BWW Reviews: OUR COUNTRY'S GOOD Is a Moving Testament to the Power of Theatre, at Bag&Baggage
Bag&Baggage's masterful production of OUR COUNTRY'S GOOD explores the importance of theatre and what makes us human.
Krista Garver - Page 26
BWW Reviews: STOREFRONT REVUE: THE BABES ARE BACK Pays Jumbled Tribute to Portland Theatre's Past, at Triangle Productions
STOREFRONT REVIEW: THE BABES ARE BACK explores the history of Portland's Storefront Theatre, 25 years after it closed its doors.
BWW Interviews: Grimm Stars Sasha Roiz and Silas Weir Mitchell Talk About THREE DAYS OF RAIN, Opening May 22 at Portland Center Stage
The stars of PCS's THREE DAYS OF RAIN sat down with the media to talk about the play, how the collaboration came about, and the difference between acting on TV and on stage.
BWW Reviews: 4000 MILES Is Funny and Poignant, Just Like Life, at Artists Rep
4000 MILES explores the journeys -- both physical and emotional -- we take throughout our lives.
BWW Reviews: CoHo Productions' GROUNDED Is a Forceful Reminder of Why Theatre Is Important
One-woman tour de force GROUNDED may be the most important play to grace Portland stages this year.
BWW Reviews: Superb Direction, Strong Ensemble Make TWELFTH NIGHT a Must-See, at Post5
We are all just fools for love in Post5 Theatre's brilliantly directed production of Shakespeare's Twelfth Night.
BWW Reviews: Canapes and Rhymes Fly at David Ives's THE SCHOOL FOR LIES, at Theatre Vertigo
THE SCHOOL FOR LIES is a modern take on Moliere's 17th-century farce THE MISANTHROPE.
BWW Reviews: Artists Rep Explores the Cost of Choice in Arthur Miller's THE PRICE
Phenomenal cast brings Arthur Miller's family drama THE PRICE to life at Artists Repertory Theatre.
BWW Reviews: Truth Is Inconvenient, Dangerous in SUDDENLY LAST SUMMER at Shaking the Tree
The truth will not always set you free.
BWW Reviews: Triangle Productions' JEWTOPIA Shows Love and Laughter Cross Cultural Boundaries
Triangle Productions' JEWTOPIA is a fun, light-hearted play that proves love and laughter know no religious or cultural boundaries.
BWW Reviews: Profile Theatre's DEAD MAN'S CELL PHONE Rings with Laughter and Truth
Dead Man's Cell Phone is a funny, unpredictable exploration of our relationship with technology.
BWW Interviews: CORNER OF THE SKY Celebrates the Music of Stephen Schwartz at the Segal Centre, Nov. 13
On November 13, Noelle Hannibal, Marc Ducusin, and special guests will perform in Corner of the Sky: The Music of Stephen Schwartz at the Segal Centre Studio.
BWW Reviews: THINKING OF YU Captivates and Inspires, Through May 5
Carole Frechette's THINKING OF YU tells the story of Maggie (Danielle Desormeaux), a woman who becomes fixated on a small newspaper article about Yu Dongyue, a Chinese journalist just released from prison after serving 17 years for throwing paint on a portrait of Chairman Mao during the 1989 student
BWW Interviews: Carole Frechette Reflects on THINKING OF YU, Social Engagement
Carole Frechette is a multi award-winning playwright based in Montreal.
BWW Reviews: Dawson College Presents A CHORUS OF DISAPPROVAL Through April 27
A CHORUS OF DISAPPROVAL opens with the finale: an amateur opera company taking their bows after an apparently successful performance of John Gay's The Beggar's Opera.
BWW Reviews: Les Deux Mondes' GOLD MOUNTAIN Shines
GOLD MOUNTAIN is an intimate portrait of a son's attempt to connect with his father and an exploration of cultural, racial, and generational divides.
BWW Interview: Montreal Sound Designer Michel Robidoux Talks About GOLD MOUNTAIN and the Creative Process
Following performances in the UK, Stockholm, and Vancouver, GOLD MOUNTAIN is coming home.
AIN'T MISBEHAVIN' to Open Segal Centre's 2013-2014 Season
The Segal Centre for the Performing Arts has announced its 2013-2014 season.
BWW Review: JACQUES BREL IS ALIVE AND WELL and Having a Great Time at Mainline Theatre
If Jacques Brel were alive and well and living in Montreal today, he would enjoy watching In Your Face entertainment's production of Jacques Brel Is Alive and Well and Living in Paris, which runs at the Mainline Theatre through March 24.
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