BOSTON THEATER REVIEWS

1999 is well written and multi-layered. The subject matter is troubling and will likely elicit a wide range of responses undoubtedly influenced by one’s individual life experiences. The piece presents audience members with a number of questions that are highly topical and relevant. Like the subjec...

What did our critic think of THE CHER SHOW at Bill Hanney's North Shore Music Theatre?...

Whether indie films like “Waitress,” coming-of-age dramas like “The Outsiders,” or comedies like “Beetlejuice,” film-to-stage adaptations most often take the form of Broadway musicals, including Hollywood classics such as “Sweet Smell of Success,” “Days of Wine and Roses,” and mo...

Emotional breakdowns can forever change a person, often not for the better. For Australian performer Sam Kissajukian, however, a lengthy 2021 manic episode with bipolar disorder upended his life and ultimately set him on a course to a new form of artistic expression....

What did our critic think of TICK, TICK...BOOM! at The Umbrella Arts Center?...

What did our critic think of SARDINES (A COMEDY ABOUT DEATH) at The Huntington Theatre? Sardines (a comedy about death) runs now at the Maso Studio at the Huntington Theatre through November 16,...

What did our critic think of THE COUNTER at The Umbrella Arts Center?...

Katori Hall’s thought-provoking drama, “The Mountaintop,” being presented by Front Porch Arts Collective in collaboration with Suffolk University’s Modern Theatre, where it is being staged through October 12....

What did our critic think of OUR TOWN at Lyric Stage Company Of Boston? What makes all worthwhile productions of “Our Town,” like this one, work is what makes the play itself endure. We can relate to Wilder’s characters and connect with their experiences, making the play truly our story in “...

Directed by Isadora Wolfe this production is rather unusual and quite unique. It is physical, poetic and charged with emotional power. Packed with passion, revenge, hubris and heartbreak, METAMORPHOSES is a gripping night of theatre that proves the ancient myths still burn with relevance today....

Despite a few slower moments, the 90-minute production (presented without intermission) is quite delightful. While we are led to believe that unfulfilled kismet and the chance to right missed opportunity are the crux of the matter, twists and turns that I won’t spoil, yield a larger look at life i...

When it comes to grieving and loss, closure can be elusive. Indeed, loss can haunt a person for a long time, changing the trajectory of a survivor’s life along the way....

Paul Melendy doesn’t just walk out on stage at the start of “Featherbaby” – the riotous David Templeton play about a potty-mouthed parrot now being given its co-world premiere in conjunction with the Don Fulton New Works Project at Greater Boston Stage Company in Stoneham through September 2...

Train travel has inspired music and movies, from songs like “I Thought about You,”  “Chattanooga Choo Choo,” “My Baby Takes the Morning Train,” and the beloved Boston classic “Charlie on the M.T.A.” to films including “Strangers on a Train,” “The Incident,” “Girl on a Trai...

I found MOTHER PLAY devastatingly powerful. The standing ovation and calls of bravo made it clear that others in the opening performance audience felt so as well, even perhaps without the full forced direct gut punch....

What did our critic think of THE WIZ at Citizens Opera House?...

While on the surface, a play with basketball and one of its prominent players may seem a bit odd, KING JAMES proves to be a deep exploration of male friendship, its complexities, and how sports can bring people together and create a bond that goes beyond just grabbing a beer and watching the game....

When “Grease” premiered in 1971, the Jim Jacobs and Warren Casey musical about working-class teenagers at a Midwestern high school in the late 1950s was a gritty satire, first performed at a Chicago nightclub....

While there ae certainly plenty of laughs to be had, there is also much pain and tragedy as major milestones in her life unfold. While I believe that much of the content may have previously been in the public sphere, there are some aspects that are explored more intimately. Though I don’t believe ...

Over the eight years I have been covering regional productions for BroadwayWorld.com (a number in the hundreds) this production of THE PIANO LESSON is without doubt one of the overall finest.  Simply stated it approaches flawless, a Broadway caliber production....

In the vernacular of the production, everything about it is quite satisfactory. Solid performances, handsome and functional staging, etc. It is all quite lovely. This production overall, however, fails to breakthrough. Christie’s script and characters are, as many of her works multifaceted and del...

A Broadway star is not likely to be found running lines with the understudy. Indeed, marquee-name actors seldom even know who’s covering their role. The classic 1950 film melodrama “All About Eve” aside, a real-life Margo Channing probably isn't giving a second thought to any Eve Harringtons l...

Tony Award winners Sutton Foster (“Anything Goes,” “Thoroughly Modern Millie”) and Kelli O’Hara (“The King and I”) – each acclaimed as a Broadway performer and song-and-dance artist of the first order – are also known for solo concert appearances....

Due to scheduling conflicts, I was able to avail myself of only a small sampling of the W71 events during the first weekend of programming. We attended a performance of MANY HAPPY RETURNS at 11am and Tennessee Williams’ CAMINO REAL at 2pm. We had time between to enjoy lunch and a bit of shopping o...

Epstein, who noted he and Coleman have collectively directed more than 20 productions of ROMEO AND JULIET, said this production explores the pursuit of delight within a difficult and warring world. “Shakespeare is a master of integrating delight and this play is the archetype of that,” he said. ...