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The Buttertones Announce 'Jazzhound' LP, Out April 10

The Buttertones Announce 'Jazzhound' LP, Out April 10

The Buttertones have announced their upcoming LP, Jazzhound will be released April 10th via Innovative Leisure. With this announcement, comes the release of the title track and first single "Jazzhound" premiered exclusively with KCRW, praising "The vocals on the track have a nostalgic 'Doors-ish' sensibility and overall has a darker and moody feel - but fun and very intriguing at the same time."

On the single that band writes that it's, "A mechanical pulse born out of necessity. Flying in the face of obscurity. Accepting the risk and pushing forward, howling the entire way."

Jazzhound comes seven years after the release of the band's self-titled debut. In addition to the album release, the band has shared their upcoming headlining North American spring tour dates. The tour kicks off April 11th in Burlington, Vermont at the Higher Ground and concludes May 30th in Long Beach, California at Alex's Bar. The band will travel coast to coast including Canada and will feature special guests Iguana Death Cult and Tracy Bryant.

Tour Dates:

04/11 - Higher Ground - Burlington, VT
04/12 - Kung Fu Necktie - Philadelphia, PA
04/13 - Sonia - Boston, MA
04/16 - Vinyl Center Stage - Atlanta, GA
04/17 - Mercy Lounge - Nashville, TN
04/19 - Grog Shop - Cleveland
04/20 - Music Hall of Williamsburg - Brooklyn, NY
04/22 - Velvet Underground - Toronto
04/23 - Pike Room - Pontiac, MI
04/24 - X-Ray Arcade - Milwaukee, WI
04/25 - Subterranean - Chicago, IL
04/26 - The Whiskey Junction - Minneapolis, MI
04/27 - Slowdown - Omaha, NE
04/29 - Kilby Court - Salt Lake City, UT
05/02 - Columbia City Theatre - Seattle, WA
05/03 - Hawthorne Theatre - Portland, OR
05/05 - Holy Diver - Sacramento, CA
05/06 - Slim's - San Francisco, CA
05/08 - The Catalyst - Santa Cruz, CA
05/09 - Observatory North Park - San Diego, CA
05/10 - Bunkhouse - Las Vegas, NV
05/12 - Longbrow Palace - El Paso, TX
05/13 - Meow Wolf - Sante Fe, NM
05/15 - Stubb's - Austin, TX
05/17 - Paper Tiger - San Antonio, TX
05/18 - Dada - Dallas, TX
05/21 - Larimer Lounge - Denver, CO
05/27 - Crescent Ballroom - Phoenix, AZ
05/28 - The Fonda - Los Angeles, CA
05/29 - Observatory - Santa Ana, CA
05/30 - Alex's Bar - Long Beach, CA


1. Phantom Eyes
2. Denial You Win Again
3. Rise and Shine
4. Fade Away Gently
5. Dirty Apartment
6. Bebop
7. Blind Passenger
8. Velour
9. Infinite Tenderness
10. Jazzhound

Before settling in to make Jazzhound, their most extravagant, ambitious, and fully realized album to date, the Buttertones had to face the hounds of real life. Prior to a headlining summer tour in support of 2018's Midnight in a Moonless Dream, a fiery blast of an album capturing the band at their purest distillation, drummer/multi-instrumentalist Modesto 'Cobi' Cobiån had a sudden and serious medical scare involving his eye, requiring emergency surgery. He lost half his vision (it will hopefully return with a future operation), and the tour had to be cancelled. Music took a backseat for the time being.

"It gave us some perspective on our health," says bassist Sean Redman, "and the fact that we have to look after ourselves and one another first, or else the music just can't happen." Cobiån, Redman, and vocalist/guitarist Richard Araiza have been playing together for seven years now, having first come together for a self-titled debut in 2013; along with London Guzman on sax and keys, they've come to establish themselves as one of L.A.'s tightest groups, conquering stages from Coachella to Tropicalia. When one of their own had a scare, they rallied around him-and used the experience to come together stronger than ever for the record they were getting ready to make.

"He says the eye patch adds charm to his character," jokes Araiza, who led the Buttertones back into writing mode, taking the reset moment to really focus on the approach and style of the record. The material he was working on took the band forward into a heavier sound-and it also brought them back to the spark of their first album. "It allowed us to go back to the roots and the spirit we had when we started," Redman considers. "We are kind of a new band, in a lot of ways, is what it feels like."

Continuing their partnership with producer Jonny Bell of Crystal Antlers, who produced Moonless Dream as well as 2017's Gravedigging, the Buttertones waited until they were good and ready before hitting the legendary Electro-Vox Studios in Hollywood, where they arrived knowing exactly what they wanted to lay to tape. Armed with an arsenal of the most propulsive music they've written yet, the band recorded the album mostly live-an ideal method for capturing their cult-status live show, which carries on the torch of acts like the Walkmen and the Fleshtones. "We'd do a few takes," says Araiza, "and then it was, 'Alright, we got all the main instruments done, now let's record on the vibraphone that was used on Pet Sounds,' you know?"

But Jazzhound is completely new territory for the group, too, with Araiza, who calls this album "probably the darkest one" he's written lyrically, pushing his Ian Curtis-via-Bobby Darin baritone to new depths, particularly on scorchers like "Phantom Eyes" and "Bebop." It's also the first album with Cobiån acting-and thriving-in his new role as a full-time guitarist (the drum parts were written by him and played by session musician Paul Doyle), and the first since the departure of guitarist Dakota Boettcher as well.

"We really worked our asses off on this one," says Araiza, proudly, already talking about how he can't wait to do it all again and make another record soon-after they tour the world, that is, making up for the lost dates last summer, and then some. "It feels like we're still climbing."

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