2012 New York Innovative Theatre Awards
Winners and nominees from the New York Innovative Theatre Awards.
2012 New York Innovative Theatre Awards
Note: Award winners appear on a red background.
| Category | Nominee | Show |
|---|---|---|
| Outstanding Actor in a Featured Role | Jason Howard | Advanced Man |
| Outstanding Actor in a Featured Role | Curry Whitmire | Christopher Marlowe's Chloroform Dreams |
| Outstanding Actor in a Featured Role | Bryan Kaplan | Eightythree Down |
| Outstanding Actor in a Featured Role | Karl Gregory | Frogs |
| Outstanding Actor in a Featured Role | Stephen Alan Wilson | The Last Days of Judas Iscariot |
| Outstanding Actor in a Lead Role | Charlie Owens, Greg Horton | A Man of No Importance |
| Outstanding Actor in a Lead Role | Hunter Canning, Adam Barrie | Dust |
| Outstanding Actor in a Lead Role | Brian Miskell | Eightythree Down |
| Outstanding Actor in a Lead Role | Karl Gregory | From White Plains |
| Outstanding Actor in a Lead Role | Aidan Redmond | The Real Thing |
| Outstanding Actress in a Featured Role | Ryan Templeton | A Hard Wall at High Speed |
| Outstanding Actress in a Featured Role | Celeste Arias | Demon Dreams (Oni No Yume) |
| Outstanding Actress in a Featured Role | Lauren Blumenfeld | Exit Carolyn |
| Outstanding Actress in a Featured Role | Halley Wegryn Gross | Sex Good; Money Bad |
| Outstanding Actress in a Featured Role | Teresa Kelsey, Marie Marshall | The House of Mirth |
| Outstanding Actress in a Lead Role | Renee Claire Bergeron | A Man of No Importance |
| Outstanding Actress in a Lead Role | Christina Shipp | Ajax in Iraq |
| Outstanding Actress in a Lead Role | Charlotte Pines | Callous Cad |
| Outstanding Actress in a Lead Role | Melody Bates | Eightythree Down |
| Outstanding Actress in a Lead Role | Laura Ramadei | Exit Carolyn |
| Outstanding Actress in a Lead Role | Casandera M.J. Lollar | The Runner Stumbles |
| Outstanding Choreography/Movement | Christine O'Grady | A Man of No Importance |
| Outstanding Choreography/Movement | Jessica Isa Burns | For Black Boys Who Have Considered Homicide When the Streets Were Too Much |
| Outstanding Choreography/Movement | Joe Osheroff & Evan Zes | Homunculus: Reloaded |
| Outstanding Choreography/Movement | Turner Smith | Romeo and Juliet |
| Outstanding Choreography/Movement | Lauren Sharpe | The Complete and Condensed Stage Directions of Eugene O'Neill: Vol. 1, Early/Lost Plays |
| Outstanding Choreography/Movement | Lee Sunday Evans | The Deepest Play Ever: The Catharsis of Pathos |
| Outstanding Costume Design | Ayanna Siverls-Streater | For Black Boys Who Have Considered Homicide When the Streets Were Too Much |
| Outstanding Costume Design | Jessica Sofia Mitrani | Hypnotik: The Seer Will Doctor You Now |
| Outstanding Costume Design | Kim Katzberg | Penetrating the Space |
| Outstanding Costume Design | David L. Zwiers | The Asphalt Christmas |
| Outstanding Costume Design | Sidney Fortner | The House of Mirth |
| Outstanding Costume Design | Denise Greber | Urban Odyssey |
| Outstanding Director | August Schulenburg | Ajax in Iraq |
| Outstanding Director | Kevin Laibson | Demon Dreams (Oni No Yume) |
| Outstanding Director | Aaron Rossini | Frogs |
| Outstanding Director | Christopher Loar | he Complete and Condensed Stage Directions of Eugene O'Neill: Vol. 1, Early/Lost Plays |
| Outstanding Director | Joe Osheroff | Homunculus: Reloaded |
| Outstanding Director | Alex Roe | The House of Mirth |
| Outstanding Ensemble | Conni’s Avant Garde Restaurant | Conni's Avant Garde Restaurant Returns in: The Mothership Landing |
| Outstanding Ensemble | Hard Sparks | Eightythree Down |
