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CHICAGO THEATER REVIEWS

The latest reviews and critic recommendations from Chicago
BWW Review: CONSTELLATIONS at Steppenwolf Tells A Universal, Intimate Love Story

BWW Review: CONSTELLATIONS at Steppenwolf Tells A Universal, Intimate Love Story

by Rachel Weinberg — June 6, 2016
In the opening moments of Nick Payne's new play CONSTELLATIONS-now in its Chicago premiere in the Upstairs Theatre at Steppenwolf-the playwright presents audiences with an archetypal 'Boy Meets Girl' story. But then that moment occurs again and again, each time playing out in a different universe. A...
BWW Review: CHICAGO Brings its City a 'Splendiferous' Show

BWW Review: CHICAGO Brings its City a 'Splendiferous' Show

by Kailey Hansen — May 12, 2016
There's a moment during the ritzy, jazzy smash hit, Chicago, when charming lawyer Billy Flynn compares a murder trial to a dazzling, show-stopping circus: 'Give'em a show that's so splendiferous,' he says. And that Chicago truly did....
BWW Review: Strawdog's ONCE IN A LIFETIME Offers Up Comedic Nostalgia

BWW Review: Strawdog's ONCE IN A LIFETIME Offers Up Comedic Nostalgia

by Rachel Weinberg — May 6, 2016
For Strawdog Theatre Company's final production in its Broadway home, the company fittingly presents George S. Kaufman and Moss Hart's 1930 comedy ONCE IN A LIFETIME-both play and production are rife with charm and sly winks to the audience. Director Damon Kiely's choice to stage this particular K...
BWW Review: Porchlight Finds New Moves to Invigorate CHESS

BWW Review: Porchlight Finds New Moves to Invigorate CHESS

by Misha Davenport — May 4, 2016
CHESS, Porchlight Musical Theatre's final staged reading in the third season of its 'lost' musicals-as- staged-concert series manages to present the show's glorious, pop opera score in all its glory and nearly succeeds in covering up the fault lines that run through the book....
BWW Review: It's a Pleasure Getting to Know Lyric Opera's THE KING AND I

BWW Review: It's a Pleasure Getting to Know Lyric Opera's THE KING AND I

by Rachel Weinberg — May 2, 2016
Under the direction of Lee Blakeley at Lyric Opera (who originally staged this production for Paris's Theatre du Chatelet in 2014), Rodgers and Hammerstein's classic musical THE KING AND I is heightened to the lavish and beautiful spectacle it deserves. This story of British school teacher Anna Leon...
BWW Review: HOUSE OF BLUE LEAVES a Confusing Madcap Drama

BWW Review: HOUSE OF BLUE LEAVES a Confusing Madcap Drama

by Teresa Budasi — April 28, 2016
THE HOUSE OF BLUE LEAVES is a mixed bag of tone and theme. It is comedy, tragedy, drama, slapstick and farce and then ends in a dark, dark place. Its themes -- The American Dream, mental illness, religion, loneliness, violence and betrayal -- are played out to varying levels of hysteria, which makes...
BWW Review: Sweating Bullets at BULLETS OVER BROADWAY to Little Effect

BWW Review: Sweating Bullets at BULLETS OVER BROADWAY to Little Effect

by Patrick O'Brien — April 27, 2016
Woody Allen's film is promising source material for a musical. This is what we got....
BWW Review: Mercury's THE PRODUCERS Big on Laughs

BWW Review: Mercury's THE PRODUCERS Big on Laughs

by Misha Davenport — April 25, 2016
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BWW Review: The Marriott Lincolnshire Takes EVITA To An Intimate Stage

BWW Review: The Marriott Lincolnshire Takes EVITA To An Intimate Stage

by Kailey Hansen — April 22, 2016
Capturing the renowned musical retelling of Eva Peron-Argentinian fashion icon, pop culture staple and political powerhouse-is no small task for any theater. Combine that with the incomparable music of Andrew Lloyd Webber and the deeply dynamic lyrics of Tim Rice and you've got Broadway-sized shoes ...
BWW Review: ONE-MAN STAR WARS TRILOGY: Enjoy It, Superfans Will

BWW Review: ONE-MAN STAR WARS TRILOGY: Enjoy It, Superfans Will

by Teresa Budasi — April 21, 2016
Remember when your little brother re-enacted every 'Star Wars' scene in your basement when you were kids - complete with voice impersonations, sound effects and light saber battles? Fast-forward about 35 years and you'll see him all grown up, onstage, wielding an imaginary light saber and occasional...
BWW Review: World Premiere of Ike Holter's SENDER at A Red Orchid Theatre Paints A Sm

BWW Review: World Premiere of Ike Holter's SENDER at A Red Orchid Theatre Paints A Smart, Entertaining Portrait of Emerging Adulthood

by Rachel Weinberg — April 21, 2016
Ike Holter's new play SENDER, now in its world premiere production at A Red Orchid Theatre, thrives on the contrast between order and chaos. Or, more precisely in the millennial world of the play, the tension between wanting to remain in childhood and the need to face the realities of adulthood. The...
BWW Review: Porchlight's DREAMGIRLS Will Make You Happy

BWW Review: Porchlight's DREAMGIRLS Will Make You Happy

by Misha Davenport — April 18, 2016
Porchlight's production of DREAMGIRLS is a theater lover's dream come true....
BWW Review: Steppenwolf's MARY PAGE MARLOWE Struggles to Find Its Identity

