THE CHRISTIANS Submission - Syracuse Stage Auditions

Posted December 15, 2015
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THE CHRISTIANS - Syracuse Stage

THE CHRISTIANS - NYC Appointments
Syracuse Stage | Syracuse, NY

Wilma Theatre |Philadelphia, PA


Send To
THE CHRISTIANS / NYC APPOINTMENT SUBMISSION
Harriet Bass Casting
648 Broadway #912
New York NY 10012

Contract
LORT Non-Rep
C; $776/week minimum (theatre paying above min)

Seeking
NYC auditions to be held on 1/14-1/15/16, by appointment only.

Seeking submissions from AEA members only via this posting.
AEA members must submit themselves directly in order to be considered (no agent submissions).

See breakdown.

Other Dates
This is a Co-Production between Syracuse Stage and The Wilma Theatre.

Mail picture and resume ASAP for consideration.

See breakdown for run dates at each theatre.

Personnel
Artistic Directors: Tim Bond & Blanka Zizka
Director: Tim Bond
Writer: Lucas Hnath
Casting: Harriet Bass

Other
Mark submissions: THE CHRISTIANS / NYC APPOINTMENT SUBMISSION.
Be sure to include your AEA status on your cover letter/resume.


Breakdown

This is a co-production between Syracuse Stage and The Wilma Theatre.

Syracuse Stage
Reh: 3/8/2016
Opens: 4/8/2016
Closes: 4/24/2016

Wilma Theater
Reh: 5/4/2016
Opens: 5/11/2016
Closes: 5/29/2016

Only need to submit once to be considered for appointment for both theatres.

Seeking:

PAUL:
Male, late 40's- 50's. Caucasian. The founding Pastor of a non denominational church who is very charismatic and sincere. He has confidence and a strong sense of morals without arrogance. He has recently had a spiritual epiphany and is struggling to hold his church and his marriage together.

CONGREGANT:
Female, mid 30’s-40’s. Caucasian. A faithful congregant/choir member in a non denominational church. Single mother who is struggling financially. Deeply concerned and confused by her pastor’s revelation, she confronts Pastor Paul with difficult questions. Jenny emerges from the choir and sings four songs with them before she gives testimony so please have the actress bring in 16-32 bars of an A Capella song preferably a church hymn or Amazing Grace.

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