| Outstanding Ensemble | Juan Francisco Villa | Empanada For A Dream |
| Outstanding Ensemble | Modern-Day Griot Theatre Company | For Black Boys Who Have Considered Homicide When the Streets Were Too Much |
| Outstanding Ensemble | Homunculus Mask Theater | Homunculus: Reloaded |
| Outstanding Ensemble | New York Neo-Futurists | The Complete and Condensed Stage Directions of Eugene O'Neill: Vol. 1, Early/Lost Plays |
| Outstanding Ensemble | LaMaMa Experimental Theater Club | Urban Odyssey |
| Outstanding Innovative Design | Suchan Vodoor, Interactive Technology Design | Endure: A Run Woman Show |
| Outstanding Innovative Design | Joe Osheroff, Mask Design | Homunculus: Reloaded |
| Outstanding Innovative Design | Maia Cruz Palileo, Animation and Sculpture | Penetrating the Space |
| Outstanding Innovative Design | Gyda Arber, Aaron Baker, Phone & Text Design | Red Cloud Rising |
| Outstanding Innovative Design | Video Editing & Design, Angela Sierra, Federico Restrepo | Urban Odyssey |
| Outstanding Innovative Design | Puppet Design, Amy Mathews, Elizabeth Barrett Groth | We in Silence Hear a Whisper |
| Outstanding Lighting Design | Cat Tate Starmer | A Hard Wall at High Speed |
| Outstanding Lighting Design | Jeanette Oi-Suk Yew | Conni's Avant Garde Restaurant Returns in: The Mothership Landing |
| Outstanding Lighting Design | Ben Hagen & Joe Skowronski | LoveSick (or Things That Don't Happen |
| Outstanding Lighting Design | Nick Francone | Miranda |
| Outstanding Lighting Design | Richard Kent Green | Poe, Times Two |
| Outstanding Lighting Design | David A. Sexton | The Spring Fling: My Best/Worst Date Ever |
| Outstanding Original Full-Length Script | Mac Rogers | Advance Man |
| Outstanding Original Full-Length Script | Juan Francisco Villa | Empanada For A Dream |
| Outstanding Original Full-Length Script | Melanie Jones | Endure: A Run Woman Show |
| Outstanding Original Full-Length Script | Michael Perlman | From White Plains |
| Outstanding Original Full-Length Script | Zac Jaffee | Heroes and Other Strangers |
| Outstanding Original Full-Length Script | Mariah MacCarthy | The Foreplay Play |
| Outstanding Original Music | Jeff Raab | 12th Night |
| Outstanding Original Music | Christine Owman | Endure: A Run Woman Show |
| Outstanding Original Music | Sasha Bogdanowitsch | Erosion: a Fable |
| Outstanding Original Music | Kamala Sankaram | Miranda |
| Outstanding Original Music | Sxip Shirey | Prometheus Within |
| Outstanding Original Music | Elizabeth Swados, Martin Wallace, John Sully, Kris Kukul, Karolyn Bethke | Urban Odyssey |
| Outstanding Original Short Script | Anna Ziegler | A Map of Broken Glass |
| Outstanding Original Short Script | Vincent Marano | Artistic License |
| Outstanding Original Short Script | Evan Zes, Joe Osheroff | Homunculus: Reloaded |
| Outstanding Original Short Script | Lucy Boyle | Mort |
| Outstanding Original Short Script | Vincent Marano | Short-Ish Of Vinnie Marano |
| Outstanding Original Short Script | Dean Imperial | The Needle Through the Arm Trick |
| Outstanding Original Short Script | Anna Ziegler, Lucy Boyle | The Spring Fling: My Best/Worst Date Ever |
| Outstanding Original Short Script | Chisa Hutchinson | This is Not the Play |
| Outstanding Original Short Script | Dean Imperial | Too Much Too Soon |
| Outstanding Original Short Script | Vincent Marano | What I Meant Was... The Odd |
| Outstanding Performance Art Piece | Conni’s Avant Garde Restaurant in association with the Irondale Center | Conni's Avant Garde Restaurant Returns in: The Mothership Landing |