BWW Review: Steppenwolf's MARY PAGE MARLOWE Struggles to Find Its Identity

by Elee Schrock — April 13, 2016
BroadwayWorld.com Chicago review's Steppenwolf's production of 'Mary Page Marlowe.'...
BWW Review: Victory Gardens Theater's World Premiere of HILLARY AND CLINTON Offers An

BWW Review: Victory Gardens Theater's World Premiere of HILLARY AND CLINTON Offers An Intriguing, Timely Portrait of Life in the Public Eye

by Rachel Weinberg — April 11, 2016
Victory Gardens Theater's world premiere production of Lucas Hnath's HILLARY AND CLINTON invites audiences to imagine an alternate universe, though similar to our own, in which a woman named Hillary Clinton is running for United States president. And in setting up the play this way, Hnath has crafte...
BWW Review: Despite Solid Performances, HAZEL was Maid-for-TV, Not Theater

BWW Review: Despite Solid Performances, HAZEL was Maid-for-TV, Not Theater

by Teresa Budasi — April 7, 2016
Folks of a certain age might remember Hazel, the spunky, middle-aged maid upon which a 1960s television sitcom was based. Now, 50 years later, she's on stage, taking care of the same family, only this time she's cracking wise via song and dance....
BWW Review: KILL FLOOR at American Theater Company Makes for Bloody Good Theater

BWW Review: KILL FLOOR at American Theater Company Makes for Bloody Good Theater

by Rachel Weinberg — March 30, 2016
KILL FLOOR at American Theater Company is truly a killer production. Abe Koogler's intense and poignant new play is in excellent hands in this Midwest premiere directed by Jonathan Berry. KILL FLOOR insightfully examines contemporary issues of humanity, race, and identity, and with its superb castin...
BWW Review: A Sweet and Dark MATLIDA THE MUSICAL

BWW Review: A Sweet and Dark MATLIDA THE MUSICAL

by Misha Davenport — March 25, 2016
Sound problems mar an otherwise spectacular tour....
BWW Review: Northlight's BUTLER a peculiar slice of American history

BWW Review: Northlight's BUTLER a peculiar slice of American history

by Teresa Budasi — March 22, 2016
If Major General Benjamin Franklin Butler hadn't been a lawyer, he might have tried his hand at psychotherapy, particularly talk therapy. His hyper-focus on word choice and the meaning behind said choices is the first impression we get of this Civil War leader in BUTLER, now playing through April 17...
BWW Review: Court Theatre's LONG DAY'S JOURNEY INTO NIGHT Searingly Comes to Life

BWW Review: Court Theatre's LONG DAY'S JOURNEY INTO NIGHT Searingly Comes to Life

by Rachel Weinberg — March 21, 2016
Eugene O'Neill's blazing masterwork LONG DAY'S JOURNEY INTO NIGHT introduces audiences to the enormously dysfunctional Tyrone family, who over the course of the play's three-and-a-half-hour run time, completely and utterly destroy one another. O'Neill felt that LONG DAY'S JOURNEY was such a personal...
BWW Review: RECENT TRAGIC EVENTS at Interrobang Theatre Project

BWW Review: RECENT TRAGIC EVENTS at Interrobang Theatre Project

by Patrick Rybarczyk — March 20, 2016
With the tragedy of 9/11, thousands of lives were turned upside down in an instant. Others were faced with a lingering sense of helplessness. As the hours, and in some cases days passed, there were attempts by many to locate loved ones who were unaccounted for in the aftermath. That painful waiting ...
BWW Review: Theo Ubique's Must-See RENT

BWW Review: Theo Ubique's Must-See RENT

by Misha Davenport — March 18, 2016
Theo Ubique scores with director Scott Winstein's timeless and topical production of Jonathan Larson's RENT....
BWW Review: Profiles Theatre's JERUSALEM Is a Poetic Trip Into the Woods

BWW Review: Profiles Theatre's JERUSALEM Is a Poetic Trip Into the Woods

by Patrick Rybarczyk — March 14, 2016
It's St. George's Day and a merry band of rural England revelers wake in the aftermath of a night of debauchery. The leader of the pack, a Falstaff of sorts Johnny 'Rooster' Byron, surveys the surroundings outside of his trailer home - a refrigerator, scattered bottles and chairs at a table, and a d...
BWW Review: Fleet-Footed Ensemble Fuels Fabulous 42nd STREET

BWW Review: Fleet-Footed Ensemble Fuels Fabulous 42nd STREET

by Teresa Budasi — March 11, 2016
It's all about the chorus kids in 42nd STREET, the latest national touring company to come through town. And these kids have talent and energy to spare. Better act fast, though, because this Broadway in Chicago offering will be shuffling off to Buffalo -- or wherever it's headed next -- faster than ...
BWW Review: Gift Theatre's High-Tech RICHARD III Reaches New Heights

BWW Review: Gift Theatre's High-Tech RICHARD III Reaches New Heights

by Teresa Budasi — March 9, 2016
The title character's opening soliloquy sets the tone for the despicable acts to come in William Shakespeare's 'RICHARD III,' but it is a later scene in The Gift Theatre's version that packs the biggest punch....
BWW Review: Kokandy's So Very Chicago Premier of HEATHERS

BWW Review: Kokandy's So Very Chicago Premier of HEATHERS

by Misha Davenport — March 6, 2016
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