Jeffrey Ellis - Page 34

As difficult as it may be to comprehend, Nashville's Nutcracker - Paul Vasterling's beautiful and evocative holiday gift to his adopted hometown - first debuted in 2008 and its return in 2018 only enhances the already stellar reputation of Nashville Ballet as the city's leading arts entity and adds more luster to the glittering resume of its artistic director, who this season celebrates his 20th anniversary leading the company.

Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, including a number of holiday season offerings to put you in the Christmas spirit, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for December 3, 2018, to help you plot your course through the beginning of a new year...

When the final curtain falls on A Christmas Story at TPAC's Andrew Johnson Theatre on December 22, the cast and crew of Nashville Repertory Theatre's production will pack up all the leg lamps and all the tinsel, Gary Hoff's gorgeous set will go into mothballs, the costumes will be stored away with the rest of the company's vast collection and a ten-year-old Nashville holiday tradition will come to an end.

Tamiko Robinson Steele's bravura performance as Mary, the heroine of Ginna Hoben's delightful The Twelve Dates Of Christmas, is reason enough to spend an hour and a half in a darkened theater amid all the hustle and bustle of the holiday season. Now onstage in the fourth annual Tennessee Women's Theater Project production of Hoben's sharply written and wonderfully entertaining one-woman show, Steele brings her own sense of whimsy and fun to the role that Rebekah Durham so memorably portrayed from 2015-2017 for TWTP.

In a production that almost didn't happen - it was upended by college administrators' fear of the power of the words found in DeLappe's stunning script - The Wolves is a play about the evolution of a group of nine young women who find themselves together every Saturday morning for a soccer match at an indoor facility in some unspecified locale that could be in New York, California or even Tennessee (or any place in between), during which they reveal themselves and their lives in a no-holds-barred conversation that allows audiences an unfettered view of whatever happens to be on their minds at any given moment.

Now onstage at the Roxy Regional Theatre in Clarksville through December 22, Miracle on 34th Street is among a small number of titles available to theater companies all over the United States looking for seasonal entertainment options for their loyal fans and season ticket holders. In fact, there's another production of the show opening at Murfreesboro's Center for the Arts this weekend and Chaffin's Barn Dinner Theatre in Nashville has announced the show as its holiday offering in 2019.

Here's hoping you had a splendid Thanksgiving holiday weekend and that you're settling in for another action-packed season of events and shows to make Christmas 2018 sparkle even more! Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 26, 2018, to help you plot your course through the end of the year...

In an act of theatrical symmetry, full of the 'whimsical magic' only live performance can provide, the first production of Arts Center of Cannon County's 2019 Season - the stage version of Singin' in the Rain - will reunite the director with his leading actress, whom he first cast in her very first musical when she was nine years old. It's been almost 20 years since the last time veteran director Jeffrey Ellis initially worked with Lindsey Mapes Duggin, the director of education for Arts Center of Cannon County, who will lead the cast of Singin' in the Rain as its heroine, young star-to-be Kathy Selden, as well as taking on the role of producer.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.

But in the rarefied world of make-believe and magic aka musical theater, in which comedy and tragedy are equally celebrated and where a memorable song can lift one's spirits soaring toward the heavens, a princess means so much more: The princess of musical theater legend and lore is able to transform from a poor orphan who has found herself tempest tossed throughout her difficult life into a woman of great stature and regal deportment, she can express herself with such artistry and majesty that all those around her may feel the impact of her actions, their dreary lives brightened by her very existence.

Throughout the past year, I've written quite often about Nashville's Chase Miller and his tremendous talents, remarkable stage presence and startling ability to successfully morph from one character to another completely unlike the first (or any to follow). Miller is rather insanely talented and any director worth her or his salt would be deliriously happy to have the serious triple threat in any show on their drawing board.

What might you expect if you find yourself caught up in the spectacle of the Broadway Princess Party's festivities at Tennessee Performing Arts Center's James K. Polk Theatre today, November 16? A theatrical concert like none other, predicts Laura Osnes, one of the three aforementioned princesses of the Great White Way who will bring their magical blend of entertainment, theatrical revelry, onstage magic - and pure, unadulterated pleasure (and boatloads of fun, we suspect) - to Music City for a one-night stand that promises to leave audiences feeling 'transported, enchanted, empowered and inspired.'

If there is a musical theater moment more joyous that what occurs at the top of Act Two in Irving Berlin's White Christmas, then we must respectfully demand it be performed in front of us as quickly as possible. Certainly, we recognize there is much joy to be found in musical theater, but sitting in the audience at Tennessee Performing Arts Center's Andrew Jackson Hall - six years to the day we last found ourselves awash in the nostalgia and sentimentality so abundant in this particular holiday favorite - we simply couldn't recall anything more engaging or more entertaining than watching Jeremy Benton and Kelly Sheehan, backed by a cadre of 12 other fleet-footed dancers, tapping their hearts out to "I Love a Piano.'

Not often does it happen that a young actor walks away with a show lock, stock and barrel - especially if he's in the company of some of the most experienced veteran actors to be found on local stages. But that is exactly what happens in Arts Center of Cannon County's current 2108 mainstage season finale of Hello, Dolly!, the Jerry Herman classic now onstage in Woodbury through November 18.

It's been a typically hectic semester for Belmont University senior Bobby Hogan: he completed his run as Davey in Chaffin's Barn Dinner Theatre's production of Newsies, started rehearsal on his next show, began preparations for his own senior show next semester and continued as a varsity cheerleader at the school.

Looking ahead, you'll find a number of new productions on tap, including a whole slew of holiday favorites, for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 12, 2018, to help you plot your course through next February...

It should come as no surprise whatsoever that the opening night audience for NCT's holiday season offering of Disney's The Little Mermaid rewarded the cast and crew with loud cheers, sustained applause and, more importantly, their rapt attention - were it not for the fact that last night's audience was comprised primarily of (how will we say it without offending?) more experienced theater-goers.

This week finds Jeremy Benton - Broadway's favorite tap-dancing man - in Paducah, Kentucky, with the rest of the cast and crew of Irving Berlin's White Christmas, preparing for tonight's opening performance of the quintessential holiday season musical. He's spent so many holiday seasons performing in White Christmas, in fact (he joined the show back in 2005 and has been a part of the company off and on ever since) that it's become second nature to him now.

What might you expect if you find yourself caught up in the spectacle of the Broadway Princess Party's festivities at Tennessee Performing Arts Center's James K. Polk Theatre on Friday, November 16? A theatrical concert like none other, predicts Laura Osnes, one of the three aforementioned princesses of the Great White Way who will bring their magical blend of entertainment, theatrical revelry, onstage magic - and pure, unadulterated pleasure (and boatloads of fun, we suspect) - to Music City for a one-night stand that promises to leave audiences feeling 'transported, enchanted, empowered and inspired.'

Performance dates and a change in venue are in order for the Actors Bridge Ensemble's production of The Wolves by Sarah DeLappe. Originally scheduled to open this Friday night at Belmont's Black Box Theatre, the Nashville premiere of the 2017 Pulitzer Prize-nominated play about a girls' indoor soccer team will now run November 30-December 2 and December 6-8 at the Darkhorse Theater, 4610 Charlotte Avenue, according to ABE artistic director Vali Forrister.