BWW Review: BORDERLINE at Ottawa's National Arts Centre - Company Wang Ramirez Experiment with Dance Fusion and Gravity in a Soaring Production
As we wait for the show to begin, a large metal cube, open on three sides, hangs suspended over the stage, gently turning. As the lights dim, the cube is moved to a corner of the stage closest to the audience. Two figures appear on stage and move as if they are running towards the cube, first slowly...
BWW Review: PRINCIPAL DANCER, Regent Street Cinema
Director Felipe Braga is a much-celebrated talent in Latin America, with his past work including a documentary of the life of Brazilian footballer Neymar (Jr) and other professional athletes. He now turns his attention to Royal Ballet Principal Thiago Soares for his new docu-film Principal Dancer....
BWW Review: THE 2018 WORLD CHOREOGRAPHY AWARDS OCTOBER 23, 2018 at The Saban Theatre
Produced and Presented by Cheryl Baxter-Ratliff and Allen Walls, in association with Break The Floor and held at the Saban Theatre in Beverly Hills, CA, there was an overwhelming turnout within the Dance Community to this event. There were reportedly 1,400 people attending.
It was a spectacular e...
BWW Review: INSIDER AND OUTSIDER—HEIDI DUCKLER DANCE THEATRE at The Ford Theatres
“We have resources. Things can be taken away from us, but certain things can NOT be taken away from us: the ability to love, the ability to imagine, the ability to build.” ...
BWW Review: LA BAYADÈRE, Royal Opera House
Ballet narratives have always used their artistic license rather liberally, and stories don't come much sillier than that of La Bayadere - or Swan Lake with ghosts as I prefer to think of it. Neither do casts come more starry than the powerhouse line-up of Marianela Nunez (Nikiya), Vadim Muntagirov...
BWW Review: Vespers – A Woven Tapestry of Sound and Movement by the Royal Winnipeg Ballet at the National Arts Centre in Ottawa
Prior to the performance, André Lewis, The Royal Winnipeg Ballet's (RWB) Artistic Director and CEO, gave a talk to members of the audience, where he stated that artists are able to express themselves through new interpretations and the deconstruction of classic pieces of music. The RWB's Vespers is...
BWW Review: THE THREE MUSKETEERS, Lyceum, Sheffield
Northern Ballet's take on the Three Musketeers is beautiful to watch, with a fantastic score and some delightful fight scenes....
BWW Review: MANON, Milton Keynes Theatre
This revival of Kenneth MacMillan's Manon is a visual and aural delight that should melt the heart of even the most reluctant ballet sceptic....
BWW Review: Nashville Ballet Brings SEVEN DEADLY SINS To Life at TPAC
Always finding unique ways to tell the stories of the world, the Nashville Ballet offered the SEVEN DEADLY SINS for the second year in a row, artistically exploring the darkest depths of our souls....
BWW Review: BALLET BEING TRENDY. STARDUST AND BACH 25 BY COMPLEXIONS CONTEMPORARY BALLET at Bovard Auditorium USC
That is the freedom that I spoke about earlier. Never let the body restrict you. Human bodies have the potential to do anything, if we develop them correctly. Even the most inhuman pointe technique can be something extraordinarily modern. The time they spent on pointe, and the motions they created w...
BWW Review: KESHET CHAIM DANCE ENSEMBLE INTERPRETING THE RAINBOW OF LIFE, LOVE AND OPTIMISM THRU DANCE at Gindi Auditorium
The Rainbow, as a symbol, is realized through the KESHET CHAIM DANCE COMPANY with Special Guest Artists, DANCE STUDIO 84 ~
Rainbows speak directly to our hearts and souls. They bring the promise that the troubles of today will surely come to pass, and if you hold strong to your faith and vision, ...
BWW Review: Equality Echoes at Tennessee Women's Theater Project
With recent events related to the #metoo movement within the dance world, notably at New York City Ballet (NYCB), the voice of women in a setting such as this felt sacred. Among art forms, dance is the ultimate challenge to the agency of the female body, which is often at the direction and control o...
BWW Review: REVELATIONS UNDER A FULL MOON MOON& BY SZALT (DANCE CO.) at The Ford Theatre
I would classify szalt Dance Company as avant-garde, eclectic, modern in approach, sound, philosophy and technique. Though not my specific style of expertise, I was fascinated by the exploration of ideas, body movement and thought processes the dancers expressed. Stephanie Zaletel is the founder of ...
BWW Review: SAVION GLOVER & GREGORY PORTER - SOPHISTICATED RHYTHMS N' JAZZY BLUES NAT KING COLE STYLE at The Hollywood Bowl
He's out there on stage, on a raised dance platform at The Hollywood Bowl, center, downstage, in a simple T-shirt and pants, into himself, making sounds like a woodpecker, a train; a horse trotting,... maybe there are fireworks going off? Maybe gunshots, or a rapid -fire AK-47, even. The sounds are ...
BWW Review: Natalia Osipova as ISADORA at Segerstrom Center For The Arts
It was an awkward show; a hodgepodge of funky contemporary dance, Broadway musical-like performances, and classic ballet performed in a clowning manner, all topped off with some of Isadora Duncan's typical dance movements....
BWW Review: BON IVER & TU ~ MUSIC AND THE MOVES ~ ENTERTAINING AND EVOLVING ~ COME THROUGH at The Hollywood Bowl
August 5th, 2018
During the summer months at the Hollywood Bowl, it is still light out when the evening's program begins, which afforded me the chance to take a look around and peruse the patrons. It seemed a bit atypical as far as age range of most Bowl goers; a rather young and hip group. It wa...
BWW Review: REVEAL: CHOREOGRAPHY AND PERFORMANCES BY THE AILEY DANCERS at The Ailey Citigroup Theater
Performed at The Ailey Citigroup Theater in Ailey's home, The Joan Weill Center for Dance, Reveal featured nine original works choreographed and performed by members of the Alvin Ailey American Dance Theater, with a special appearance by acclaimed Guest Artist and Rehearsal Director Matthew Rushing....
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