PRIDE AND PREJUDICE Submission - Syracuse Stage Auditions
Syracuse Stage
PRIDE AND PREJUDICE - NYC Appointments
Syracuse Stage
APPOINTMENTS
NYC Appointment only auditions to be held 12/04/18
CONTRACT
LORT Non-Rep LORT D Contract – paying apx. LORT C rates ($850 - $900)
SEEKING
Submissions from AEA Actors only for 2 roles. See breakdown.
INSTRUCTIONS
For consideration, please email (preferred) or mail picture and resume asap. Indicate your AEA Status in your submission.
SUBMIT TO
Harriet Bass Casting
ATTN: Pride and Prejudice AEA Submission
112 W 34th Street 17th Floor
New York, NY 10120
PERSONNEL
Director: Jason O’Connell
Writer: Kate Hamill
Choreographer: Anthony Salatino
Artistic Director: Robert Hupp
Casting: Harriet Bass Casting
Casting Director: Harriet Bass
Casting Assistants: Gama Valle and Brandy Zarle
OTHER DATES
Callback: 12/05/18
First Rehearsal: 2/26/19
First Preview: 3/20/19
Opening: 3/22/19
Closing: 4/7/19
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
LIZZY BENNET- female, any ethnicity, 20s to mid-30s. Clever, spirited; can be sharp-tongued. Gets flustered, which makes her klutzy. Prides herself on good judgment. Not especially beautiful. Does not double.
JANE BENNET/MISS DE BOURGH- a woman of color, late 20’s to late 30’s, the eldest and most beautiful Bennet daughter. Kind, idealistic, diffident. Always tries to do the right thing. Also plays MISS DE BOURGH; overbred and overindulged.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
