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Kyle Christopher West - Page 5

Kyle Christopher West

Kyle Christopher West is obsessed with the arts. Growing up on Cape Cod, Massachusetts, Kyle trained as a gymnast and dancer where he performed across the East Coast in productions of West Side Story, Damn Yankees, Joseph and the Amazing Technicolor Dreamcoat, Fame, Footloose and more. He began professionally choreographing summer stock musicals at the Cape's Academy Playhouse at only sixteen years old (working alongside director Kim Croker, sister of Broadway's Scott Ellis), and made his directorial debut with A Chorus Line just two years later.

Upon moving to New York City in 2004, Kyle continued his education working hands-on with various Broadway and off-Broadway productions. As a promotional marketing manager, Kyle worked under Broadway producer Barry Weissler (Chicago, Grease, Annie Get Your Gun) on the Christina Applegate revival of Sweet Charity, and for Ken Davenport (Spring Awakening, It's Only A Play, Godspell, 13) on his first New York productions. Kyle also worked closely with producer Tom D'Angora (Marvelous Wonderettes, Newsical) marketing Broadway's 42nd Street, Dracula, Little Women, Jersey Boys and Forbidden Broadway. Kyle spent his evenings working in various Broadway theatres on productions of Chicago, The Color Purple, A Chorus Line and Avenue Q, and he held management positions at Disney's New Amsterdam Theatre (Mary Poppins) and off-Broadway's I Love You Because.

Kyle has worked across the US as a producer, director, choreographer, costumer, scenic designer and production photographer. For his work, he has received many awards including the AriZoni Award of Excellence, MET Award, Annie Award, Bourne Actor's Award and BroadwayWorld Award, among others. Kyle relocated to Dallas, TX in 2014 and has recently been featured in a commercial for Ameican Airlines and in the 2017 marketing campaign for Broadway's Dear Evan Hansen. He is thrilled to promote Dallas and Fort Worth as a senior editor at BroadwayWorld.

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BWW Review: RENT at Bass Performance Hall

BWW Review: RENT at Bass Performance Hall

October 19, 2017

In the 20+ years that RENT has been impacting the theatre-loving world, views on AIDS, drug use, and acceptance of the LGBTQ community have shifted many welcomed steps forward, and recently trumped several steps backward.

BWW Previews: Cast Announced for MAMMA MIA! at Phoenix Theatre

BWW Previews: Cast Announced for MAMMA MIA! at Phoenix Theatre

August 11, 2017

Kicking off Phoenix Theatre's 2017/2018 season with the unforgettable songs of ABBA, MAMMA MIA! follows Sophie and her journey to find the identity of her father, while her mother, Donna, comes face to face with three men from her romantic past.

BWW Review: HIT THE WALL at WaterTower Theatre

BWW Review: HIT THE WALL at WaterTower Theatre

August 8, 2017

Last Monday night, the Addison Theatre Center was abuzz, eagerly anticipating the directorial debut of WaterTower Theatre's new Artistic director, Joanie Schultz and the play HIT THE WALL that she carried with her from her previous Chicago home, the Steppenwolf Theatre Company.

BWW Review: LA CAGE AUX FOLLES at Uptown Players

BWW Review: LA CAGE AUX FOLLES at Uptown Players

July 15, 2017

There's a fabulous party going on at the Kalita Humphreys Theatre hosted by Uptown Players and, as is often the case with this acting troupe, the festivities include drag queens, glitter, and a whole lot of laughter.




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