TRAV'LIN Musical to Make Connecticut Debut at Seven Angels Theatre

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Following productions at Houston's Ensemble Theatre and Fort Worth's Jubilee Theatre, and development in New York City and Washington, D.C., including a sold-out run at the New York Musical Festival (NYMF), Trav'lin - The 1930s Harlem Musical receives its Connecticut Premiere at Waterbury's Seven Angels Theatre, beginning Thursday, May 11, 2017. Opening Night is Saturday, May 13, and the show runs through Sunday, June 11, 2017.

Paul Stancato, who helmed Trav'lin's developmental showcase at (NYMF) in 2010, directs a cast including Miche Braden, Teren Carter, Lothar Eaton, Jacobi Hall, Cherry Torres, and Yewande Odetoyinbo. Music Director John Di Pinto also reprises his duties from NYMF.

Trav'lin celebrates the joyful energy of 1930s Harlem with a classic jazz and blues score by Harlem Renaissance composer J.C. Johnson (1896-1981). The original book, by Gary Holmes and Allan Shapiro, inspired by Johnson's tales of his life and times, follows three couples of different ages playing the game of love in 1930s Harlem. They learn an enduring lesson when George, a retired Pullman porter and church deacon, meets his match in the guise of a down-and-out stranger who is not the person she pretends to be.

J.C. Johnson wrote Bessie Smith's signature "Empty Bed Blues" and collaborated with some of the best-loved composers and lyricists of the period including "Fats" Waller, Andy Razaf, Chick Webb, George Whiting and Nat Schwartz. His music has been performed and recorded by numerous stars including Billie Holiday, Ella Fitzgerald, Louie Armstrong, Fred Astaire, Duke Ellington and Count Basie, and has been heard on Broadway in Ain't Misbehavin' and Me and Bessie.

Following public readings at The York Theatre Company, Trav'lin received a fully-staged developmental showcase at NYMF in 2010 featuring Doug Eskew (Five Guys Named Moe) and Brenda Braxton (Smokey Joe's Café). The show was called "a minor miracle" and "a pure delight" by The Huffington Post and highlighted in a Wall Street Journal feature story on Johnson. In July 2012, a revised version of the script was presented in a public reading at 1st Stage Theater in the Greater Washington, D.C. area. At Jubilee Theater in Fort Worth, TX, TheatreJones said the show was "guaranteed to be a crowd pleaser", and at Ensemble Theatre in Houston, TX, BroadwayWorld called Trav'lin "full of heart and soul" and said "[T]his show is pitch perfect and will have you enamored from start to finish." More information on Trav'lin - The 1930s Harlem Musical and sound clips can be found at www.travlinthemusical.com.

Tickets to Seven Angels Theatre's production of Trav'lin are available for purchase on-line at www.sevenangelstheatre.org or by phone (203-757-4676). Seven Angels Theatre is located at 1 Plank Road in the histoRic Hamilton Park Pavilion, Waterbury, CT 06705. More information about the theatre can be found at www.sevenangelstheatre.org.

ABOUT THE AUTHORS:

J.C. JOHNSON (principal composer) arrived in Harlem from Chicago in the 1920s, and quickly established his reputation as a composer and lyricist, becoming Fats Waller's best friend and frequent collaborator. He wrote the classic "Empty Bed Blues" for Bessie Smith and "Lonesome Swallow" for Ethel Waters. Billie Holiday sang his "Trav'lin All Alone" when auditioning for her first singing job, one of several of his songs she went on to record. He also composed songs for Broadway shows and revues, and his Jazz Train played the West End and toured Europe for three years in the 1950s. More recently, his songs have been included in Me and Bessie, Ain't Misbehavin', and the West End's Cotton Club and Rent Party. J.C.'s work has become part of American popular musical history.

"FATS" WALLER, Andy Razaf, Fletcher Henderson, Chick Webb, Ella Fitzgerald, Claude Hopkins, George Whiting and NAT SCHWARTZ, some of the best-loved composers and lyricists of the period, all collaborated with J.C. on the songs in Trav'lin.

