BWW Review: Disney's FREAKY FRIDAY - World Premiere Musical at Signature Theatre
Could the writing team of Tom Kitt and Brian Yorkey have another hit musical?
The latest reviews and critic recommendations from Baltimore.
Could the writing team of Tom Kitt and Brian Yorkey have another hit musical?
This is not a show about big issues; the pathos comes from the human condition, to the basic facts of which the play is usually true, even when operating as a well-tooled laughter-delivery-vehicle.
Anne, like Henry, is engaged in more than just affairs of the heart.
TheValkyries are riding into Texas with DAS BARBECÜ, a tall tale of gods, heroes, good, evil, quests, curses, bling, rings and a buffet fit for Valhalla.
A high energy musical history of The Four Seasons that hits all the right notes.
Jay and Cindy Gutterman bring a new comedy to the Wilmington Theatre Company in Wilmington, DE.
Baltimore's Everyman attempts a pre-Halloween scare with WAIT UNTIL DARK now through Oct.
Director Alan Paul takes risks with Shakespeare's classic tale of romance and tragedy.
Megan Anderson once again excels starring in this mystery.
Sharr White's masterful work packs a emotional wallop
How characters view life and the value they place on it is at the core of Arthur Miller's ALL MY SONS, directed by Michael Byrne Zemarel at the Vagabond Players Theater in Baltimore.
It is a tour-de-force for the actress who portrays Juliana.
It is a safe bet that at every institution of secondary education with female students, there are Mean Girls.
Such dramatic suspense as exists in Crash and Burn hangs on the question whether it is possible Financier Milty has outsmarted himself (perhaps out-stupided himself might be a better phrase) by retaining two such paragons of dimness, greed, and vanity as Lawyers Crash and Burn to represent him: Migh
If you've an interest in the unusual, if you have sampled traditional theatre and avant garde theatre and found them both not quite what you wanted, if you'd like to gather a few of your friends and your favorite '50s fancy duds, if you'd like an evening out that isn't clubbing and isn't pizza, do c
If you belong to a particular subset of music aficionados, you may love this show.
We watch as Doug takes stock of his situation, recognizes the failure of vision on the part of his captors, their inability to see him as a fellow-human, and recognizes what this means in terms of his power and his lack of power.
Perhaps most important, 20th Century Blues (notwithstanding its title) addresses, from the inside and the outside, the universal experience of aging, an experience common to all times and places.
Charles, the ship-charterer (Brian D.
The Jonathan Larson musical should not be missed.
What makes The Second Girl a comedy more than anything else is Cathryn Wake's electrifying performance as Cathleen, a confection of flashing eyes, red hair, a tell-the-truth-and-shame-the-devil attitude, and naked ambition.
The great legends and myths have their roots in common human experience.
Andrew Lloyd Webber and Tim Rice's flashy musical gets a different take.
Hairspray is, in fact, a great raspberry blown in the face of realistic expectations, a visit to a fantasyland where cruelty and meanness and class pretensions stand no chance.
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