The Joyce Theater Foundation Unveils Spring/Summer '24 Season Featuring New York and World Premieres

The Joyce Theater Foundation has revealed the complete calendar of performances from renowned U.S. and international dance companies slated for The Joyce Theater’s Spring/Summer ‘24 season. March through August of the coming year will see nearly two dozen companies, celebratory commissioned engagements, and dance festivals grace the storied Joyce stage with the best dance the world has to offer. Joyce debuts and world premiere works, anticipated popular engagements and rarely-seen works from the international canon of dance are all on tap from dance artists across the U.S. and around the world. As one of New York’s foremost homes for dance presentation, The Joyce continues to deliver a remarkable selection of dance styles to loyal and new audiences, from traditional ballet and titans of modern dance to the heart-pounding percussion of flamenco and tap. Featuring some of the world’s most celebrated creators and collaborators, the Spring/Summer ‘24 season at The Joyce promises the top-tier artistry that has upheld The Joyce’s reputation as New York’s home for dance for more than four decades.

The Joyce Theater opens its Spring/Summer ‘24 season with a two-week, two-program engagement with Hubbard Street Dance Chicago, celebrating its 46th anniversary season. Highlights of the first week include the New York premiere of Thang Dao’s gothic-inspired Nevermore, as well as Dear Frankie, Rennie Harris’s energetic tribute to house DJ’s from the company’s hometown. Week two features another New York premiere—Rena Butler’s Aguas Que Van, Quieren Volver—and return to patience, a meditative work by HSDC Resident Artist Aszure Barton. Bookending the season is the return of The Joyce’s Ballet Festival, curated this year by American Ballet Theatre Principal Dancer Calvin Royal III. Titled UNITE, Royal III brings together the top choreographic voices in ballet today to showcase the future of the art form.

Joining in the nationwide celebration of an arts and activism icon, The Joyce honors drummer and composer Max Roach with an evening of commissioned works, Max Roach 100. Curator Richard Colton has assembled a who’s-who of the dance world to honor Roach’s legacy, including Rennie Harris Puremovement contributing streetdance storytelling; tap sensation Ayodele Casel; Ronald K. Brown, choreographing for a selection of dancers from his own EVIDENCE, A Dance Company and Cuba’s Malpaso Dance Company.

High-profile return engagements are also slated for The Joyce’s upcoming season, led by an encore run of Sharon Eyal’s Soul Chain, performed by German contemporary dance company tanzmainz. The company made its Joyce debut in 2023 with the same evening-length work about love, longing, and loneliness within and is set to reprise its critically-lauded performance. Paul Taylor Dance Company also returns this season with Extreme Taylor, a week of two programs that celebrate the namesake choreographer’s full-spectrum take on the human condition, featuring Airs, Big Bertha, Private Domain, and more limit-stretching Taylor classics. And Flamenco Vivo Carlota Santana returns with the U.S. premiere of the newest creation from Emilio Ochando set to original music by Daniel Jurado and featuring multi-instrumentalist Gonzalo Grau.

Summer 2024 is dominated by return engagements from two stand-out companies dancing vastly different styles of movement. Award-winning New York tap dance company Dorrance Dance, led by Artistic Director Michelle Dorrance, once again brings its technical proficiency and passionate commitment to the history of the form to the Joyce stage in a brand-new creation. Immediately following, the world-renowned Pilobolus takes up residency for three weeks with re:CREATION, a breathtaking collection of works from the half century of mind-bending movement.

The next generation of dancers represent a significant portion of artists taking the Joyce stage across the spring and summer. Ailey II continues to nurture early-career talents and new creative voices 50 years into carrying out its pioneering mission, now ushered into the future by Francesca Harper. American Ballet Theatre Studio Company will bring the next generation of great ballet dancers and creators to The Joyce, featuring New York premieres by Amy Hall Garner, Jamar Roberts, and James Whiteside alongside ballet masterworks. Now celebrating 30 years on the stage, Ballet Tech Kids Dance returns to The Joyce to celebrate the global community of dance that converges in their own backyard of New York City.

Making her Joyce debut, rising star and Belfast native Oona Doherty returns to New York with her evening-length Navy Blue. Combining deconstructed choreography, poetry, and political discourse, Doherty uses her first Joyce performance to honor the legacy of dance and question what is next, both for the world and the art form. Trisha Brown Dance Company is poised to deliver a Joyce debut in its own right: the company’s second-ever commissioned work, In the Fall from French choreographer Noé Soulier. The recent work will be presented alongside two iconic works from the company’s groundbreaking founder, showcasing the athleticism of each company member. Gibney Company also makes a return this season with a program of debuts—two Twyla Tharp works freshly added to the company’s repertory, as well as Yue Yin’s captivating duet, A Measurable Existence and a world premiere by Jermaine Spivey and Spenser Theberge.

