Monica Moore
Monica has been involved in all facets of theatre and theatre education for 32 years. She has worked as a professional director and this includes directing two shows at opposite ends of the country over the same time period.
"This is when I realised how small New Zealand is and how good we are at theatre as a nation."
She has seen and continues to see many theatre performances around the world including West End, Broadway to regional performances of which many have been just as slick!
?“I've seen the good, the bad, the ugly and the stunning!” – Monica Moore
Monica has also been writing and selling stage musicals and interactive theatre shows for 25 years to schools and amateur theatre groups all over the world. The extended family audience has extended into USA, Australia and the United Kingdom.
She has worked in all facets of theatre and has a special interest in the impact of theatre on the individual and society in general.
As an educator Monica used theatrical technique and form as an important learning tool and maintains that it is an excellent if not the best way to support authentic learning across the curriculum.
Monica’s work can be viewed on her website www.monicamooreproductions.com, her facebook page https://www.facebook.com/monicamooreproductions, join her on instagram @monicamooreproductions or subscribe to Monica Moore Productions on You Tube
BWW Review: HANNA at Dolphin Theatre, Onehunga, Auckland
BWW Review: BRIDAL SHOP CONFESSIONS at Dolphin Theatre, Onehunga, Auckland
BWW Review: GRAND HORIZONS at ASB Waterfront Theatre, Auckland
BWW Review: THE COUNTRY HOUSE at Dolphin Theatre, Onehunga, Auckland
BWW Review: AN APPOINTMENT WITH DEATH at Langley Theatre, AucklandBWW Review: HANNA at Dolphin Theatre, Onehunga, Auckland
May 5, 2022
Director Jennifer Ward-Lealand's expertise and wisdom of the stage lives and breathes through the performance of Cassandra Woodhouse in Hanna. Woodhouse captivated the audience for the entire 90-minute performance. She is sensational. No one was in their seats - they were with her as she carried us on the emotional roller coaster the story that no one wants to be confronted with let alone a 25-year-old sweet, clever but naive young woman.
BWW Review: BRIDAL SHOP CONFESSIONS at Dolphin Theatre, Onehunga, Auckland
April 25, 2022
Dolphin Theatre's 'Bridal Shop Confessions' is a world premiere from award-winning New Zealand playwright Lindsey Brown. Directed by Robyn Bull it's the story of 5 childhood friends who follow through on their pact to be each other's bridesmaids.
BWW Review: GRAND HORIZONS at ASB Waterfront Theatre, Auckland
March 2, 2022
A spell-binding sandwich-making experience? The luncheon paper taking centre stage and the attention of all? I wouldn't have believed it either!. This is just one of the many kiwi moments made into artistry during Auckland Theatre Company's Grand Horizons presented by MINDFOOD.
BWW Review: THE COUNTRY HOUSE at Dolphin Theatre, Onehunga, Auckland
February 21, 2022
Dolphin Theatre Company, Onehunga Auckland delights with the New Zealand Premiere of the Donald Margulies, Chekhovian-inspired multi-generation play full of complicated thespians.
BWW Review: AN APPOINTMENT WITH DEATH at Langley Theatre, Auckland
July 6, 2021
An all-female cast of clever young women delivered an intriguing and highly entertaining performance.
BWW Feature: THAT BLOODY WOMAN - YOUTH EDITION Comes to Christchurch
April 4, 2021
This April sees the opportunity for a select group of young New Zealander performers aged 16 – 23 years to take part in an exciting week-long pilot workshop of Aotearoa’s own hit musical “That Bloody Woman” from Monday 26 th April – Friday 30 th April 2022, in Ōtautahi (Christchurch)
BWW Review: GREASE at Harelquin
March 27, 2021
.
