If you were given full power to do so, what would your ideas be if you could update or change the revival of A Chorus Line?
NOTE: I don't want anyone saying, "You shouldn't update it." I want to know if people have any interesting ideas.
The only thing I could really think of would be to update it to a more current time period by re-orchestrating the show, changing the costumes and the few 70's allusions in the script. Other than that, I can't really think of much.
Thats what I was thinking. I think the whole show could be just as powerful, if not more, if it was redone to be set now, becuase at the time, to me it seemed to be set "here, now". Everywere I've seen it done to date, its still been the same 70s clothes and script, etc, but I think I revival needs to be updated or else they should just bring back the old one. It is dedicated to anyone who has ever danced, and I think today's dancers have the same story to tell and it could be all the more compelling.
I dunno. This was the first Broadway type show I'd ever seen. I saw the national tour in the mid 90s with my mom. i was just disappointed by the set. I'm really into sets, I know this show isn't about sets but i just wish it had a little some more to it on stage.
The show has been updated in the past, for one of the national companies in the '80s, so it isn't a new idea. References to Gwen Verdon were changed to Ann Reinking, Troy Donohue to George Hamilton, etc. I don't see any problem with updating the script, especially as members of the original production team are going to be on board to oversee the revival. As for the set and costumes...well, an empty stage is an empty stage and dancewear is dancewear!
Wildcat, actually, George Hamilton is mentioned in the original. During the tap combination, Bobby sings, "If George Hamiliton can be a movie star, than I can be a movie star." During the montage he sings "if Troy Donahue..." I did this show a couple of years ago, and we kept it the way it was written in the '70s. I agree with what's being said, dancers today have just as much heart and their stories could be just as compelling. However, I was thrilled when I read they were keeping it as is. I love the '70's feel of the music and the situations. Paul's monologue, I think, wouldn't have as much heart if it was set today. It could still be powerful, it would probably have to be rewritten, but because it was the '70's, homosexuality was still TABOO BIG TIME (it is today, to a degree, but not the same degree) and just stuff like that. I don't know...just my two cents. Yes, Maybethistime AND WildCat, I love your icons!
I would DEFINITELY change the references to Gwen Verdon. (Who?) Make it somebody who everybody will recognize for the rest of all time, like Kristin or Indiana.
"Robert Goulet, Robert Goulet, My God, Robert Goulet," would obviously become "Justin Timberlake, Justin Timberlake, Yo Dawg, Justin Timberlake."
"I was going to be a Radio City Music Hall Rockette," would become "I was going to be a pole dancer at Scores."
I would change the location of Paul's molestation story from the no-longer-existent 42nd Street grind house to the back shelves of the Disney Store with the chipped and broken Snow White figurines.
Change the reference to the movie The Red Shoes to "an old DVD of Flashdance."
You said BOLT! Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
"I'm learning to dig deep down inside and find the truth within myself and put that out. I think what we identify with in popular music more than anything else is when someone just shares a truth that we can relate to. That's what I'm searching for in my music." - Ron Bohmer
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