GARY HOLMES (book and additional lyrics) met J.C. Johnson at age ten and instantly became his protegé and friend, learning about his music and eagerly listening to his wondrous stories, many of which form the basis for Trav'lin. Gary's passion for J.C.'s music and legacy has become a lifetime commitment. Gary holds an MFA in playwriting from NYU's Tisch School of the Arts and has had his plays produced in various colleges and small theaters. Other current writing projects include the play Diary of a Nobody (based on George Grossmith's book), the musical revue Night Club Mamas, and a film adaptation of the book A Good Day Has No Rain.

ALLAN SHAPIRO (book and additional lyrics) began his theatrical career as an apprentice at the Williamstown Summer Theatre, following numerous college performances at Harvard. As an entertainment attorney, he worked on a number of Broadway and Off-Broadway productions including Sophisticated Ladies, Amen Corner, Bosoms and Neglect, Charlie and Algernon (London and Broadway), and Say Goodnight, Gracie. He also represented Broadway producers in negotiations with Actors' Equity Association and The Dramatists Guild of America for Broadway contracts.

Paul Stancato (Director) is a New York based director/choreographer who works in theatre, film and television. Broadway: Tony nominated Wedding Singer (asst. chor); Nat'l Tour: Flashdance (dir/chor), Wedding Singer (dir), Jekyll and Hyde (dir/chor). Internationally, he has worked in China, Belgium, and London as the Artistic Director for The House of Dancing Water. He was the Resident Director for Disney's The Lion King (Helen Hayes nom). Recent directing/choreographing credits include: Jekyll & Hyde (Engeman Theater), Collected Stories, Long Day's Journey Into Night (Palm Beach Dramaworks), ICON (NYMF), Powerhouse (New Ohio Theater), Grease (Engeman Theater), Trav'lin (Seven Angels Theatre), and Einstein's Dreams (Best Direction - Fringe). Film: "The Painter's Dream", "Run". Member of Lincoln Center's Director's Lab, Okrent Fellowship nominee, and has developed new work with Drama League, The Public Theatre/Joe's Pub, The 5th Avenue Theatre, NYMF, La Mama, Dixon Place, Minetta Lane Theater, and Universal Studios. Upcoming: On Golden Pond, In the Heights. www.paulstancato.com.

John DiPinto (Music Director, Arranger, Orchestrator) was Music Director for the NYMF production of Trav'lin in 2010. Broadway credits include: Footloose, [title of show], Laughing Room Only, Victor/Victoria. Off-Broadway: Shoes And Baggage, Langston In Harlem, Altar Boyz, Water From The Moon, A Christmas Memory (Irish Rep), Disaster!, I'm Getting My Act Together And Taking It On The Road (The York Theatre), Summer Of '42, Nor'mal, Streakin'!, The Bubbly Black Girl Sheds Her Chameleon Skin, and A Man Of No Importance. Regional credits include Songs For A New World, The Honky Tonk Angels, The Blackamoor Angel, Smokey Joe's Café, and Make Me A Song. As an actor John has appeared in Oil City Symphony, The Good Doctor, Pump Boys And Dinettes, Smoke On The Mountain, King Mackerel And The Blues Are Running, and A Day In Hollywood/A Night In The Ukraine. He is also active in the cabaret scene in NYC, and he and his singing partner Mary Foster Conklin have performed their shows Maybe It's Because Of Love and Down For Double at various NY venues to rave reviews. John has composed music for the University of Pennsylvania's Mask and Wig Club, and for the children's show Kid Power And The Planet Protectors, as well as an eclectic variety of vocal and instrumental music. He is an Adjunct Professor at New Jersey City University, and a musical director for NYU's Graduate Musical Theatre Writing program.

Founded by Semina DeLaurentis in 1989 and launched with a smash production of Nunsense featuring members of the original Off-Broadway cast and creative team, Seven Angels Theatre is a non-profit professional Regional theatre. In conjunction with Actor's Equity, Seven Angels' activities include an apprenticeship program established for serious actors working to gain membership in the union. In 1991, the histoRic Hamilton Park Pavilion became home to Seven Angels Theatre, where it continues to produce till this day.



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