BWW Review: ITHACA at Central Energy Trust Arena, Palmerston North
December 9, 2020
Inside the cavernous Fly Palmy Arena, Greek legend collides with space opera via Cirque de Soleil in the epic human-powered gravity and vertigo-defying Dust Palace sci-fi reset of Homer’s Odyssey. It’s an audacious live mash-up featuring elements of Star Trek, Star Wars, Red Dwarf and Guardians of the Galaxy. So what if a few details get changed, rearranged or condensed in the telling. This is outer space, man. Homer’s story – colossal though it is – is simply a means to frame Herculean feats of aerial artistry and dramatic beauty, while showcasing high-level production values on a grand theatrical scale.
BWW Review: THE SHOWS MUST GO ON at Sky City Theatre
October 22, 2020
Dave Spark and Glen Ruske are to be congratulated. Under their respective businesses Pixel and Bouncenz , together with Electro - Tech services and Hang - Up Entertainment, they have not just found a silver lining out from under COVID 19 lockdowns, they’ve found Gold! This revue style show gives the audience a taste of some 30 plus Musicals sublimely performed by six powerhouse performers from stages around the World.
BWW Review: Over My Dead Body: LITTLE BLACK BITCH at Mangere Arts Centre
March 4, 2020
This story is a sensitive one and there's some pretty dark themes running through it. Tuatara Collective are committed to an innovative arts practice that supports mental health in the arts industry for artists and audiences. A psychologist or qualified counsellor is present during all performances a?' a first in the industry and a very apt and necessary way to acknowledge the seriousness of these issues.
BWW Review: ELECTRIC BILLY T JAMES at Q Theatre Auckland
March 1, 2020
The high-voltage laughter was genuine and shockingly easy. All five nominees were exceptional and presented us with their own individualised well-crafted 'slice of life', entwined with fragments of their personal stories. Go along and see their individual shows!
BWW Review: LAST LEGS at Dolphin Theatre, Onehunga
February 23, 2020
Director Glenda Pearce is known for her attention to detail and she has successfully replicated the realism of the retirement home; highlighting the atmosphere and the experiences of the diverse characters who live there and delivering the humour.
BWW Review: THE WORKS OF WILLIAM SHAKESPEARE BY CHICKS at Q Theatre
February 20, 2020
'Shakespeare was Written by Chicks' pokes fun at poetry, prose and patriarchy- challenging, questioning and debating the authenticity of Shakespeare's literary contributions as fake news- by 'proving', using examples of strong women from history whom he ripped off, and apparently claimed as his own talent.
BWW Review: WINDING UP at ASB Waterfront Theatre, Auckland
February 14, 2020
The combination of Sir Roger Hall's script, director Colin McColl's skill and supreme delivery by Alison Quigan and Mark Hadlow (ONMZ) created the synergy for superb entertainment. Sir Roger Hall maybe in his 80's but he's let us all know loud and clear that he still has 'it'; in fact, this latest work is one of his best.
BWW Review: MACBETH & AS YOU LIKE IT at In The Park, The Pumphouse Theatre
February 6, 2020
The image of Shakespeare peering out, as if hidden from behind a barrier, as the choice of poster, entices and intrigues - and sets the scene for a pair of revealing performances - is he watching us, or are we watching him? Shakespeare's insights into the tortured depths of the ambitious and unscrupulous, paired by his playful reveal of pastoral romance set against the seven ages and stages, in human development.
BWW Review: LEATHER LUNGS: YAS QUEEN! at Q Theatre Auckland
February 6, 2020
With the flamboyant style of Prince and a voice as mind-blowing as Freddy, this daring deviant riffs through 'RESPECT', breezes through 'Bohemian Rhapsody', and will leave you singin' in the 'Purple Rain'. It's all the queens and kings you love to belt along to, in a hilarious cabaret romp you'll be talking about for days. Will he have a coronation, or just a corona?
