauant
July 19, 2026
You will never see a production of “Legally Blond, the musical” better performed or sung or danced than what you can see currently running at New Theatre Restaurant in Overland Park.

Review: DISNEY'S FROZEN at White Theatre
July 15, 2026
This joint White Theatre and Coterie production succeeds with dazzling sets, super special effects, the best pit band I have heard in many years, and a cast who seems determined to wring every bit of value out of the playscript and the score that is there.

Review: A.J. CHRIS COMEDY at Clint's Comedy Club
July 13, 2026
The show I saw last week on Wednesday, July 8, featured three warm-up acts and Ayrn performing under the stage name A.

Interview: Marilu Henner of CACTUS FLOWER at New Theater & Restaurant
May 17, 2026
Marilu Henner is currently starring as Stephanie Dickinson in Cactus Flower at The New Theatre & Restaurant in Overland Park, Kansas.

Review: DON'T TOUCH MY HAIR at Unicorn Theatre
May 11, 2026
It is not often that Kansas City audiences get the chance to see the “World Premiere” engagement of a new comedy from an award-winning Broadway performer and playwright.

Review: CACTUS FLOWER at New Theatre Restaurant
May 4, 2026
The air at New Theatre Restaurant in Overland Park is thick with the scent of high-end buffet favorites and the electric hum of a sold-out crowd.

Review: THE SHAWSHANK REDEMPTION at The Warwick Theater
April 27, 2026
A full auditorium of just over a hundred patrons filed into the newly renovated Warwick Theater for a re-imagination of Stephen King’s “The Shawshank Redemption.

Review: STEREOPHONIC at Kauffman Center
April 9, 2026
Think of the greatest songs you’ve never heard - the soaring melodies, the unexpected anthems, the driving beats, the lyrics that speak to a feeling you didn’t know could be expressed in words.

Review: MOBY DICK
March 30, 2026
MTH’s World Premiere production of “Moby Dick a sea shanty” should not be missed.

Review: THE GREAT GATSBY at Kansas City Music Hall
March 18, 2026
If Broadway’s Great Gatsby trades in spectacle, the first national North American Tour proves that its success on the road depends on something more grounded: a cast capable of sustaining the illusion night after night, city after city.

Review: THE PLAY THAT WENT WRONG at The White Theatre
March 16, 2026
Producing The Play That Goes Wrong at a community-theater level is an act of courage.

Interview: Joshua Grosso of THE GREAT GATSBY at Kansas City Music Hall
March 16, 2026
I had the pleasure of meeting by telephone with Joshua Grosso who plays Nick Carraway in “The Great Gatsby.

Review: EVERYBODY at Kansas City Actors Theatre
March 9, 2026
The new Kansas City Actors Theater production of “Everybody” is a sly meditation on the human condition.

Review: ELVIS AND ELTON TOGETHER at New Theatre Restaurant
February 22, 2026
“Elvis and Elton Together” rates a big five stars.

Review: HAMILTON at KC Music Hall
February 20, 2026
When the musical juggernaut titled “Hamilton” stormed into Kansas City’s gilded Music Hall this week, it arrives not as a relic of mid-2010s hype, but as a living, breathing re-invention of America’s founding fathers.

Review: THE FANTASTICKS at Music Theater Heritage
February 8, 2026
Now “playing” at Music Theatre Heritage inside Crown Center through February 22 is the latest iteration of the most produced modern musical play in history.

Review: RENT at White Theatre At The J
February 3, 2026
A new production of Jonathan Larson’s 1996 Pulitzer Prize Winner RENT, itself a re-interpretation of Puccini’s “La Boheme,” arrives like a time capsule that refuses to stay shut as a first ever co-production of the White Theatre (inside the Jewish Community Center) and Kansas City’s vener

Review: KIMBERLY AKIMBO at Kauffman Center
January 22, 2026
“Kimberly Akimbo” is a tiny, idiosyncratic musical with a cast of only nine actors that somehow manages to share the full Broadway experience with its opening night audience at Kansas City’s Kauffman Center for the Performing Arts.
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