BWW Review: A CHRISTMAS CAROL at The Goodman Theatre
With its mixture of darkness and light, Charles Dickens' A CHRISTMAS CAROL is a long-standing holiday tradition that takes audiences on a journey of misery, revelation, and redemption.
The latest reviews and critic recommendations from Chicago.
With its mixture of darkness and light, Charles Dickens' A CHRISTMAS CAROL is a long-standing holiday tradition that takes audiences on a journey of misery, revelation, and redemption.
Every year, a group of my friends and I go to The Music Box Theatre here in Chicago for our annual viewing of White Christmas.
Tracy Letts's world premiere THE MINUTES, now making its debut at Steppenwolf Theatre Company, unfolds in an unsuspecting manner.
On the page, Harmon so beautifully expresses the nuances of shifting friendships and the fear of being left behind by those one holds dear, and he also nails so completely the complex neuroses that come with dating, loneliness, and being lost in one's own head.
Under the direction of frequent company collaborator Brenda Didier, BILLY ELLIOT THE MUSICAL electrifies the mainstage at the Ruth Page Performing Arts Center, Porchlight's new home.
Under the deft direction of Audrey Francis, Steep Theatre Company treats audiences to an intimate, intense Chicago premiere of Ayad Akhtar's THE INVISIBLE HAND.
THE CALLBACK is an engaging evening of entertainment that's suitable for all ages.
Mercury Theater's revival of the iconic rock musical HAIR infuses some peace, love, and sunshine into this Chicago summer.
Christopher Wheeldon's visually stunning production of AN AMERICAN IN PARIS has come dancing into Broadway In Chicago's Oriental Theatre.
"This music is magical.
Taylor Mac's HIR, now in its Chicago premiere at Steppenwolf under the direction of Hallie Gordon, proves itself to be a complete whirlwind from the beginning.
In the McHenry County area, there's always such great theatre going on, and that's what I got when I went to see McHenry County College's hilarious production of Ken Ludwig's Moon Over Buffalo directed by the wonderful Regina Belt-Daniels.
Following a successful 2015 run, that great white whale MOBY DICK has returned to Lookingglass in a highly physical, inventive, and visually compelling production that's fully in keeping with the company's aesthetic.
Bartlett Sher's 2015 Tony Award winning revival of THE KING AND I has sailed into Broadway In Chicago's Oriental Theatre in a triumphant touring production.
Picture it, an anniversary party with your dear friends, all dressed up with your spouse, and everything is not quite right.
Both beautiful and necessarily brutal, Antoinette Nwandu's PASS OVER is a play that's entirely essential to this moment.
The world premiere of Karen Zacarias's NATIVE GARDENS at Victory Gardens Theater provides ample humor and wit-even if the playwright's neighborly metaphor sometimes feels too on the nose.
Just as Stephen Flaherty and Lynn Ahrens's 1999 musical RAGTIME traverses numerous locales on the East Coast and spans the years from 1906-1914, so too does director Scott Weinstein's dynamic staging make full use of The Den Theatre's Heath Mainstage.
PARADE is now in a blistering and beautifully minimalist production from director Gary Griffin.
Audra McDonald, the reigning Queen of Broadway, is a woman who needs no introduction in the theatre community.
BWW Review: Young Stars Brighten LITTLE MISS SUNSHINE
An appealing cast.
True blue fans of Stephen Sondheim (this reviewer included) will be drooling over Porchlight's latest offering MARRY ME A LITTLE.
It was a night filled with wonder, talent and hilarity as Inhabit Theater performed A VAUDEVILLE FIASCO at The Other Side in Crystal Lake
In putting together American Theater Company's current production of William Inge's classic play PICNIC, Artistic Director Will Davis said he wanted his cast "to reflect the playwright and the powerful forces in his own psyche that kept him from happiness and fulfillment.
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