Some festivals go out with a whimper. Once the excitement of the opening production in the Cour d'Honneur has passed, the remaining artists often present more modest, less foregrounded projects. There are concerts, readings, and other events, and it remains a vibrant hub of activity, but it is never…
Boris Charmatz dances with discomfort. His work Muette, now in performance at the Festival d'Avignon's La Chartreuse, offers no easy viewing. Earthy movement, prolonged silence, and nudity combine in an unsettling yet riveting exploration of the body. Charmatz seeks to dance the interior self, a sel…
What better way to close out the Festival d'Avignon than with a love letter to the theatre? At the conclusion of Casting Lear, now performing at the Opéra Grand Avignon as part of the Festival, creator and performer André Jiménez makes an impassioned case for the art form. …
In Christiane Jatahy and Wagner Moura's Un Procès Après l'Ennemi du Peuple, now performing at the Festival d'Avignon's Gymnase du Lycée Aubanel, Thomas Stockmann finally gets his day in court. Reimagining the events of Ibsen's An Enemy of the People in contemporary Brazil, the production transfor…
With its generous public funding for culture, France's Festival d'Avignon can produce theatrical spectacles on an extraordinary scale. Its directors regularly push the formal limits of the art form with enormous casts, technological innovation, and elaborate stagecraft. …
In his podcast, political commentator Ezra Klein has examined a curious conundrum within the modern elite: the pursuit of extraordinary qualities divorced from their original purpose. Looksmaxers have become sterile in their pursuit of superhuman beauty. …
In a BBC interview, famed director Katie Mitchell calls for fewer productions of Hamlet. She is tired of attending plays about “misogynistic, angry, depressed men.” I respect any artist defining the boundaries of what interests them. …
Across the Rhône from Avignon, in the picturesque town of Villeneuve, sits Villeneuve en Scène. The site, usually associated with the Festival “Off,” contains food trucks, a bar, picnic areas, and small courts where locals play rounds of boules. Toward the back of the festival grounds stands a…
Some performances in Avignon require me to put on my Euro-goggles. Sometimes the adjustment is one of taste: comedy, for instance, varies dramatically between American and continental European sensibilities. Other times, it is a matter of social vocabulary. Race functions very differently in America…
Molière is a surprising figure to hold such a central position in French culture. The image of France as sophisticated, understated, and elite extends only partially to his oeuvre. In practice, Molière’s theatre appropriated and elevated the popular Italian tradition of commedia dell’arte.…
A confrontation of two New York worlds: the corruption of the New York gangsters, and the pure souls of the young Salvation Army missionaries. The heart of Manhattan vibrates throughout this musically charged performance, New York City is both exhillarating and romantic, as well...
Sam Shepard Adapted from Didier Long and Séverine Vincent Directed by Didier Long With Emma de Caunes, Jean-Claude Dauphin, CLAIRE NEBOUT, ??and Serge Riaboukine VINCENT WINTERHALTER A psychological thriller panting, construction implacable, until the denouement. Between Vinnie...
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MATCH D''IMPRO THEATRALE - LYON VS SUISSE - MATCH D''IMPROVISATION THEATRALE LE TRANSBORDEUR (1/31-1/31) |
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RENVERSANTE THEATRE DES MATHURINS (9/15-12/15) |
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LE GUIDE DU PARFAIT GENTLEMAN ASSASSIN THEATRE DU PALAIS ROYAL (8/22-10/17) |
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SO CULTE ! - SO CULTE ! NOS ANNEES 90 BOBINO (2/26-4/25) |
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ROMEO & JULIETTE PALAIS DES CONGRES DE PARIS (12/03-12/16) |
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ELLEN BABIC TH DU ROND POINT -SALLE JEAN TARDIEU (1/12-1/24) |
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LES ROCHAMBELLES THEATRE MICHEL (9/25-10/25) |
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MATCH D''IMPROVISATION - LYON VS QUEBEC - MATCH D''IMPROVISATION THEATRALE LE TRANSBORDEUR (3/21-3/21) |
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DÉNI THEATRE DE PARIS - SALLE REJANE (9/18-12/26) |
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LA SOEUR DE JESUS CHRIST RADIANT - BELLEVUE (1/31-1/31) |
