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Jennifer Perry - Page 5

Jennifer Perry

Jennifer Perry is a Contributor to, and former Assignment Coordinator for, BroadwayWorld.Com's DC page.  She has been a DC resident since 2001 having moved from Upstate New York to attend graduate school at American University's School of International Service. When not attending countless performances in the area and in New York, she has your typical DC area job. Jennifer previously covered the DC performing arts scene for Maryland Theatre Guide, DC Metro Theater Arts, and DC Theatre Scene.



BWW Review: THE SECRET GARDEN Enchants at Shakespeare Theatre Company
November 23, 2016

This production of THE SECRET GARDEN excels in nearly every way.

BWW Review: Imagination Stage's Production of DISNEY'S BEAUTY AND THE BEAST Boasts a Strong Cast Singing Memorable Tunes
November 20, 2016

This production is a good introduction to BEAUTY AND THE BEAST. Adults will appreciate the strong voices and engaging story. The littlest patron will be enchanted.

BWW Review: Disney's FREAKY FRIDAY Makes Strong Premiere at Signature Theatre
October 26, 2016

The world premiere stage adaptation features some of Broadway and television's best creative talent, two extremely strong leads, and an infectiously energetic ensemble cast.

October 10, 2016

Let's just get right down to it. In 2014, Simon Stephens' highly acclaimed and award-winning play THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (based on Mark Haddon's novel of the same name) offered me one of my most memorable Broadway theatergoing experiences in years. Thus, I was most enthused by the news that it would tour, and play the Kennedy Center. While the cavernous Opera House may not be the most appropriate Kennedy Center space to view the play - especially from the rear orchestra where I was sitting - the current tour offers just as powerful of a theatergoing experience as my initial one.

BWW Review: Artistry and Acting are Reasons Enough to See I CALL MY BROTHERS at Forum Theatre
September 13, 2016

I can nearly always count on the small, but mighty Forum Theatre to conjure up selections each season that are a little out-of-the-box, and present them with an abundance of creativity. Season 13 is no exception, and it starts off with the area premiere of Jonas Hassen Khemiri's I CALL MY BROTHERS (translated from Swedish by Rachel Willson-Broyles). In the intimate Silver Spring Black Box Theatre, Director Michael Dove and his strong cast of four deal well with the challenges and potential inherent in Khemiri's script, and give the audience a relevant night of theatre that ends - appropriately - with more questions than answers.

BWW Review: The Stirring New Musical COME FROM AWAY Plays Ford's Theatre
September 11, 2016

Featuring a book, music, and lyrics by the married Canadian duo of Irene Sankoff and David Hein, Come From Away explores a subject area that's bound to bring up some painful memories for some. It's a September 11th musical, but not in the way you might expect. It's not about the towers, the Pentagon, or even really the loss of life. it is a story of a community bonding together to embrace passengers on the 38 planes that were diverted to Canada - specifically Newfoundland - when the U.S. Government closed American air space for the first time in U.S. history. It's one of those untold stories that is practically perfect for an original musical.

BWW Feature: Kevin Kuchar Discusses theBridge, Levine Music's Latest Educational Musical Theatre Program
September 3, 2016

This year, Levine Music is taking musical theatre education to the next level by offering a new program, called theBridge, in addition to its popular Pre-Professional and First Act programs.

BWW Review: Mike Daisey Returns to Woolly Mammoth with THE TRUMP CARD
August 3, 2016

Mike Daisey's captivating performance, capably directed by Isaac Butler, is a must-see.

BWW Review: BORN FOR THIS: THE BEBE WINANS STORY Offers Joyous Music Experience at Arena Stage
July 11, 2016

Whether you share BeBe's upbringing and/or personal faith or not, it's impossible not to enjoy the music and talented vocalists in this show, which is reason enough to give it a chance.

BWW Review: History is Musicalized at Capital Fringe With RAIN FOLLOWS THE PLOW and ROMANOV
July 10, 2016

As I scoured the Capital Fringe listings for 2016, two shows caught my interest. While both RAIN FOLLOWS THE PLOW and ROMANOV both musicalize moments in history and showcase some serious songwriting skills and musicianship, they couldn't be more different from one another stylistically. While there is considerable room for both shows to grow, a future life for both of them is definitely possible due to the strong central concepts, creativity and musical bases.

BWW Review: Uplifting and Fun, but Ultimately Disappointing KINKY BOOTS Plays Kennedy Center
June 18, 2016

BWW Review: 1st Stage Takes on a Rarely Done Musical With FLOYD COLLINS
June 6, 2016

1st Stage's production is - for me, at least - a very, very welcome addition to the 2015-2016 theatre season. While Guettel's intricate and original score is, quite simply, extraordinary - and reason enough to make the trek to the McLean/Tysons Corner area to hear it sung live - Director Nick Olcott and his talented and committed cast and design team offer other reasons to pay this little gem of a production a visit.

BWW Review: Andrew Morrissey's Score Shows Promise in Pallas' World Premiere of LOST IN WONDERLAND
June 3, 2016

Overall, I look forward to what the future holds for this new musical.

BWW Review: Round House Theatre Ends its Season Strong with THE WHO & THE WHAT
June 2, 2016

Overall, THE WHO & THE WHAT is a strong way for Round House to end its season.

BWW Review: BLACKBERRY WINTER Makes Strong Premiere at Forum Theatre, Featuring One of DC's Best Actresses
May 27, 2016

Forum Theatre, under Dove's artistic direction, has made a wonderful habit of providing local audiences with opportunities to see unique world premieres. This production is yet another strong example, and with Twyford at the center it's must-see theatre. There's absolutely no reason for any seat to remain empty.

BWW Review: Creativity Abounds in THE GIRL WHO FORGOT TO SING BADLY at Kennedy Center
May 23, 2016

The story, Lovett's performance, and the design elements clearly have the power to engage even those most restless children.

BWW Review: Abbey Theatre's THE PLOUGH AND THE STARS Mixes Classic with Modern at Kennedy Center
May 20, 2016

it's a shame this production only played the Kennedy Center for two performances, but for the lucky theatergoers that had a chance to see it, it is certainly a memorable one.

BWW Review: THE WIZARD OF OZ Gets Modern Update at the National Theatre
May 6, 2016

Overall, there's a lot of mass appeal in this production, some fun musical moments, and opportunities for the entire family to visit the familiar and well-loved. Unfortunately, it simply pales in comparison to what we have seen before.

BWW Review: With DECLASSIFIED, Storm Large, Hudson Shad, and the National Symphony Go a Little Out of the Box
May 1, 2016

A little bit of this and that, a little bit zany and off-kilter, there was something for everyone to enjoy.

BWW Review: Explosive DISGRACED Makes Strong DC Regional Premiere at Arena Stage
April 29, 2016

Akhtar's script is so beautifully complex yet simple, and asks some hard questions. The performances and physical production elements are first-rate. This is one of the strongest productions I've seen all season, and perhaps in recent years in the Washington, DC area.