PLUNDER & LIGHTNING: A PIRATE'S LIFE at Federal Taphouse

Yes, there’s metal. Yes, there’s dancing. Yes, there are costumes. There are even puppets. As the producer and writer explains, “We wanted to make this way over the top. The puppets worked their way in as our character descends into a fantasy world. They embody conscience, advice - but it all comes back to reality as you solve problems and come through. There’s something magical about introducing puppets on the stage. They have feelings. They have their own struggles. I grew up with Jim Henson. Puppets can be real characters.”

 

Bowser and co-writer Jamie Kramer, a long-time friend, came to the show with concepts but little knowledge; they, as well as musicians and cast, have all learned as the production has grown. “When we started out we knew nothing about writing a musical. We threw the first three scripts away. We’re using our comedy, our humor, and people respond. I’ve played in bands - I’ve learned lines, blocking, choreography, for this. I’ve had to explain to actors that they just need to relax and rock out, and explain to the band members that they need to be more precise.”

 

This isn’t seen as comparable to Dolly Parton’s pirate dinner theatre on the one hand, or as TOMMY on the other. Instead, Bowser compares PLUNDER AND LIGHTNING to the mother of all interactive theater: “We’d love to be the next Rocky Horror. We do have a kit at the door - please, don’t bring rice. Audience reaction needs to be interaction. This isn’t Netflix. We’re live, not dialing it in. We’ve got cream of the crop stuff going on. I’d love that to be a trend. We’re taping it to be shown in theaters. We’d love to provoke Rocky Horror responses in the audiences.”

 

Come in comfortable clothes and shoes, and be ready to crowd surf your way aboard a pirate ship. Visit plunderandlightning.com for more information and to purchase tickets to this cult classic in the making.