Straight out of recent headlines of #metoo, Bill Cosby, Jeffrey Epstein and Harvey Weinstein comes the World Premiere of Kate Cortesi's Love, a clever, well-acted examination of sexual abuse from the perspective of abuser and victim that challenges the black and white image of right and wrong by add
Susi Damilano gives a career-defining performance in the Bay Area premiere of Academy Award and Golden Globe-nominated writer Nia Vardalos' emotionally rewarding adaptation of Cheryl Strayed's best-selling book.
San Francisco theatre goers got gypped! Oh, not by this sensationally funny satire on America's gun culture, but by the fact that it only got a limited three-performance run.
A fun party among best friends takes a decidedly dark turn in the World Premiere of Ryan Fogarty's cautionary tale of the deleterious effects of gossip, judgement and miscommunications.
Hershey Felder has mastered the niche of incorporating the beauty of classical music with a dramatic arc to create compelling works of theatre that satisfy emotionally and educate as well.
Four-time Obie Award-winner Caryl Churchill is the pre-eminent writer of feminist themes involving sexual politics, abuses of power and gender equality.
BWW Review: A NOH CHRISTMAS CAROL at Theatre Of Yugen is a stunning traditional Japanese theatre re-imagining of Dicken's famous tale.
BWW Review: BULL IN A CHINA SHOP at Aurora Theatre dramatizes the love letters of early women's rights activist Mary Wooley, President of Mt.
BWW Review: GROUNDHOG DAY THE MUSICAL at SF Playhouse is a story of redemption and hope.
BWW Review: THE TALE OF DESPEREAUX at Berkeley Repertory Theatre is PigPen Theatre Co.
BWW Review: MOTHER OF THE MAID at Marin Theatre Company is dramatization of the life of Joan of Arc as seen through the eyes of her mother.
