BWW Review: BRIDGES OF MADISON COUNTY at the Kennedy Center - A Glorious Musical
Jason Robert Brown proves once again to be one of Broadway's brightest and best composers.
The latest reviews and critic recommendations from Baltimore.
Jason Robert Brown proves once again to be one of Broadway's brightest and best composers.
Audience is enthralled with BSO again featuring the musical HAIRSPRAY
If you love Love Letters, if you want to Oliver and Jennifer again (sort of), or you just want to see two old professionals having gentle fun together, this show's for you.
I know a gripping mythos when I see one.
Driven to a frenzy by the thought that director film director Frank Capra is in the audience, the Hay family and their retinue get completely confused about the play to be performed for him.
It was quite a performance at the National Technical Museum.
Be their guest at the Hippodrome for Disney's lavish musical, BEAUTY AND THE BEAST
The performers of Happenstance Theater engage, intrigue, cavort, emote and display both physical precision and a remarkable range of organically produced sound effects.
Two shows in Repertory: DEATH OF A SALESMAN and A STREETCAR NAMED DESIRE.
What a thrill it was to hear George Gershwin's opera with the BSO under Maestra Marin Alsop.
This Sally (Andrea Goss) is definitely British, definitely a waif and of limited talent, and has her eyes wide open to the hell her generation of revelers is headed toward in a handcart.
Center Stage, though undergoing renovations, presents DETROIT '67 at Towson University's Mainstage Theatre.
Evita was one of Andrew Lloyd Webber's more controversial shows, depicting Argentina's beloved Eva Peron as a swindler, cheat, and power-hungry woman, willing to sleep her way to the top.
Olney Theatre Center Associate Artistic Director Jason King Jones directs an enticing psychological thriller.
Morisseau's explanation of the Detroit riots makes a lot of sense, and resonates with my understanding of what happened last year in Baltimore.
We in the audience are continually torn between cheering the gumption and the desire behind Blanche's lies and being appalled at the human cost the lies inflict, not least on the teller of them.
The unresolvedness of social themes is a feature, not a bug, as far as Miller is concerned.
Tony-winning drama by Robert Schenkkan about LBJ is brought to life.
Perhaps you're a fan of the new dramatic TV series, 'The Royals,' about a fictional British royal family who face struggles like the death of the heir to the throne, conniving children and assorted romances.
MOTOWN the Musical could've been a hokey disaster that tried to cobble great hits together in some strained reach of a storyline, but it isn't.
Gilbert & Sullivan's operetta performed by Baltimore lawyers and judges along with performers from the Young Victorian Theatre Company is just plain well-done!
But the play is not all philosophical argument, as important as this is: it also is a love story, a family tale, and an account of the 'band of brothers' that was Gay Men's Health Crisis.
This was a substantial play that dealt thoughtfully with a host of issues.
Stephen Sondheim would be thrilled at this wonderful production.
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