BWW Review: OUR PRIDE GALA at Auckland Pride Festival
February 4, 2020
A spectacular, colourful night of exotic and extravagant Vaudevillian cabaret - this was
BWW Review: MUCH ADO ABOUT NOTHING at Pop-up Globe Auckland
December 16, 2019
Opening night of the second play of the Pop-Up Globe's Summer Season of Love - and it's a playful, laughter-filled, exuberant, Polynesian-tinged romp. The slapstick farce of Dogberry and Verges' pre-show action makes immediate and direct connection with the audience. Already, we know there will be no moments lacking lively audience interaction. 'Much Ado about Nothing' is filled with a range of comedic layers- the wit, the intellectual banter, the farce, the clowning, the slapstick, the sexual innuendo. The festive tone (so appropriate for the festive season) is secured in the opening moments as the characters explode on to the stage for the first of many dance sequences. The audience is in for a treat - and they know it.
BWW Review: THE ADDAMS FAMILY at ASB Waterfront Theatre, Auckland
December 14, 2019
The opening night audience was enthralled from the first notes of the band to the last at Auckland Performing Arts Academy's 'The Addams Family'.
BWW Review: ROMEO AND JULIET at Pop-up Globe Auckland
December 14, 2019
May 5, 2022
Director Jennifer Ward-Lealand's expertise and wisdom of the stage lives and breathes through the performance of Cassandra Woodhouse in Hanna. Woodhouse captivated the audience for the entire 90-minute performance. She is sensational. No one was in their seats - they were with her as she carried us on the emotional roller coaster the story that no one wants to be confronted with let alone a 25-year-old sweet, clever but naive young woman.
BWW Review: BRIDAL SHOP CONFESSIONS at Dolphin Theatre, Onehunga, Auckland
April 25, 2022
Dolphin Theatre's 'Bridal Shop Confessions' is a world premiere from award-winning New Zealand playwright Lindsey Brown. Directed by Robyn Bull it's the story of 5 childhood friends who follow through on their pact to be each other's bridesmaids.
BWW Review: GRAND HORIZONS at ASB Waterfront Theatre, Auckland
March 2, 2022
A spell-binding sandwich-making experience? The luncheon paper taking centre stage and the attention of all? I wouldn't have believed it either!. This is just one of the many kiwi moments made into artistry during Auckland Theatre Company's Grand Horizons presented by MINDFOOD.
BWW Review: THE COUNTRY HOUSE at Dolphin Theatre, Onehunga, Auckland
February 21, 2022
Dolphin Theatre Company, Onehunga Auckland delights with the New Zealand Premiere of the Donald Margulies, Chekhovian-inspired multi-generation play full of complicated thespians.
BWW Review: AN APPOINTMENT WITH DEATH at Langley Theatre, Auckland
July 6, 2021
An all-female cast of clever young women delivered an intriguing and highly entertaining performance.
BWW Feature: THAT BLOODY WOMAN - YOUTH EDITION Comes to Christchurch
April 4, 2021
This April sees the opportunity for a select group of young New Zealander performers aged 16 – 23 years to take part in an exciting week-long pilot workshop of Aotearoa’s own hit musical “That Bloody Woman” from Monday 26 th April – Friday 30 th April 2022, in Ōtautahi (Christchurch)
BWW Review: GREASE at Harelquin
March 27, 2021
.
BWW Review: ITHACA at Central Energy Trust Arena, Palmerston North
December 9, 2020
Inside the cavernous Fly Palmy Arena, Greek legend collides with space opera via Cirque de Soleil in the epic human-powered gravity and vertigo-defying Dust Palace sci-fi reset of Homer’s Odyssey. It’s an audacious live mash-up featuring elements of Star Trek, Star Wars, Red Dwarf and Guardians of the Galaxy. So what if a few details get changed, rearranged or condensed in the telling. This is outer space, man. Homer’s story – colossal though it is – is simply a means to frame Herculean feats of aerial artistry and dramatic beauty, while showcasing high-level production values on a grand theatrical scale.
BWW Review: THE SHOWS MUST GO ON at Sky City Theatre
October 22, 2020
Dave Spark and Glen Ruske are to be congratulated. Under their respective businesses Pixel and Bouncenz , together with Electro - Tech services and Hang - Up Entertainment, they have not just found a silver lining out from under COVID 19 lockdowns, they’ve found Gold! This revue style show gives the audience a taste of some 30 plus Musicals sublimely performed by six powerhouse performers from stages around the World.
