Marianka Swain - Page 24

Caroline, or Change is headed to the West End's Playhouse Theatre, led by Olivier Award-winning actress Sharon D. Clarke in a critically acclaimed virtuoso performance. The full cast includes Naana Agyei-Ampadu, Keisha Amponsa Banson, Alastair Brookshaw, Me'sha Bryan, Angela Caesar, Dujonna Gift-Simms, Sue Kelvin, Teddy Kempner, Ako Mitchell, Abiona Omonua, Vincent Pirillo, Tanisha Spring and Lauren Wardwith Cassiopeia Berkeley-Agyepong, Zalika Henry, Laura Medforth, Timothy Quinlan and Teddy Wills. Check out new footage of the cast in action below!

A few protestors might be doggedly hanging on outside the Kiln (was Tricycle) Theatre, but their complaints are firmly refuted by its current show: a vibrant adaptation of Zadie Smith's award-winning novel that is not just about but firmly rooted in the diverse, complex 'melting pot' of north-west London.

South African actress Gugwana Dlamini has a long history with Disney's The Lion King, from the original animated movie through to performances in the stage show around the world. She discusses returning to the show's West End home at the Lyceum Theatre, where she stars as Rafiki.

American actor Andrew Burnap is currently starring in Matthew Lopez's acclaimed The Inheritance, which debuted at the Young Vic and is now playing at the Noel Coward Theatre.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From new musicals to Shakespeare, Pinter and Magic Mike, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Hot off award-winning film Three Billboards Outside Ebbing, Missouri, and reunited with Matthew Dunster, who directed his hit Hangmen, Martin McDonagh brings his latest to the Bridge - quite a coup for Nick Hytner. Yet this provocative take on Hans Christian Andersen, and on the nature of storytelling, takes too scattershot an approach to fully land.

Last year, Nina Raine had a National Theatre hit with Consent, which grilled deceit and empathy in both the legal system and relationships. Now, she turns her attention to a 39-year-old single woman desperately seeking a sperm donor - and once again, procedures are sharply juxtaposed with people.

It's a #MeToo-era Measure for Measure over at the Donmar, with Josie Rourke conducting a fascinating experiment: abridging Shakespeare's problem play to just over an hour and running it twice, once in period, once in modern dress. And with the key roles of Isabella and Angelo swapped between Hayley Atwell and Jack Lowden.

Miranda Larson is a writer and director for children's TV and theatre. Her current project is the stage version of the massively popular YouTube channel Little Baby Bum, which combines animated videos with traditional nursery rhymes and children's songs. Little Baby Bum Live is now touring the UK.

Britain's foremost political playwright David Hare returns with a new play examining the current state of the Labour Party. Or not exactly - this is a world with no Brexit, no Corbyn, nothing, in fact, to anchor it to the burning issues of 2018. A relief, perhaps, but this is a state-of-the-nation play unwilling to examine our actual state.

French playwright Florian Zeller returns, with another compelling puzzle box of a play - the only thing definite about it being the trademark definite article in the title. But anchoring the human side of this elliptical work is a pair of commanding performances from Eileen Atkins and Jonathan Pryce, ensuring engagement even as reality skips and blurs.

Daniel Rigby's work includes Twelfth Night, One Man, Two Guvnors, and his BAFTA-winning performance as Eric Morecambe. He's currently playing Bottom in A Midsummer Night's Dream at Sheffield Crucible.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From gender-flipped Sondheim to David Hare and Martin McDonagh, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Jamie Lloyd is marking the 10th anniversary of Harold Pinter's death in remarkable style with his Pinter at the Pinter season, staging all the great man's 20 short plays, plus some sketches and poetry – grouped into seven productions – at the theatre which now bears his name.

Lucas Rush's past work includes American Idiot, We Will Rock You, Grease and Les Miserables. He's currently playing Lonny in the UK tour of Eighties-tastic musical Rock of Ages, alongside a cast that includes Danielle Hope, Jodie Steele, Strictly's Kevin Clifton, and Antony Costa. 

It's all change at the Kiln (was Tricycle) Theatre, with a £5.5 million redevelopment resulting in a bright, light, spacious and welcoming new building – complete with a more obvious street presence, comfortable café/bar area, plentiful ladies' loos, and a flexible auditorium with plush seats and improved sight lines.

Wild, raw, hilarious and tender, Clare Barron's electrifying play - first seen in New York earlier this year - is a candid portrait of prepubescent girls, rare compared with the myriad male coming-of-age tales. But, like its warrior women, Barron's piece fights for its space, and with a formal daring that teeters thrillingly on the edge of chaos.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a new hip-hop history lesson to Pinter and Shakespeare, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Get a first look at 'Hands Up', the brand new song addition to the much-loved Eugenius! score. It's an empowering new number for the show's female superhero, performed on the official album by musical theatre star and Strictly Come Dancing champion, Joanne Clifton, and played at The Other Palace from 1 September by Emily Tierney. Watch the video below!

There's an explosion of spirit and - yes - 'cheer face' at Southwark Playhouse, hosting the long-awaited UK premiere of this 2011 musical; last year's national tour was sadly postponed. But Ewan Jones's dynamic British Theatre Academy production, with its minimal scenery and tight ensemble perfectly filling a midsize space, suggests it's the ideal piece to go on the road - not to mention its timely, uplifting message of inclusion.