What an absolutely and utterly engaging and rollicking good time is A GENTLEMAN'S GUIDE TO LOVE AND MURDER, the winner of four 2014 Tony Awards including Best Musical, now on tour and raising the rooftop at ASU Gammage.
Arizona Broadway Theatre has honored the legendary musical, FIDDLER ON THE ROOF, by mounting an utterly captivating and inspired production, featuring Jason E.
Spirited performances by Tracy Payne Black, Brenda Jean Foley, Kevin Fenderson, and Micah Jondel DeShazer give zip to NOW.
David Davalos's WITTENBERG requires a performance of mastery equal to the writing.
The promise of Conor McPherson's masterpiece, THE WEIR, is half-fulfilled in its Arizona Regional Premier at Theatre Artists Studio.
TO THE MOON AND BACK is documentarian Susan Morgan Cooper's chilling expose of the travesty that has placed 259 children and their prospective parents in excruciating limbo.
Sandy Smolan's documentary, THE HUMAN FACE OF BIG DATA, tackles one of the most complex and pervasive megatrends of our time, and the result is a provocative and remarkably well-balanced examination of the benefits and potential perils of technology's progeny.
SILVER SKIES is one doozy of a delightful and heartwarming film with a cast (no exaggeration!) to live for.
In the rear view mirror of life, we may encounter individuals who surpass our expectations of human will and endurance and inspire us with their selflessness and courage.
The force and power of indie film REPARATION resides in the seamlessness and masterful editing with which director Kyle Ham has weaved together multiple themes in the context of a riveting psychological thriller.
Director Tony Randel has a sure eye for comic effect and gives free rein to his ensemble to mug it up for the camera in Tony Schweikle's campy and rib-tickling HYBRIDS, to be screened at the 22nd Annual Sedona International Film Festival.
Peter Pardini's meticulously detailed documentary, NOW MORE THAN EVER: THE HISTORY OF CHICAGO, is a classic tribute to the iconic 'rock band with horns,' delivering a candid and intimate portrait of the young men who, in 1967, embarked on a journey of extraordinary musical innovation and today are l
Messages of forgiveness and redemption get diluted in a clutter of subplots in Matthew McDuffie's indie film, BURNING BODHI.
Tyne Rafaeli has excelled in recreating Bartlett Sher's original direction of BRIDGES OF MADISON COUNTY.
Canadian writer and director Daniel O'Connor casts a laserlike lens on human nature in LOOK AGAIN, a whimsical and endearing film that has its central character looking at life through a mystical set of white-rimmed glasses and discovering that not all is as it seems.
iTheatre Collaborative's phenomenal cast delivers a pulsating and moving production of Stew's PASSING STRANGE.
Who doesn't love Dolly Levi? Why wouldn't anybody after Brandi Bigley's energetic portrayal of the overzealous matchmaker in Scottsdale Musical Theater Company's production of HELLO DOLLY!, directed by David Hock.
Arizona Broadway Theatre's CAROUSEL offers an uneven ride, punctuated only by the stellar performances of Jeannie Shubitz, Jill-Christine Wiley, and Kathleen Berger and Jim Hunter's elaborate set design.
A tribe ~ a people, a culture ~ is defined by its history.
On the stage of Phoenix Theatre, CALENDAR GIRLS basks and steeps in the glorious glow of its brilliantly assembled cast.
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