Australia’s leading contemporary dance company, Sydney Dance Company, returns with Artistic Director Rafael Bonachela’s ab [intra], an exploration of instincts and impulses. A long-overdue return engagement from the Netherlands-based Introdans is also set to hit the boards as summer takes off in New York. Dancing on the Joyce stage for the first time in over 10 years, the company offers a diverse program representing its breadth of commissioned work from over 50 years of dance, featuring works by Lucinda Childs, Akram Khan, and Mauro Bigonzetti. 

The Joyce rounds out its Spring/Summer ‘24 season with a collection of new and repertory works from companies that are no stranger to the Joyce stage. Soledad Barrio & Noche Flamenca pay homage to visual artist Francisco de Goya in Searching for Goya, inspired by a collection of the artist’s work at The Metropolitan Museum of Art. With EQUILIBRIO (Clásica/Tradición).Parsons Dance is set for its two-week Joyce season this spring with a program highlighted by a world premiere from founder David Parsons, a new dance by former resident choreographer of Alvin Ailey American Dance Theater Jamar Roberts, and a new commission, Thick as Thieves, from Artist in Residence at USC Kaufman School of Dance Penny Saunders. Classical ballet and contemporary style collide in late Tony Award-winner Michael Smuin’s company, Smuin Contemporary Ballet. In addition to works spanning the last decade and a half of the company’s history, company artists will also dance the New York premiere of Val Caniparoli’s Tutto Eccetto il Lavandino to complete this stunning season of dance at The Joyce Theater.

The following is a complete roster of companies who will appear at The Joyce Theater this spring and summer: 

Hubbard Street Dance Chicago

March 12-24
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, March 13
Family Matinee: Saturday, March 16 at 2pm
Tickets: $12-$72 (including fees)
 

Hubbard Street Dance Chicago brings highlights from its 46th anniversary season to its two-week run at The Joyce, including the epic Dichotomy of a Journey by Darrell Grand Moultrie, the New York premiere of Thang Dao’s gothic-inspired Nevermore, and Rennie Harris’s tribute to DJ Frankie Knuckles and Chicago house music and culture, Dear Frankie. The following week features the mid-century homage Coltrane’s Favorite Things by Lar Lubovitch, the New York premiere of Rena Butler’s hauntingly hypnotic Aguas Que Van, Quieren Volver, and the meditative return to patience by Hubbard Street’s Resident Artist, Aszure Barton.

Trisha Brown Dance Company

March 26-31
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, March 27
Tickets: $12-$72 (including fees)
 

A pioneer of post-modern dance, Trisha Brown’s groundbreaking work forever changed the landscape of contemporary performance. Trisha Brown Dance Company continues to expand its creative vision with its second ever commission, a new work by French choreographer Noé Soulier, titled In the Fall. A Joyce premiere, this new commission will be presented alongside two of Brown’s iconic works, Glacial Decoy (1979) and Working Title (1985), characterized by her ability to push the limits of her dancers’ athleticism and stamina. Elevating abstract dance to theatrical proportions, Brown’s timeless works solidify her place as one of the most influential choreographers of her time. 

Max Roach 100

April 2-7
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, April 3
Family Matinee: Saturday, April 6 at 2pm
Tickets: $12-$72 (including fees)
 

The Joyce Theater joins the nationwide celebration of the iconic drummer, composer, and activist Max Roach with an evening of commissioned works made in tribute to this legendary Jazz pioneer’s greatest works. Curated by Richard Colton, this special program brings Joyce artists together in conversation with Roach’s lasting legacy. Characterized by its Afro-Cuban percussion, the 1961 album Percussion Bitter Sweet becomes the soundscape for choreographer Ronald K. Brown’s latest work for dancers from Havana-based Malpaso Dance Company and Brown’s own EVIDENCE, A Dance Company. In The Dream/It’s Time, Roach’s band joins a recording of Martin Luther King Jr. in an aspirational and urgent conversation, now amplified by the streetdance storytelling of Rennie Harris Puremovement. Tap artist Ayodele Casel performs an explosively theatrical solo set to a series of duets between Roach and fellow Jazz pioneer, pianist Cecil Taylor. 

Ailey II

April 9-14
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm & 7:30pm
Curtain Chat: Wednesday, April 10
Tickets: $12-$72 (including fees)
 

Celebrating its 50th anniversary, Ailey II embodies Alvin Ailey’s pioneering mission to establish an extended cultural community, providing dance performances, training, and programming for all. Mr. Ailey selected Sylvia Waters as the company’s founding Artistic Director, a role she held for 38 years. Under her stead, Ailey II gained international renown for connecting the country’s finest early-career dance talent with the creative vision of today’s outstanding and emerging choreographers. Today, Francesca Harper sits at the helm of Ailey II, bringing fresh perspective to Mr. Ailey’s legacy, while propelling the company forward. The company offers a program highlighting its dedication to nurturing new creative voices during its stay at The Joyce Theater.

