BWW Reviews: The Muny's Captivating Production of LES MISERABLES

Victor Hugo's novel, Les Miserables, was re-imagined in the early 1980's as a very successful musical (lyrics by Herbert Kretzmer (adapted from the French text by Alain Boublil and Jean-Marc Natel) and score by Claude-Michel Schonberg)) that has continued to captivate audiences. Although I wasn't especially fond of the touring show that passed through last year, The Muny's current production is a revelation. The scope of this work is an ideal match for The Muny's expansive stage, and I highly recommend this terrific presentation.

Jean Valjean steals a loaf of bread and winds up in jail. After he's released and breaks his parole, he becomes a sought after criminal, and the singular mission of an obsessed policeman named Javert. However, when the silver he steals from a bishop is not only denied return, but supplemented with more, Valjean vows to change his life for the better. He accomplishes this feat under an alias, where he meets the broken Fantine, who was employed at his factory. She's been harassed by her fellow workmates because she's given birth to an illegitimate baby, and as a result she's fallen into a downward spiral. Valjean makes a promise to her that he will take care of her daughter, Cosette, while the seeds of a revolution begin to come to fruition in the background.

Hugh Panaro gives a strong performance as Jean Valjean, and his voice is perfectly suited to the material. Norman Lewis is an excellent foil as the determined Javert, doggedly hounding Valjean until an act of selflessness makes him question his life's course. Charlotte Maltby is also memorable as Fantine, and Katie Travis is affecting as the grown up Cosette (Lilly Kanterman plays Cosette as a young girl). Alex Prakken makes a fine Marius, and Lindsey Mader is sharp as Eponine, the girl who loves him. Jerry Jay Cranford is very good as the Bishop whose quick thinking saves Valjean from a return trip to prison, and Jimmy Coogan excels as Gavroche. Michael McCormick and Tiffany Green also impress as the thieving and despicable Thenardiers.

Director Richard Jay-Alexander does superb work guiding a young cast through this epic story, and even though it's quite lengthy, the show never loses focus or intensity. Music director Kevin Stites takes full advantage of the wonderful voices on display, and the orchestral accompaniment gives this musical a big sweeping sound. This production also benefits from the splendid scenic design of Robert Mark Morgan, the lighting scheme of Nathan Sheuer, and the period costumes by Colleen Grady.

The Muny's exceptional production of Les Miserables is well worth your time and attention, and it continues through July 21, 2013.

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