Review: A CHORUS LINE at Barrington Stage Company
The musical numbers overall are so well executed it would be unfair to single out any over the rest.
The latest reviews and critic recommendations from Boston.
The musical numbers overall are so well executed it would be unfair to single out any over the rest.
What did our critic think of PARANORMAL ACTIVITY at Emerson Colonial Theatre?
TWELFTH NIGHT is a fast-paced farce that may occasionally edge a tad over the top, but it is well designed, well staged and well presented.
What did our critic think of BETRAYAL at Gloucester Stage Company?
What did our critic think of THE GREAT GATSBY at Citizens Opera House?
I often look or ask for the take away message in a performance.
THE AMERICAN FIVE Intersects Black, Queer, and Jewish histories to showcase the collective work required to bring about societal change.
What did our critic think of THE MYSTERY OF IRMA VEP: A PENNY DREADFUL at Central Square Theater?
FIREFLIES is a delightful little feel-good piece that gives humorous, heartwarming, and character-driven romance.
Theatergoers who have come to love and respect Abasiama Bassey a central character in the emotionally resonant nine-part Ufot Family Cycle by first-generation Nigerian American playwright Mfoniso Udofia, will not want to miss the deeply moving “In Old Age,” the eighth and penultimate play in the
THE ZIONISTS; A Family Storm represents a tremendous new piece of theater.
What did our critic think of ANNIE at Greater Boston Stage Company?
What did our critic think of MERRILY WE ROLL ALONG at Sullivan Rep?
What did our critic think of BLACK SWAN at American Repertory Theater?
Whether autobiographical like “Jersey Boys,” “Beautiful: The Carole King Musical,” and “Tina: The Tina Turner Musical,” or fictionalized like “Mamma Mia!,” jukebox musicals often rely on the drama of their source material as much as their familiar scores for success.
But in playwright Jonathan Spector’s “Eureka Day” – now being given a cleverly funny production by The Huntington at the Huntington Avenue Theatre through June 28 – they are also comic fodder for a trenchant story about a tempest over vaccination in a hyper-woke teacup.
Cast and Crew deliver a high-quality production that is both simple and sublime; historically accurate, topically relevant; and well worth seeing.
What did our critic think of AN EVENING WITH DARREN CRISS at Emerson Colonial Theatre?
Listening to SELECTED STORIES is a delight.
As BTG's Artistic Director, CEO Kate Maguire stated: 'Through moments of joy, heartbreak, humor and healing, JOHN & JEN explores the enduring connections between siblings, parents and children- the people who remain part of us across a lifetime.
Playwright Luis Alfaro aimed high when he decided to bring Sophocles’ “Oedipus Rex” from 429 BC into the 21st century with “Oedipus El Rey,” his contemporary retelling of the Greek tragedy set in a Los Angeles barrio.
What did our critic think of JON BATISTE BRINGS HIS MUSICAL GENIUS TO BOSTON POPS at Symphony Hall?
When it comes to playwrights and poets, William Shakespeare towers above everyone else who has ever put pen to paper.
In most, if not all, other mountings of “Hairspray: The Broadway Musical,” Tracy Turnblad is tucked under her bedcovers when audiences first see the young heroine, ready to show off her high-teased bouffant and let loose with the first notes of the rousing opener, “Good Morning, Baltimore.
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Bat Boy: The Musical Umbrella Arts (9/25-11/08) |
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Covenant SpeakEasy Stage Company (9/25-10/17) |
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The Sound of Music Boch Center Wang Theatre (11/17-11/22) |
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An evening with LaChanze Berklee Performance Center (11/01-11/01) |
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BOUNCERS by John Godber Modern Theatre At Suffolk University (10/01-10/24) |
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Cheyenne Jackson Shalin Liu Performance Center (10/18-10/18) |
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Rocky Horror Show The Company Theatre (10/02-10/18) |
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Cirque Alice The Hanover Theatre and Conservatory for the Performing Arts (1/29-1/31) |
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Beetlejuice, Jr. The Company Theatre (11/06-11/08) |
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Blade Runner Live Emerson Colonial Theater (10/31-10/31) |