With friends like The Plastics, who needs enemies? That's the basic premise for the surprisingly fresh and sometimes scathingly funny high school musical MEAN GIRLS written by Emmy Award winner Tina Fey based on her 2004 hit film.
If you like your coming-of-age-on-the-mean-streets stories served with an extra side of red sauce, then Chazz Palminteri's semi-autobiographical A BRONX TALE is for you.
COME FROM AWAY, the Tony Award-winning Broadway musical warming Boston audiences now through November 17, is just the uplifting human tonic we need during these difficult and divided times.
It turns out that Halloween weekend is a great time to see THE PLAY THAT GOES WRONG, the hilarious Tony Award-winning Broadway comedy that is a virtual bag full of tricks and treats.
While the Earth didn't exactly move during the national tour stop of BEAUTIFUL at the Hanover Theater in Worcester this week, this more successful than most biographical jukebox musical did set off an occasional temblor.
Just as the centuries-old spirituals sung by American slaves created community and gave voice to the thoughts and emotions they were forced to repress, so too the music in CHOIR BOY serves to give hope and healing to the young men struggling to find and express their true identities at a boarding sc
There's more gray than black and white in the scintillating new play THE PURISTS written by Dan McCabe and directed by Billy Porter.
Whether you know 'whodunnit' or not, you're bound to enjoy this rollicking MURDER ON THE ORIENT EXPRESS adapted by Ken Ludwig at the Ogunquit Playhouse.
Sometimes all you need to lift your spirits is a good old-fashioned star-driven musical comedy, and, boy, does the national tour of HELLO, DOLLY! with Betty Buckley deliver.
There's no doubt that dark times are ahead for the people of Berlin in this faithful recreation of the tawdry 1998 Tony Award-winning Broadway revival of CABARET.
How much one enjoys THE LIGHTNING THIEF, The Percy Jackson Musical, currently at the Huntington Theatre Company in Boston through July 28, may correlate directly with one's familiarity with the source material.
DEAR EVAN HANSEN, the 2017 Tony Award-winning musical currently at the Boston Opera House through August 4, is that rare teen angst story that neither trivializes nor over dramatizes the challenges of coming of age in modern America.
There are times when the percussion in TAP DOGS, the testosterone-fueled tap dance extravaganza now at the Hanover Theatre in Worcester through April 14, is so penetrating that your diaphragm literally pulses in rhythm to the beat.
The opulent, newly restored Emerson Colonial, the historic crown jewel among Boston's glittering theatrical houses, is the perfect setting for the equally opulent but imperfect stage adaptation of Baz Luhrmann's anachronistic 2001 movie musical MOULIN ROUGE.
The mania with which the late Robin Williams brilliantly voiced the Genie in the 1992 Disney animated film ALADDIN infuses every inch of Casey Nicholaw's high-octane Broadway musical production.
There's a lot to digest in the American Repertory Theater (ART) premiere of the new musical JAGGED LITTLE PILL, billed as a story of 'pain, healing, and empowerment' based on Alanis Morissette's landmark rock album of the same name.
An unequivocal hit is currently heating up the Ogunquit Playhouse in Ogunquit, Maine in preparation for its transfer Off-Broadway to Stage 42 in NYC July 6.
FDR called the attack on Pearl Harbor "a day that will live in infamy.
The national tour of the 2015 Tony Award-winning revival of THE KING AND I, now brightening the Hanover Theatre for the Performing Arts in Worcester, is a perfectly respectable production.
