The German-language premiere of Alexander Zeldin's The Other Place, translated by Gerhild Steinbuch with dramaturgy by Nils Haarmann. Directed by Alexander Zeldin, it will be performed by Holger Bülow, Jörg Hartmann, Alina Vimbai Strähler, Aya Michèle Zaghdoudi, Isaak Antwi and...
Robert Carsen turns the Lido’s cabaret heritage into a theatrical advantage, creating the most convincing production yet of its musical-theatre era.…
Tucked into La Grange's intimate corner of Bruxellons, Andrew Lippa's near-sung-through two-hander proves a musical can carry real psychological weight.…
A brilliantly cast, beautifully judged French production of A Gentleman’s Guide to Love and Murder, where British manners, French theatrical tradition and comic murder collide at the Théâtre du Palais-Royal.…
Some festivals go out with a whimper. Once the excitement of the opening production in the Cour d'Honneur has passed, the remaining artists often present more modest, less foregrounded projects. There are concerts, readings, and other events, and it remains a vibrant hub of activity, but it is never…
Boris Charmatz dances with discomfort. His work Muette, now in performance at the Festival d'Avignon's La Chartreuse, offers no easy viewing. Earthy movement, prolonged silence, and nudity combine in an unsettling yet riveting exploration of the body. Charmatz seeks to dance the interior self, a sel…
What better way to close out the Festival d'Avignon than with a love letter to the theatre? At the conclusion of Casting Lear, now performing at the Opéra Grand Avignon as part of the Festival, creator and performer André Jiménez makes an impassioned case for the art form. …
In Christiane Jatahy and Wagner Moura's Un Procès Après l'Ennemi du Peuple, now performing at the Festival d'Avignon's Gymnase du Lycée Aubanel, Thomas Stockmann finally gets his day in court. Reimagining the events of Ibsen's An Enemy of the People in contemporary Brazil, the production transfor…
With its generous public funding for culture, France's Festival d'Avignon can produce theatrical spectacles on an extraordinary scale. Its directors regularly push the formal limits of the art form with enormous casts, technological innovation, and elaborate stagecraft. …
In his podcast, political commentator Ezra Klein has examined a curious conundrum within the modern elite: the pursuit of extraordinary qualities divorced from their original purpose. Looksmaxers have become sterile in their pursuit of superhuman beauty. …
In a BBC interview, famed director Katie Mitchell calls for fewer productions of Hamlet. She is tired of attending plays about “misogynistic, angry, depressed men.” I respect any artist defining the boundaries of what interests them. …
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RADIO LIVE : NOS VIES A VENIR TH DU ROND POINT-SALLE RENAUD BARRAULT (5/29-5/30) |
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TEAM BUILDINGUE, LA COMÉDIE MUSICALE - TEAM BUILDINGUE La Scene Parisienne (9/29-11/24) |
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L''INCROYABLE HISTOIRE THEATRE DES MATHURINS (10/21-1/12) |
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LILLY ET LE MUSICAL THEATRE DE LA TOUR EIFFEL (11/21-1/02) |
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LE PETIT PRINCE - CONTE MUSICAL SALLE GAVEAU (1/24-1/24) |
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FLASHDANCE - THE MUSICAL - FLASHDANCE SALLE PLEYEL (3/07-3/07) |
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CLEMENT VIKTOROVITCH ZENITH NANTES METROPOLE (1/10-1/10) |
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LE PERE RADIANT - BELLEVUE (1/20-1/20) |
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L''EXPERIENCE THEATRALE RADIANT - BELLEVUE (11/28-11/28) |
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MUSIC-HALL COLETTE RADIANT - BELLEVUE (4/01-4/01) |
