Review: SPAMALOT at Denver Center For The Performing Arts
What did our critic think of SPAMALOT at Denver Center For The Performing Arts?…
Aspen Music Festival and School
Review: 504: THE MUSICAL at Kilstrom Theater
In 1977, a group of disabled activists peacefully occupied the San Francisco federal building in support of the signing of the first major piece of legislation that mandated enforcement of legal protections for the disabled community. 504: The Musical is a fictionalized version of the twenty-five da…
Review: TACO TOWN at Miners Alley Performing Arts Center
What did our critic think of TACO TOWN at Miners Alley Performing Arts Center?…
Review: BEETLEJUICE at Denver Center For The Performing Arts
A fun, funny tour that may leave former theatre kids unexpectedly nostalgic.…
Review: SOMEWHERE at Denver Center For The Performing Arts
What did our critic think of SOMEWHERE at Denver Center For The Performing Arts?…
Review: FURLOUGH'S PARADISE at Curious Theatre
Furlough’s Paradise at Curious Theatre Company examines the strained relationship between estranged cousins Mina and Sade, reunited by grief and forced to confront the divergent paths their lives have taken. …
Review: ENGLISH at Denver Center For The Performing Arts
Elham, playwright Sanaz Toossi’s brilliant character played by an equally brilliant Vanah Assadourian, frustratedly exclaims in a tongue unfamiliar to her mouth, “I want everyone to know I am not an idiot and also I am nice.” English, produced by the Denver Center for the Performing Arts, capt…
Review: ALICIA KEYS' HELL'S KITCHEN at Denver Center For The Performing Arts
Alicia Keys’ Hell’s Kitchen at the Denver Center for the Performing Arts tells a perfectly coherent story—it’s just not a very interesting one. An overprotective mother badgers her daughter to stay safely in her apartment and away from the glitz, glamour, and danger of those pernicious New Y…
Review: NEXT TO NORMAL at The DCPA Theatre Company
Brilliant musicianship, soulful performances, and expert craft make Next to Normal at the Denver Center for the Performing Arts deeply identifiable. Unfortunately, the pathos it creates through these immense talents may cast more doubt on mental health care than broker clarity surrounding mental ill…
Review: CRYPTIC at Oddknock
Cryptic, co-produced by Fictive and OddKnock Productions turned a warehouse space into an immersive production that felt more like a fast-paced amusement park ride. Without spoiling too much, the premise is that a chipper tour guide (on my night played by Beau Fisher, though the role may alternately…
Past Shows
21 total · showing 1–10
Aspen Festival Orchestra: Shostakovich Fifth Symphony
Delyana Lazarova, principal guest conductor of both the Utah Symphony and BBC Scottish Symphony Orchestra, makes her AMFS debut leading the Aspen Festival Orchestra in Shostakovich's Fifth Symphony.
Reena Esmail: Concerto for Violin and Piano
The Concerto for Violin and Piano by Indian-American composer Reena Esmail is performed by the brother-and-sister team of Gil and Orli Shaham. The work is an AMFS co-commission.
Aspen Festival Orchestra: Mahler First Symphony
Stéphane Denève, music director of the St. Louis Symphony and artistic director of the New World Symphony, conducts the Aspen Festival Orchestra in Mahler's First Symphony.
Jessie Montgomery: These Righteous Paths
Grammy winner Jessie Montgomery's Cello Concerto, These Righteous Paths, receives its Colorado premiere with its dedicatee, South African cellist Abel Selaocoe, as soloist. The work was co-commissioned by the Aspen Music Festival and School.
Joan Tower: Love Returns
Joan Tower's saxophone concerto Love Returns, an AMFS co-commission, is performed featuring Steven Banks as soloist under the leadership of Leonard Slatkin.
Aspen Festival Orchestra: Gershwin Piano Concerto
Robert Spano leads the Aspen Festival Orchestra with Jean-Yves Thibaudet as soloist in Gershwin's F-major Piano Concerto.
Aspen Chamber Symphony with Yuja Wang and Teddy Abrams
Yuja Wang reunites with conductor Teddy Abrams, with whom she won a 2024 Grammy Award, for a performance of Barber's Piano Concerto with the Aspen Chamber Symphony.
the wealth of nations
The wealth of nations is a new Adam Smith-inspired oratorio by Pulitzer Prize laureate David Lang, co-commissioned by the Aspen Music Festival and School. The work features Fleur Barron and Davóne Tines with Choral Ensemble-in-Residence Kantorei, and this performance marks its...
Hildegard
Hildegard is the first opera by AMFS alumna Sarah Kirkland Snider, described by The New York Times as gorgeously mesmerizing. This performance marks the Colorado premiere of the work, which was co-commissioned by the Aspen Music Festival and School.
Caroline Shaw: Brush
Principal Guest Composer Caroline Shaw's site-specific experiential installation piece Brush is presented as an open-air performance led by Grammy-winning conductor and AMFS alumnus Teddy Abrams.
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Topdog/Underdog Historic Shorter AME (8/29-9/20) |
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Cole Swindell Gerald R. Ford Amphitheater, (9/10-9/10) |
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The Carpenters Songbook: A Live Celebration Buell Theatre (11/14-11/14) |
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Never Can Say Goodbye: The 70s Beehive Musical Rocky Mountain Repertory Theatre (9/04-10/03) |
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Death Becomes Her Buell Theatre (5/25-6/06) PHOTOS |
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Hold On To Your Butts DCPA Cabaret (9/16-10/04) |
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The Tempest Kilstrom Theatre (10/02-11/01) PHOTOS |
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Insight Colab Theatre presents Shadows & Secrets Vintage Theatre (8/28-8/30) |
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Buena Vista Social Club Buell Theatre (4/27-5/09) PHOTOS |
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Shrek The Musical Rocky Mountain Repertory Theatre (6/05-8/29) |