The latest reviews and critic recommendations from Opera.
'Cherubino is crazy in some ways, in good ways,' says Isabel Leonard, who is singing the role of the young male page in the Almaviva household in the Metropolitan Opera's new Richard Eyre production of LE NOZZE DI FIGARO.
From the first bombastic notes of Richard Wagner's "Prelude to Act III from Lohengrin" to the last pieces of gold confetti raining down onto the stage after the show-stopping finale, "Twisted: A Trio of Excellence" delighted opening night audiences with a unique fusion of movement and sound set to c
Think fairytales can be out of fashion? Please think again.
The enchanted journey we embark upon with Washington National Opera's season opener Florencia in the Amazon is a production filled with beauty and a timeless truth.
Test Pilot, a world premiere dance opera co-created by Penelope Freeh and Jocelyn Hagen, opened at the O'Shaughnessy Theater in Saint Paul on September 12 as a part of the Women of Substance series at St.
As has been the tradition for quite a few seasons, Theater at Monmouth ends its season with a production of one of Gilbert and Sullivan's comic operettas.
The long awaited return of the country's first full-length grand opera NOLI ME TANGERE (a full stage production of the opera* was last seen in Manila 27 years ago), inspired by Jose Rizal's 1887 classic romantic novel 'Noli Me Tangere' ('Touch Me Not'), featuring music by National Artist Felipe de L
Offering a South African spin on Mozart's beloved opera, the Isango Ensemble brings simple stagecraft and a unique musical flair to Washington for a limited run.
So how do you sell a show that was conceived and first staged more than 50 years ago--an opera at that --to a younger audience who probably haven't even heard of Verdi, Puccini, or Maria Callas? The much-awaited return of the Filipino stage classic seems to be tackling just that.
Before Thursday's opening night, Opera Australia and John Frost's revival of the Rodger and Hammerstein classic musical The King and I was already a resounding success following positive reviews during it's run in Melbourne, impressive advanced ticket sales and a Helpmann Award for Best Musical.
Set in Tennessee around the time of the Dust Bowl, 'Susannah' takes its inspiration from a story in the book of Daniel.
The 'red hot' Ailyn Perez-Stephen Costello duo, having been likened to rock star couples, rarely perform together.
The world premiere of PSYCHE: A Modern Rock Opera is undeniably impressive, especially when you consider the scope of the author's vision and the level of detail that has gone into its execution.
Opera Santa Barbara presents The Telephone, a comedic opera in one act for a quick taste of Gian Carlo Menotti's lighter, more humorous work.
The Union Avenue Opera continues its bold venture into Wagner's Ring Cycle with the opening of a fine production of Siegfried, the third in that titanic tetralogical juggernaut that has rolled through opera history since 1874.
As an art form, it seems that opera is having a hard time finding its footing with the current generation of young professionals.
This is top quality opera in every direction, no matter what criteria you care to judge it against.
The opera has no plot or narrative, but offers sketches, suggests thoughts and, perhaps could be best described as an impressionist opera.
In New York City, summer and Shakespeare go hand in hand.
Andre Previn's operatic adaptation of 'A Streetcar Named Desire' opens at the Union Avenue Opera.
It's easy for opera-lovers to complain about the homogenization of casting at the world's great houses—particularly when there's only a small handful of Annas, Jonases, Juan Diegos, Cecilias, etc.
When you think of classic operas LA TRAVIATA is certainly one that immediately comes to mind.
The Houston Grand Opera's brilliant production of Mieczyslaw Weinberg's THE PASSENGER, directed by David Pountney, was a stunning visitor to the Park Avenue Armory last week as a coproduction with the Lincoln Center Festival.
Music director Mark Sforzini and stage director Bill Leavengood have struck gold with their top-flight cast.
I'd call it “love at first sight” (or, more properly, “first hearing”), but this wasn't the first time I'd heard mezzo Jamie Barton.
