Review: COMPANY at THE GARDEN THEATRE
You really need a talented group of singers, and THE GARDEN THEATRE has put together a stacked cast of musical actors who have appeared in their shows over the last five years.
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You really need a talented group of singers, and THE GARDEN THEATRE has put together a stacked cast of musical actors who have appeared in their shows over the last five years.
From Tudor queens to pop princesses, the 6 wives of Henry VIII take the mic and remix 500 years of historical heartbreak into a euphoric celebration of 21st-century HERstory.
The best kind of group therapy, TINY BEAUTIFUL THINGS at Stages Houston
Sir Tom Stoppard’s last play, LEOPOLDSTADT, is his most personal.
The whole show is well-produced, well-acted, and a lot of fun to watch.
Winner of four Tony Awards, including Best Choreography and Best Costumes, Some Like It Hot is set in Chicago during Prohibition, when everyone is thirsty for a little excitement.
Director Rob Melrose certainly knows how to pick actors and designers who know their craft and live it, while the rest merely exist.
Another Lloyd Suh work pulls heartstrings this time at Stages.
For Knight, this represents her first chance to be the original aggressor rather than the avenging victim, and it’s wild to see her twist her narrative.
The book is full of mysteries, unspoken judgements, and a vicious sense of classism mixed with ruthless self-preservation, and there is not a lot of this present in this interpretation, brought to life by Kait Kerrigan's book, Jason Howland's music, and Fitzgerald-inspired lyrics by Nathan Tysen.
KATY PERRY CANDY DARLING MARY MAGDELANE is a play with songs about how a musician meets Katy Perry, and how it impacts their life.
Small Talk Turns to Tough Talk and Everything Changes.
ENGLISH, written by playwright Sanaz Toossi, won the 2023 Pulitzer Prize for Drama and crafts an intimate, devastating portrait of language—as both bridge and barrier.
The show introduces us to a half dozen stories from one car, and it’s an interesting look at how humans interact, or in some cases, don’t.
You are in a room with eight excellent performers doing songs purely for the joy of getting to sing them for an audience.
It’s funny, it’s clever, but it sometimes seems to get too caught up in itself as a script.
What did our critic think of HANSEL AND GRETEL at Houston Grand Opera?
Wilde’s wit shines at Company OnStage.
It’s funny, it’s warm, and you walk away feeling as if you saw a community revealed.
A true circus act, WATER FOR ELEPHANTS has it all.
Denise Fennell Pasqualone shares so much of herself in THE BRIDE that it just feels like a hug from the actress.
The first of three regional premieres at The Ensemble Theatre’s Rooted in Destiny season.
The Houston Symphony’s presentation of Star Wars: Return of the Jedi in concert was a breathtaking reminder of how timeless and transportive John Williams’ score is.
The current BEAUTY AND THE BEAST tour is a celebration of the Broadway musical’s 30th anniversary, and a chance for director and choreographer Matt West and book writer Linda Woolverton to revisit a stage version they have been working on since it all began in Houston during 1993.
A Nostalgic Blast: CRUEL INTENTIONS: THE ’90s MUSICAL Brings Pop to Midtown
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Company Pasadena Little Theatre (8/14-8/30) |
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Oh, Mary! Theatre Under The Stars (4/27-5/09) |
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About Noah by Paula Coco Theatre Suburbia (9/18-10/17) |
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AC/DC NRG Stadium (8/31-8/31) |
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Christmas Belles by Jones, Hope & Wooten Theatre Suburbia (11/06-12/05) |
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The Constant Wife Theatre Southwest (4/09-5/01) |
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anthropology Theatre Southwest (10/30-11/21) |
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Anarkali Reimagined Luxtrium (10/22-10/25) PHOTOS |
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Come From Away BASTROP OPERA HOUSE (1/22-2/14) |
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Sweat Theatre Southwest (2/19-3/13) |