BWW Review: Over My Dead Body: LITTLE BLACK BITCH at Mangere Arts Centre
March 4, 2020
This story is a sensitive one and there's some pretty dark themes running through it. Tuatara Collective are committed to an innovative arts practice that supports mental health in the arts industry for artists and audiences. A psychologist or qualified counsellor is present during all performances a?' a first in the industry and a very apt and necessary way to acknowledge the seriousness of these issues.
BWW Review: ELECTRIC BILLY T JAMES at Q Theatre Auckland
March 1, 2020
The high-voltage laughter was genuine and shockingly easy. All five nominees were exceptional and presented us with their own individualised well-crafted 'slice of life', entwined with fragments of their personal stories. Go along and see their individual shows!
BWW Review: LAST LEGS at Dolphin Theatre, Onehunga
February 23, 2020
Director Glenda Pearce is known for her attention to detail and she has successfully replicated the realism of the retirement home; highlighting the atmosphere and the experiences of the diverse characters who live there and delivering the humour.
BWW Review: THE WORKS OF WILLIAM SHAKESPEARE BY CHICKS at Q Theatre
February 20, 2020
'Shakespeare was Written by Chicks' pokes fun at poetry, prose and patriarchy- challenging, questioning and debating the authenticity of Shakespeare's literary contributions as fake news- by 'proving', using examples of strong women from history whom he ripped off, and apparently claimed as his own talent.
BWW Review: WINDING UP at ASB Waterfront Theatre, Auckland
February 14, 2020
The combination of Sir Roger Hall's script, director Colin McColl's skill and supreme delivery by Alison Quigan and Mark Hadlow (ONMZ) created the synergy for superb entertainment. Sir Roger Hall maybe in his 80's but he's let us all know loud and clear that he still has 'it'; in fact, this latest work is one of his best.
BWW Review: MACBETH & AS YOU LIKE IT at In The Park, The Pumphouse Theatre
February 6, 2020
The image of Shakespeare peering out, as if hidden from behind a barrier, as the choice of poster, entices and intrigues - and sets the scene for a pair of revealing performances - is he watching us, or are we watching him? Shakespeare's insights into the tortured depths of the ambitious and unscrupulous, paired by his playful reveal of pastoral romance set against the seven ages and stages, in human development.
BWW Review: LEATHER LUNGS: YAS QUEEN! at Q Theatre Auckland
February 6, 2020
With the flamboyant style of Prince and a voice as mind-blowing as Freddy, this daring deviant riffs through 'RESPECT', breezes through 'Bohemian Rhapsody', and will leave you singin' in the 'Purple Rain'. It's all the queens and kings you love to belt along to, in a hilarious cabaret romp you'll be talking about for days. Will he have a coronation, or just a corona?
BWW Review: OUR PRIDE GALA at Auckland Pride Festival
February 4, 2020
A spectacular, colourful night of exotic and extravagant Vaudevillian cabaret - this was
BWW Review: MUCH ADO ABOUT NOTHING at Pop-up Globe Auckland
December 16, 2019
Opening night of the second play of the Pop-Up Globe's Summer Season of Love - and it's a playful, laughter-filled, exuberant, Polynesian-tinged romp. The slapstick farce of Dogberry and Verges' pre-show action makes immediate and direct connection with the audience. Already, we know there will be no moments lacking lively audience interaction. 'Much Ado about Nothing' is filled with a range of comedic layers- the wit, the intellectual banter, the farce, the clowning, the slapstick, the sexual innuendo. The festive tone (so appropriate for the festive season) is secured in the opening moments as the characters explode on to the stage for the first of many dance sequences. The audience is in for a treat - and they know it.
BWW Review: THE ADDAMS FAMILY at ASB Waterfront Theatre, Auckland
December 14, 2019
The opening night audience was enthralled from the first notes of the band to the last at Auckland Performing Arts Academy's 'The Addams Family'.
BWW Review: ROMEO AND JULIET at Pop-up Globe Auckland
December 14, 2019
