In a time and age where it seems that our dichotomous natures are at the core of all interaction, there is one thing that remains true: we are all human, faced with difficult choices and sometimes, we make the wrong choices.
Phone rings, door chimes, in comes a dazzling reimagined production of Stephen Sondheim’s and George Furth’s classic, COMPANY, to the Kennedy Center stage.
What did our critic think of THE BRIDGES OF MADISON COUNTY at Signature Theatre? Andy Warhol once questioned, “I wonder if it’s possible to have a love affair that lasts forever.
What did our critic think of MOULIN ROUGE! THE MUSICAL at Kennedy Center? When you step into Moulin Rouge! The Musical, reality melts away.
Walking into the Kennedy Center’s Theater Lab last night, I did not know I’d walk out thinking about my identity as a woman in ways I hadn’t before due to a 70-minute comedy show about abortion.
What did our critic think of SWEENEY TODD at Signature Theatre? Set in the dark streets of London in 1785, we follow barber Sweeney Todd (Nathaniel Stampley) as he returns from wrongful imprisonment by the horrifying Judge Turpin (John Leslie Wolf).
What did our critic think of JENNIFER WHO IS LEAVING at Round House Theatre? Jennifer Who Is Leaving, written and directed by Morgan Gould, is a snapshot into the lives of four vastly contrasting characters while all stuck in a Dunkin' Donuts on the side of a snow-ridden Massachusetts highway.
What did our critic think of THE MORTIFICATION OF FOVEA MUNSON at Kennedy Center? The Mortification of Fovea Munson is a fast-paced, TYA musical based on the novel of the same name, both penned by Mary Winn Heider.
If there’s one thing that all teenagers are, it’s underestimated.
