With a dreamy blend of nature and showtunes, Tony Award-winning Signature Theatre and Wolf Trap delivered a sparkling evening of performances at their fifth annual Broadway in the Park concert.
Based on comedian Sarah Silverman’s memoir, The Bedwetter uses brazen humor to explore themes of broken family bonds, depression, and being different.
With breathtaking visuals and puppetry, the stage adaptation of Life of Pi stays true to the novel while putting spectacle in the spotlight.
What happens to the characters in a play when they’re not on stage? Do they continue to exist in a narrative limbo outside of time? Does the paradox of characters without stories parallel how we struggle to find meaning in life’s entrances and exits?
STC’s Macbeth highlights brutal pairs: war and domestic life, grief and humor, brief words and permanent consequences.
At the Wedding is a comedy with tragedy sprinkled in like celebratory confetti that proves difficult to clean up once dispersed.
Superheroes are larger than life, and so is the family at the heart of Jenny Rachel Weiner’s new play, The Chameleon.
Fun Home made history by opening the door for a more queer future for musical theatre—and Studio Theatre’s production presents every character’s humanity and each meticulously crafted beat with intensity and grace.
The Jungle focuses on the experiences of a community of migrants in a real encampment in Calais and was inspired by the playwrights’ work at the actual camp.
Inspired by the true story of the founder and director of the National Negro Opera Company, The Passion of Mary Cardwell Dawson packs untold history, outstanding vocal talent, and intensity fit for its title into a short 70 minutes.
The Color Purple is a musical about survival, resilience, and healing.
Science is everything and everywhere in The Amazing Adventures of Dr.
The Merchant of Venice is traditionally categorized as a comedy, but the character of Shylock anchors one of Shakespeare’s most maddening tragic arcs.
The story of Cinderella has been told and retold around the world countless times, from its probable origins in Egypt to the Brothers Grimm version to dozens of film and TV renditions.
Dorrance Dance notes on their website that “tap dance is a subversive form.
On the eve of the 20th anniversary of 9/11, the Reflecting Pool on the National Mall was lined with lawn chairs and picnic blankets, and the surrounding lawns were packed with thousands of people eagerly awaiting a performance on the steps of the Lincoln Memorial.
The Kennedy Center's Performances for Young Audiences season is back, and it kicked off with a world premiere adaptation of the young adult fantasy classic A Wind in the Door.
If Theatre Tulsa weren’t already a wellspring of stellar live performances, I would consider encouraging them to go into the movie business.
Midnight at The Never Get begins as a cabaret act that transforms into a love story and concludes as a meditation on the way we grieve our past selves.
Traditionalists might lament the transition of an ancient art form to the medium of a glowing rectangle.
