This is for a class: I need to compare women's voices on stage (American only not British) over the less 5 decades.....I'm having trouble finding stuff for the 60's and 70's. I'm going thru Tony nominations and there is not much to choose from. Help!
Lorraine Hansberrry wrote The Sign in Sidney Brustein's Window in the 60's, and her play Les Blancs was presented on Broadway in 1970. Jean Kerr wrote three plays during that period: Mary, Mary, Poor Richard, and Finishing Touches. Muriel Resnik had the hit Any Wednesay. Jay Allen had the hit The Prime of Miss Jean Brodie, and adapted another hit, Forty Carats. Lillian Hellman's My Mother, My Father and Me appeared in 1962. It was not hit. Other plays that were interesting but commercial failures were Katherine Morrill's A Distant Bell, chosen as a best play in John Chapman's yearbook, and Alice Cannon's Great Day in the Morning. I also liked Jane Trahey's 1972 comedy, Ring Round the Bathtub, but it too was not a success.
Maria Irene Fornes was perhaps the most prolific woman writing for the stage in the 60s and 70s. In the commercial theater, these decades were rather dry for female playwrights, compared to earlier and later periods. In addition to After Eight's and Son o' Gun's llists, Hellman also had Toys in the Attic (1960), Patti Smith (and Sam Shpard) had Cowboy Mouth (1971) (not to imply that was commercial) and Enid Bagnold had A Matter of Gravity (1967).
Many women of this time period were getting their work produced off-Broadway.
If you want to stretch into musicals, check out Gretchen Cryer (Jon Cryer's mom).
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
I haven't gotten anyone else to add besides the ones mentioned, but Lily Tomlin had her first one-woman show on Broadway at the tail end of the '70s. Certainly a strong female voice, hers...
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.