Standing at the Sky’s Edge has arrived at the Gillian Lynne Theatre on the West End after runs at the Crucible Theatre in Sheffield and the National Thetare.
'Walking into Lara Ricote: Little Tiny Wet Show (baptism), you are greeted by a collection of small cardboard gravestones, each having a nonsense name on it.
Player Kings, a new adaptation of Shakespeare’s Henry IV Parts 1 and 2, arrives on the West End in April.
Bare, a “coming-of-age rock musical,” is coming to the London Palladium for one night only on Sunday 7 April as a concert.
Can a fictional detective solve a real-life murder case? Sherlock Holmes and the Whitechapel Fiend answers this question by having the world-famous detective attempt to solve the infamous Jack the Ripper case.
Fool’s Moon is a self-described “anarchic, genre-bending cabaret night where the mischievous come out and play.
Recently, BroadwayWorld had the opportunity to see a rehearsal for Priscilla the Party, which opens 1 March at HERE at Outernet.
'Entering Dock X for Macbeth, you are greeted by a large, dark space filled with audience members, jazz music playing as you wait for the theatre to open.
Houdini’s Greatest Escape, put on by New Old Friends in association with Yvonne Arnaud Theatre, tells the story of the great escape artists Harry Houdini and his wife, Bess, as they travel to England with the hopes of being invited to perform at King Edward’s Royal Gala.
'Do you like picnics? Charlie Vero-Martin certainly does, and she’s ready to share her love for the activity with the world.
As the cast settle into the run, BroadwayWorld had the chance to chat with Faith Omole, who plays Regan, one of Lear’s daughters, in the Almeida Theatre's production of King Lear.
Eleanor Rhode directs a modern version of A Midsummer Night’s Dream, starring Mathew Baynton of Horrible Histories and Ghosts fame as Bottom, the fool who becomes one of several victims of fairy mischief.
BroadwayWorld was invited to a celebration of Everybody’s Talking About Jamie at the Peacock Theatre.
'If the world is the Titanic, we are the people on the sinking ship and Milo Edwards is our entertainment as the ship goes down.
'Brent Would’s Got Wood is a “drag king cabaret romp,” with Would (Francesca Reid) desperately attempting to find love through flirting with and singing to audience members.
'Jessica Fostekew: Mettle is a show in which Fostekew talks about her life through observational comedy.
'Henry Moss: Henry Queen of Squats begins with the sounds of an orchestra warming up before the lights dim.
'Written by Katie Sayer and Will Johnston and directed by Phoebe Gibby, Love’s A Beach follows Ben [Iain Ferrier] and Cyrus [James Akka], the winners of a dating reality show, after their time on the screen as they settle into life together as a couple.
'Written by and starring Sidsel Rostrup and Suzy Kohane, Hexenhammer takes a look at the book of the same name, translated into English as “The Hammer of Witches,” the 15th-century guide to witch hunting.
'Self-Raising begins with a sack of flour.
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