Review: SPAMALOT at Denver Center For The Performing Arts
What did our critic think of SPAMALOT at Denver Center For The Performing Arts?…
What did our critic think of SPAMALOT at Denver Center For The Performing Arts?…
In 1977, a group of disabled activists peacefully occupied the San Francisco federal building in support of the signing of the first major piece of legislation that mandated enforcement of legal protections for the disabled community. 504: The Musical is a fictionalized version of the twenty-five da…
What did our critic think of TACO TOWN at Miners Alley Performing Arts Center?…
A fun, funny tour that may leave former theatre kids unexpectedly nostalgic.…
What did our critic think of SOMEWHERE at Denver Center For The Performing Arts?…
Furlough’s Paradise at Curious Theatre Company examines the strained relationship between estranged cousins Mina and Sade, reunited by grief and forced to confront the divergent paths their lives have taken. …
Elham, playwright Sanaz Toossi’s brilliant character played by an equally brilliant Vanah Assadourian, frustratedly exclaims in a tongue unfamiliar to her mouth, “I want everyone to know I am not an idiot and also I am nice.” English, produced by the Denver Center for the Performing Arts, capt…
Alicia Keys’ Hell’s Kitchen at the Denver Center for the Performing Arts tells a perfectly coherent story—it’s just not a very interesting one. An overprotective mother badgers her daughter to stay safely in her apartment and away from the glitz, glamour, and danger of those pernicious New Y…
Brilliant musicianship, soulful performances, and expert craft make Next to Normal at the Denver Center for the Performing Arts deeply identifiable. Unfortunately, the pathos it creates through these immense talents may cast more doubt on mental health care than broker clarity surrounding mental ill…
Cryptic, co-produced by Fictive and OddKnock Productions turned a warehouse space into an immersive production that felt more like a fast-paced amusement park ride. Without spoiling too much, the premise is that a chipper tour guide (on my night played by Beau Fisher, though the role may alternately…
21 total · showing 11–20
Yuja Wang performs a one-night-only program of Latin-Caribbean jazz with the People of Earth collective. Wang is a global sensation and alumna of the Aspen Music Festival and School.
Rachmaninoff Competition gold medalist Angel Stanislav Wang makes his Aspen Music Festival and School debut with a solo program featuring works by Granados, Liszt, Debussy, and Stravinsky.
Diapason d'Or winner Jean-Yves Thibaudet performs Debussy's complete Preludes in a solo recital at the Aspen Music Festival and School.
Grammy winner Daniil Trifonov joins Finnish conductor Dima Slobodeniouk and the Aspen Festival Orchestra for a program featuring Glazunov's Second Piano Concerto.
Robert Spano leads the Aspen Festival Ensemble in an all-Mozart program featuring Avery Fisher Prize winner Emanuel Ax as soloist.
Caroline Shaw's Entr'acte for strings is led by Assistant Conductor Ken Yanagisawa, winner of the 2025 Aspen Conducting Prize. Shaw serves as Principal Guest Composer of the Aspen Music Festival and School.
Opera Encounters is a vocal showcase hosted by composer Nico Muhly and Grammy-winning countertenor Anthony Roth Costanzo. The event is part of the Aspen Opera Theater and VocalARTS program.
Principal Guest Composer Caroline Shaw's kaleidoscopic orchestral work The Observatory is performed by the Aspen Conducting Academy Orchestra.
MacArthur fellow Matthew Aucoin's First Symphony receives its world premiere performance from the Aspen Festival Orchestra with three-time Grammy-winning mezzo-soprano Joyce DiDonato as soloist. The work is an AMFS co-commission and is conducted by AMFS alumnus Cristian...
Robert Spano leads the Aspen Festival Orchestra in an all-American program featuring selections from John Adams's opera Nixon in China. Star vocalists Renée Fleming and Thomas Hampson appear as guest soloists.
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