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Marianka Swain - Page 22

Marianka Swain

Marianka Swain was UK Editor-in-chief of BroadwayWorld. A London-based theatre critic and arts journalist, she also contributes to other outlets such as the Telegraph, The i Paper, Ham & High, Islington Gazette, Dancing Times and theartsdesk, and she is a member of the Critics' Circle. You can find more of her work at www.mkmswain.com or follow her on Twitter @mkmswain

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BWW Review: THE GOAT, OR WHO IS SYLVIA?, Theatre Royal Haymarket

BWW Review: THE GOAT, OR WHO IS SYLVIA?, Theatre Royal Haymarket

April 6, 2017

The late, great Edward Albee is certainly having a West End 'moment', but it rather places this particular revival at a disadvantage, comparing unfavourably as it does with the shattering, unforgettable Who's Afraid of Virginia Woolf? a few streets away.

BWW Review: CONSENT, National Theatre

BWW Review: CONSENT, National Theatre

April 5, 2017

Amidst the middle-class small talk between two couples, one reeling from the arrival of a new baby, comes a shocking confession: 'I've been raping pensioners.

BWW Review: POSH, Pleasance Theatre

BWW Review: POSH, Pleasance Theatre

April 4, 2017

When Laura Wade's Posh premiered at the Royal Court in 2010, its dark promise that these destructive student toffs - members of the Riot Club, a loosely fictional version of Oxford's Bullington - would one day run the country had a timely frisson: former club members David Cameron, George Osborne a

Ticket Deal: Save 43% On Tickets For STEPPING OUT

Ticket Deal: Save 43% On Tickets For STEPPING OUT

March 24, 2017

Maria Friedman directs a brand new staging of Richard Harris's award-winning play STEPPING OUT, which which toured UK venues last year and now plays at the West End's Vaudeville Theatre.

BWW Review: AN AMERICAN IN PARIS, Dominion Theatre

BWW Review: AN AMERICAN IN PARIS, Dominion Theatre

March 21, 2017

It's 1945, and Paris is shakily emerging from Nazi occupation - celebrating, yes, with soldiers returning and families reuniting, but also confronting collaborators in their midst and post-war deprivation.




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