Review: AVAAZ at Olney Theatre Center
Olney Theatre Center's AVAAZ charts one woman's journey from Tehran to 'Tehran-geles,' singing a bombastic song of freedom all the way.
Itai Yasur - Page 2
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Review: TEMPESTUOUS ELEMENTS at Arena Stage
TEMPESTUOUS ELEMENTS, Arena Stage's latest Power Play premiere, champions the under-appreciated, local historical figure Anna J.
BWW Reviews: Plenty of MISTAKES & MEDIA at Source
MISTAKES & MEDIA perfectly resembles the culture it attempts to speak out against: it's loud, has a short attention span, is obsessed with pop culture and completely unable to step away from it's smartphone, even in the theater.
BWW Reviews: ROSENCRANTZ AND GUILDENSTERN Comes to Life at Folger
Far before the first lines are spoken director Aaron Posner, known for his unique reinventions of classics, and his creative team have created a new home for Stoppard's absurd spin on Shakespeare, and while doing so have breathed life into a classic nearing its 50th anniversary.
BWW Reviews: METAMORPHOSIS at Fringe
Remounting a work originally presented at Woolly Mammoth's rehearsal room earlier this year, the Alliance for New Music-Theatre now brings their original adaptation of METAMORPHOSIS to the new Capital Fringe performance venue.
BWW Reviews: Round House Breathes Fresh Air Into UNCLE VANYA
Armed with a new, more relevant, adaptation by Annie Baker, director John Vreeke has pulled together a lively and energetic take on Chekov that is a hilarious as it is heartbreaking.
BWW Reviews: DIALOGUES OF THE CARMELITES at the Kennedy Center
Poulenc's music is almost hard to believe; romantic without sweetness, contemporary without alienating, and among the extraordinary composers repertoire this epic opera stands out as a remarkable achievement, and this season Washington National Opera Artistic Director Francesca Zambello has designed
BWW Reviews: BARE A POP OPERA at Clandestine Arts
While some might complement Clandestine-Arts' production of BARE: A POP OPERA for its 'can-do' attitude, there's a difference between the type of youthful inexperience that leads to theater that is exciting and new, and the type of reckless abandon that is at best moderately amusing and at worst inc
BWW Reviews: CHEROKEE Sends Woolly on a Spirit Journey
Woolly Mammoth's beautiful theater in which every seat has an intimate view of the expansive stage and the company's diehard dedication to new plays has found another win in Lisa D'Amour's follow up to 2013's DETROIT.
BWW Reviews: BEAUTY AND THE BEAST Wilts at Warner
Disney is known for bringing the magic to its theatrical events, but there's no enchantment in this touring production of BEAUTY AND THE BEAST.
BWW Reviews: THE LITTLE PRINCE Lands at Kennedy Center
It seems only fitting that in its efforts to introduce a musical form as grown-up as the opera to younger audiences, that the Kennedy Center has picked for this holiday season the children's classic THE LITTLE PRINCE, a story all about grown-ups trying to understand children trying to understand gro
BWW Reviews: 101 DALMATIONS Come to Imagination
The original score by Cushing is a surprising gem, with extremely well written and witty lyrics and catchy, memorable music sung with bravado and finesse by the talented cast.
BWW Reviews: FIVE GUYS NAMED MOE Slays at Arena
While an oldies-filled jukebox revue complete with a nod to today's boy bands might not sound like the most appealing night of theater DC has to offer, Arena's skillfully lighthearted take has the audience gasping, laughing, singing along, and even dancing on stage, so take the plunge into your radi
BWW Reviews: BSO Takes Strathmore on a Journey Through Russia
From Tchaikovsky to Rachmaninoff to Shostakovich, the BSO treated the Music Center at Strathmore to a musical journey that bridged romantic and contemporary Russian music.
BWW Reviews: 2 Snaps for KAT's THE ADDAMS FAMILY
With a strong cast and surprising production values, KAT's THE ADDAMS FAMILY is a smile inducing, laugh-fest the brings cheese, heart, and a high-energy score to Kensington Town Center.
BWW Reviews: Unexpected Stage's DANNY BOY Measures Up
Marc Goldsmith's play about the romantic misadventures of a little person, both in stature and emotional maturity, is making its DC-area premiere after its original award-winning New York International Fringe Festival production in 2006.
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