| Outstanding Performance Art Piece | Ballybeg & terraNOVA Collective | Empanada For A Dream |
| Outstanding Performance Art Piece | Collision Productions | Endure: A Run Woman Show |
| Outstanding Performance Art Piece | Modern-Day Griot Theatre Company | For Black Boys Who Have Considered Homicide When the Streets Were Too Much |
| Outstanding Performance Art Piece | Homunculus Mask Theater | Homunculus: Reloaded |
| Outstanding Performance Art Piece | New York Neo-Futurists | The Complete and Condensed Stage Directions of Eugene O'Neill: Vol. 1, Early/Lost Plays |
| Outstanding Premiere Production of a Play | Astoria Performing Arts Center | A Hard Wall at High Speed |
| Outstanding Premiere Production of a Play | Gideon Productions | Advance Man |
| Outstanding Premiere Production of a Play | Magic Futurebox | Demon Dreams (Oni No Yume) |
| Outstanding Premiere Production of a Play | Hard Sparks in association with Horse Trade Theatre Group | Eightythree Down |
| Outstanding Premiere Production of a Play | Fault Line Theatre | From White Plains |
| Outstanding Premiere Production of a Play | Caps Lock Theatre | The Foreplay Play |
| Outstanding Production of a Musical | The Gallery Players | A Man of No Importance |
| Outstanding Production of a Musical | Project Y Theatre Company | LoveSick (or Things That Don't Happen) |
| Outstanding Production of a Musical | MirandaCo | Miranda |
| Outstanding Production of a Musical | Astoria Performing Arts Center | The Secret Garden |
| Outstanding Production of a Musical | FullStop Collective | Unville Brazil |
| Outstanding Production of a Musical | TADA! Youth Theater | Up To You |
| Outstanding Production of a Remounted Play | Flux Theatre Ensemble | Ajax in Iraq |
| Outstanding Production of a Remounted Play | Fault Line Theatre | Frogs |
| Outstanding Production of a Remounted Play | WorkShop Theater Company | Poe, Times Two |
| Outstanding Production of a Remounted Play | Metropolitan Playhouse | The House of Mirth |
| Outstanding Production of a Remounted Play | Boomerang Theatre Company | The Real Thing |
| Outstanding Production of a Remounted Play | The Active Theater in association with Goode Productions | The Violet Hour |
| Outstanding Set Design | Stephen K. Dobay | A Hard Wall at High Speed |
| Outstanding Set Design | Sean Ryan | Clowns Full-Tilt: A Musing on Aesthetics |
| Outstanding Set Design | Andy Yanni | Felix and the Diligence, or a Play About Fishermen in the 1940's |
| Outstanding Set Design | Kevin Judge | LoveSick (or Things That Don't Happen) |
| Outstanding Set Design | Sara Nelson, Sarah E. Martin | The Spring Fling: My Best/Worst Date Ever |
| Outstanding Set Design | Steve O'Shea | Up To You |
| Outstanding Solo Performance | Melanie Jones | Endure: A Run Woman Show |
| Outstanding Solo Performance | Zac Jaffee | Heroes and Other Strangers |
| Outstanding Solo Performance | Raïna von Waldenburg | Oysters Orgasms Obituaries |
| Outstanding Solo Performance | Greg Oliver Bodine | Poe, Times Two |
| Outstanding Solo Performance | Bree Benton | Poor Baby Bree in I Am Going to Run Away |
| Outstanding Sound Design | Nathan A. Roberts | A Hard Wall at High Speed |
| Outstanding Sound Design | Martha Goode | Costa Rehab |
| Outstanding Sound Design | Matt Schloss | Miranda |
| Outstanding Sound Design | Christopher Loar | The Complete and Condensed Stage Directions of Eugene O'Neill: Vol. 1, Early/Lost Plays |
| Outstanding Sound Design | Mark Parenti | The Spring Fling: My Best/Worst Date Ever |
| Outstanding Sound Design | Tim Schellenbaum, Tim Schellenbaum | Urban Odyssey |
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