BWW Reviews: Rep's Soaring Production of FLY
The Repertory Theatre of St.
Chris Gibson - Page 15
BWW Reviews: Time Well Spent at MISS JUBILEE AND THE HUMDINGERS at the Sheldon
I decided to take in one of the Sheldon's coffee concerts earlier this week, and though some snarled traffic kept me from enjoying the coffee portion of the bill, I arrived in time for the concert.
BWW Reviews: Stray Dog Theatre's Fun Production of EVIL DEAD: THE MUSICAL
In keeping with the Halloween season, and in distinct contrast to the serious tone of New Line's brilliant Night of the Living Dead, we have Stray Dog Theatre's lively production of EVIL DEAD: THE MUSICAL, a campy gorefest based on filmmaker Sam Raimi's Evil Dead trilogy.
BWW Reviews: New Line Theatre's Intense Production of NIGHT OF THE LIVING DEAD
I'm a horror film fan, and I saw NIGHT OF THE LIVING DEAD for the first time at a midnight show when I was a teenager.
BWW Reviews: Dazzling and Poignant EVITA at the Fox Theatre
I have to confess that other than the misguided movie that was made out of EVITA, the only other presentation I'd seen was New Line Theatre's wonderfully intimate version a couple of years ago.
BWW Reviews: Upstream Theater's Brilliant DIARY OF A MADMAN
When you're a critic and you witness a magical evening of theatre it's hard not to be overly enthused and gush about it, but Upstream Theater's current production of Nikolai Gogol's (adaptation by David Holman) DIARY OF A MADMAN is simply brilliant and truly deserving of such praise.
BWW Reviews: New Jewish Theatre's Amusing Production of THE GOOD DOCTOR
THE GOOD DOCTOR, Neil Simon's take on the short stories of Anton Chekhov, is a decidedly mixed bag.
BWW Reviews: West End Players Guild's Cynical and Disturbing LONESOME HOLLOW
Playwright Lee Blessing's LONESOME HOLLOW paints a cynical and slightly contrived portrait of our country's future.
BWW Reviews: St. Louis Actors' Studio's Intriguing Production of TOPDOG/UNDERDOG
Playwright/novelist/screenwriter/songwriter Suzan-Lori Parks has crafted an intriguing work with Topdog/Underdog, which is currently playing at The Gaslight Theater in a marvelously acted production by the St.
BWW Reviews: Rep Opens Season with Sexy and Captivating Production of CABARET
The Repertory Theatre of St.
BWW Reviews: Stages St. Louis's Elegant and Charming MY FAIR LADY
MY FAIR LADY is a venerable warhorse of the stage, and though it used to be performed with a frightening degree of regularity, it's been a while since I've seen it, other than catching the film version on TCM recently.
BWW Reviews: HotCity Theatre's Moody Production of ENTERTAINING MR. SLOANE
Playwright Joe Orton's writing career was brief, ending abruptly when he was bludgeoned to death in 1967.
BWW Reviews: Mustard Seed Theatre's Wonderful Presentation of THE PURPOSE PROJECT: THAO'S LIBRARY
Elizabeth Van Meter's The Purpose Project: Thao's Library is a true story that genuinely touches the heart.
BWW Reviews: Max & Louie Productions' Darkly Funny THE LYONS
Playwright Nicky Silver's Broadway-break through, THE LYONS, is a black comedy that focuses our attention on the titular dysfunctional family.
BWW Reviews: Theatre Lab's Terrific Production of THE SUNSET LIMITED
Playwright Cormac McCarthy has crafted an intriguing work with THE SUNSET LIMITED, and even though he skimps on fully developing his characters, there is still plenty to chew on here.
BWW Reviews: MARY POPPINS Wows at The Muny
The current production of MARY POPPINS that's playing at The Muny is 'practically perfect', featuring some nice special effects, a wonderful set, and terrific performances that manage to capture the spirit of the 1964 Disney film, as well as the P.
BWW Reviews: Stray Dog Theatre's Darkly Funny Production of LITTLE SHOP OF HORRORS
I love horror movies, especially the kind of cheesy stuff from the 1950's and 1960's that director Roger Corman was famous for.
BWW Reviews: The Muny's Captivating Production of LES MISERABLES
Victor Hugo's novel, LES MISERABLES, was re-imagined in the early 1980's as a very successful musical (lyrics by Herbert Kretzmer (adapted from the French text by Alain Boublil and Jean-Marc Natel) and score by Claude-Michel Schonberg)) that has continued to captivate audiences.
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