Kim R2
Review: THE UNLIKELY SECRET AGENT at Drama Factory
A gripping docudrama about Eleanor Kasrils's role in the anti-apartheid underground.
Review: ORPHEUS IN THE UNDERWORLD at Artscape Opera House
A hilarious, gorgeous 1920s reimagining of the Greek myth.
Review: CONSTELLATIONS at Baxter Theatre Studio
A riveting production of Nick Payne's Constellations at the Baxter Theatre Studio.
Review: PLEASE, DON'T CALL ME MOFFIE at Artscape Arena
The specific context of PLEASE, DON'T CALL ME MOFFIE is unambiguously Cape Town, Coloured and queer, and at the same time unambiguously universal.
Review: GEORGES BIZET'S CARMEN at Artscape Opera House
Cape Town Opera's presentation of Georges Bizet's Carmen is red, funny and devastating: everything you didn't know opera could be.
Review: THE FOOL'S GUIDE ... TO LIVING AND DYING ... at Drama Factory
Buckland's entire body of work since the 80s argues that comedy is not a lower art form.
Review: THE KILLING OF A UNION LEADER at Artscape Arena
The play runs 80 minutes, a comfortable length of time in which to confront distinctly uncomfortable themes that are uncomfortable because they are universal.
Review: SONGS FOR A NEW WORLD at Wave Theatre
The choreography around the simple set and the physical theatre elements worked well to support the solid vocal performances.
Review: SPANISH STEPS AND MEETING MURPHY at Masque Theatre
As a double bill, these two stories are entertaining and thought-provoking theatre.
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