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Elliot Lanes - Page 26

Elliot Lanes

Elliot Lanes has been working in theatre for over 30 years as a PSM, Sound Designer, Board Op....you get the idea. He has had the pleasure of working with some of DC's finest artists at venues such as Theater J, Studio Theatre, and Round House Theatre. Other DC area credits include many productions at Capital Fringe, and "Two Trains Running" and "Circle Mirror Transformation" at Prince Georges Community College. He also has been the lighting designer for the past 13 for Momentum Dance Company. Prior to moving to DC, he was the Resident PSM for Negro Ensemble Company and White Horse Theatre Company in NYC for five years each. He also had the pleasure of working with Liza Minnelli, Betty Buckley and Marilyn Maye at the Backstage Bistro Awards as PSM for that event. Elliot previously covered the DC Metro Area theatre scene for Maryland Theatre Guide, and wrote the successful "A Quick 5" column. 

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BWW Interview: Theatre Life with Arianna Rosario

BWW Interview: Theatre Life with Arianna Rosario

November 1, 2021

When Signature Theatre begins performances of Rent tomorrow, November second, it will have been 600 days exactly since it was forced to stop performing it’s theatrical greatness due to the pandemic.

BWW Interview: Theatre Life with Morgan Siobhan Green

BWW Interview: Theatre Life with Morgan Siobhan Green

October 25, 2021

Today’s subject Morgan Siobhan Green is currently living her theatre life touring the country as Eurydice in the national tour of Hadestown which continues performing in the Opera House at Kennedy Center through October 31st.

BWW Interview: Theatre Life with Beth Hylton

BWW Interview: Theatre Life with Beth Hylton

May 27, 2021

Today’s subject Beth Hylton is currently living her theatre life performing on your TVs and computer screens as the sole performer in Round House Theatre’s latest streaming production of Throw Me on the Burnpile and Light Me Up.

BWW Review: SIMPLY SONDHEIM at Signature Theatre

BWW Review: SIMPLY SONDHEIM at Signature Theatre

February 5, 2021

We all remember back in the day (meaning before mid-March 2020) when we would gather in a theatre, wait for the house lights to dim and hear the first notes from a live orchestra played.




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