WEXFORD OPERA FESTIVAL 2026: Review: L'EQUIVOCO STRAVAGANTE, National Opera House Wexford
Rossini's rare early comedy shines with cartoonish visual humor, deadpan comedic timing, and razor-sharp coloratura at Wexford Festival Opera.…
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Articles
WEXFORD OPERA FESTIVAL 2026: Review: IRIS at National Opera House, Wexford
Mascagni’s atmospheric forerunner to Madama Butterfly receives a visually arresting, emotionally charged staging at Wexford Festival Opera.…
WEXFORD OPERA FESTIVAL 2026: Review: THE FIRST FESTIVAL, O’Reilly Theatre, National Opera House
Colm Tóibín and Alberto Caruso deliver a sparkling, meta-humor-filled love letter to Wexford Festival Opera for its 75th anniversary.…
DUBLIN 2026: Review: THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING IN CONCERT, 3Arena
Over two hundred musicians assemble at Dublin's 3Arena to bring Howard Shore's epic score to visceral life alongside Peter Jackson's fantasy masterpiece.…
DUBLIN THEATRE FESTIVAL 2026: Review: TESTAMENT, The Gaiety Theatre
Irish National Opera delivers a striking, thought-provoking chamber opera that strips away centuries of myth to lay bare the quiet truth of maternal loss.…
DUBLIN 2026: Review: ALL MY FRIENDS ARE IN AUSTRALIA, Mill Theatre
LEGROOM Collective's interactive two-hander captures a quintessential modern Irish dilemma, but thin characterisation and disjointed pacing keep its emotional weight out of reach.…
DUBLIN 2026: Review: ANIMALS, Abbey Theatre
A surreal and beautifully acted adaptation of Blindboyboatclub's short stories at the Abbey Theatre that shines with theatrical ambition despite a taxing runtime.…
DUBLIN 2026: Interview: Fíonna Hewitt-Twamley On Bringing MYRA'S STORY Home
Star Fíonna Hewitt-Twamley reflects on eight years of performing Brian Foster's acclaimed solo play, humanizing street life, and taking the stage at Dublin's Gaiety Theatre.…
DUBLIN THEATRE FESTIVAL 2026: Review: LET ME IN, Smock Alley Theatre
A smartly written, tense, and painfully relevant examination of belonging, identity, and the quiet frictions beneath Irish welcome.…
DUBLIN THEATRE FESTIVAL 2026: Review: A MOON FOR THE MISBEGOTTEN, Gaiety Theatre
Eileen Walsh and Marty Rea deliver towering performances in Druid's striking production of Eugene O’Neill's final play at the Dublin Theatre Festival.…
Past Shows
Failure Confetti
Failure Confetti follows Maeve, a former child actor facing adulthood: unemployed and haunted by the question, Who am I? She'd like the answer to be "Broadway Diva." Tragically, she can neither sing nor dance. Desperate for reinvention, Maeve joins a hardcore method acting...
A Portrait of the Artist as a Young Man
In the name Stephen Dedalus, he adopted in this, his early masterpiece, Joyce signalled his need to escape the nets he claimed Ireland would trap him in – religion and nationality. He would seek to fly “above these nets”. Unique among his contemporaries he laid claim for the...
The Prodigal Brother
Dublin, two weeks before Christmas, and it’s the eve of 'first night' for Boyd's American Brasserie. Ollie Cavendish turns up with his girlfriend, Trish, to sample the fare at the new eatery, which is to be launched the next day by his more successful older brother Boyd, and...
Overtime
'a new, funny, interesting, intelligent and sobering play...reminiscent of Mamet, but I would argue that it's a lot more credible than Mamet, because it has humanity.' - Emer O' Kelly, The Sunday Independent 'A great testament to the up-and-coming talents we have in this...
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Legally Blond Everyman, Cork (2/17-2/20) |
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Disco Pigs by Enda Walsh The Everyman (10/31-11/14) |
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Sheep! The Mick Lally Theatre (5/06-11/10) |
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SOME OF OUR CHILDREN Quintessence Theatre (10/01-2/11) |
