REAL TALK / KIP TALK Series to Continue This April at Abrons Arts Center
REAL TALK / KIP TALK is a series of live talk shows about the state of contemporary performance in New York City, conceived and conceptualized by Kippy Winston, media mogul, Internet sensation, and citizen of the world.
The third episode will be taped Apr 8 at 8pm at the Abrons Arts Center in the Experimental Theatre.
REAL TALK / KIP TALK explodes the theatrical form and invites audiences to take part in a live, taped talk show that is equal parts fireside chat and greenroom grit. Special guests include Starr Busby, and a panel of yet-to-be-announced artist activists.
Be ready to step and repeat, take a seat, and enjoy a treat. Come for the laughs, stay for the real talk, and leave with a swag bag and a swagger in your stride.
Real Talk / Kip Talk Episode #2 is conceived by Kippy Winston and directed by Sarah Hughes. Real Talk / Kip Talk features set and lighting design byChristopher Bowser, live video by David Pym, sound and stage managed by Skylar Fox, with production assistance by Charlotte Murray. "Artistic Directors on Divans Dunking Donuts" is filmed by Eva von Schweinitz and executive produced by Eliza Bent.
Sat. Apr 8 at 8pm. Abrons Arts Center is located at 466 Grand Street (at Pitt Street). F/J/M/Z trains to Delancey/Essex stop. B/D to Grand Street stop.
More information at: http://www.abronsartscenter.org/on-stage/shows/real-talk-kip-talk-world-premiere-iii/. Tickets: $15
ABOUT THE ARTISTS:
KIPPY WINSTON (conceptual design)
World citizen and internet sensation, Kippy Winston is a media mogul who is everywhere and nowhere representing everything and everyone. As a mover and shaker and cultural tastemaker, Winston has high fived with world leaders, strutted down catwalks, danced in piazzas, and experienced more live performance than this Kippy would care to admit. Linguist and lover of puns, Kippy's musings on art, life, and la cultura have taken on unique forms over the years and have included a web log, or flog (faux blog), a late gossip column "Just Ask Kippy," and of course the seminal-and semi-autumnal-publication The Radish (Prelude '13 and '14). Most recently, Winston has steered a robust press agency repping all manner of artisti known and about-to-be-discovered garnering reviews in such esteemed outlets as the Gray Lady among others. An Andy Rooney of the PoMo age, a Gadfly of the Gilded era, a Muckraker with the Mostess, and an Elaine Stritch that'll have you in stitches, Kippy transcends genre, form, and content. Journalism meets hedonism in Winston's word play(s). [wink!] "Hey world. Here I am. Kippy Winston and loving life."
Sarah Hughes (artistic producer)
Sarah Hughes (Artistic Producer) is a director and producer of theater & film. Recent: some higher glimmer in our landscape of flat by Cara Scarmack (The Bushwick Starr Reading Series), Lincoln in the Bardo VR Short (New York Times / Sensorium), Afterward (Signature Theater / Columbia University) and Special Cheese (Columbia University), both by McFeely Sam Goodman; A Star Has Burnt My Eye by Howard Fishman (The Brick). With Elevator Repair Service, she assistant directed Gatz, The Select, Arguendo, Shuffle, and Fondly, Collette Richland at home and abroad. She has developed work with Julia May Jonas, Eliza Bent, Pablo Helguera, MoMA, the Office for Creative Research, Half Straddle, Vox Theater, and Superhero Clubhouse, of which she is a Core Member. She is a member of the 2016-17 New Georges Jam and The Civilians R&D Lab, is the Co-Artistic Producer of Target Margin Theater, and co-teaches a class on Contemporary Theater at Dartmouth College.
Eliza Bent (executive producer "Artistic Directors on Divans Dunking Donuts")
Eliza Bent is a playwright and performer based in Brooklyn, NY. Bent is a 2017 New Georges Audrey resident, a 2016 SPACE on Ryder Farm Working Farm resident writer, a 2016 Target Margin Institute Fellow, and a MacDowell Colony fellow. Bent is a former senior editor at American Theatre magazine, where she still writes, a frequent performer with the Obie-award winning company Half Straddle, and an adjunct lecturer at Brooklyn College where she received an MFA in playwriting. Her plays include: On a Clear Day I Can See to Elba (New Ohio's ICE Factory), Toilet Fire (runs at Abrons Arts Center, the Brick and JACK,Time Out New York Critics' Pick), The Beyonce (Breaking String Theatre, 2014 Payne Award for Outstanding Theatrical Event), Blue Wizard / Black Wizard(Incubator Arts Project / Other Forces 2014 festival), The Hotel Colors (Bushwick Starr, L magazine's 25 best stage shows of 2013), Karma Kharms (or yarns by Kharms) (Target Margin Lab at Bushwick Starr) and Pen Pals Meet (Iranian Theatre Festival at the Brick).
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