Sydney Dance Company

ab [intra]
April 16-21
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, April 17
Tickets: $12-$72 (including fees)
 

Hailed as “contemporary dance at its most evocative and beautiful” (TimeOut), Sydney Dance Company returns with Artistic Director Rafael Bonachela’s critically acclaimed ab [intra]. Meaning ‘from within’ in Latin, ab [intra] is an exploration of our primal instincts and impulses. With a driving score composed by Australian musician Nick Wales, lush cello fuses with ambient electronica as the exquisite dancers occupy a visually arresting, ethereal word that reflects our shared complexity of being.

Soledad Barrio & Noche Flamenca

Searching for Goya
April 23-28
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, April 24
Tickets: $12-$82 (including fees)
 

Choreographed by artistic director Martin Santangelo and Bessie Award-winning principal dancer Soledad Barrio, Noche Flamenca’s Searching For Goya pays homage to the longstanding influence of visual artist Francisco de Goya. With a company of dancers, singers, and musicians whose mastery of flamenco stretches the boundaries of the art form, the piece journeys through Goya’s investigations of the human essence. Inspired by “Goya’s Graphic Imagination,” a collection by The Metropolitan Museum of Art, Searching for Goya consists of a series of vignettes interpreting the artist’s visual responses to the political turmoil of 19th century Spain.

American Ballet Theatre Studio Company

May 1-5
Wed 7:30pm, Thu-Sat 8pm, Sun 7:30pm
Curtain Chat: Wednesday, May 1
Tickets: $12-$62 (including fees)
 

Dedicated to cultivating the next generation of ballet dancers, choreographers, and audiences, American Ballet Theatre Studio Company performs masterworks of the ballet canon alongside inventive original commissions. Their return to The Joyce includes New York premieres by Amy Hall Garner, Jamar Roberts, and James Whiteside. An excerpt from Alexei Ratmansky’s The Seasonsrounds out the program, alongside selected classical and neoclassical favorites. 

Gibney Company

May 7-12
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, May 8
Tickets: $12-$72 (including fees)
 

Gibney Company returns to The Joyce with world premieres and historic restagings showcasing its powerhouse group of “strong and versatile dancers, artists who appear to be physically capable of anything” (The New York Times). In a special collaboration with the choreographer Twyla Tharp, the Company debuts two seminal works from the artist’s canon: The Fugue from 1970 and Bach Duet, reconstructed for the first time since its premiere in 1974. 

A new work by Jermaine Spivey and Spenser Theberge explores time as an instigator, space as a character, and individuality as a path to upholding community. With an original score by Rutger Zuydervelt, Yue Yin’s  A Measurable Existence discovers how our journey of self-discovery begins with an understanding of those around us, observing how our paths parallel, intersect, or collide with others. 

Parsons Dance

May 14-25
Week One: Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Week Two: Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm
Curtain Chat: Wednesday, May 15
Family Matinee: Saturday, May 18 at 2pm
Tickets: $12-$72 (including fees)
 

Parsons Dance returns for its popular New York season with an exceptional program of three world premieres alongside company classics. With his characteristic musicality and wit, David Parsons offers a new work set to music by the experimental band Son Lux. A commission by Penny Saunders, with live music by Michael Wall, and a captivating new dance by Jamar Roberts take the stage as well. Audiences will also enjoy repertory masterpieces like Parsons' iconic solo Caught which, throughout the company's four-decade history, has delighted all. 

Ballet Tech Kids Dance

May 30-June 2
Thu-Fri 7pm, Sat 2pm & 7pm, Sun 2pm
Tickets: $12-$52 (including fees) in 45/25 pricing tier**
 

First on stage 1994, Ballet Tech Kids Dance continues to “put on a show of courage, discipline, and heart” (The New York Times). This year, the troupe celebrates dance from all over the world, highlighting the rich diversity of cultures and heritages that embody the global community of NYC. In Kids Dance tradition, a classic by founder Eliot Feld also takes the stage. A jaunty hoedown melding ballet vocabulary with rhythmic footwork, Apple Pie features music by Bela Fleck and Joe McCracken. With plenty of surprises, the show offers something for everyone! 

Oona Doherty

Navy Blue
June 4-9
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, June 5
Tickets: $12-$62 (including fees)
 

A rising star in the field of contemporary choreography, Belfast-raised choreographer Oona Doherty makes her Joyce debut withNavy Blue, a thrilling amalgamation of ensemble movement, spoken word poetry, and political candor. Set to an eclectic soundtrack of compositions by Sergeï Rachmaninoff and electronic music composer Jamie xx, the work traces a line from the past to the present while urgently appealing for societal change. “This is a bow to dance, this is a questioning of what to do next,” says Doherty. Navy Blue confronts an existential crisis with a demand for redemption, freedom, and a new future for all. 

Introdans

ENERGY
June 11-16
Tue-Wed 7:30pm, Thu-Sat 8pm, Sun 2pm
Curtain Chat: Wednesday, June 12
Tickets: $12-$62 (including fees)
 

Celebrating over 50 years of bringing dance to new audiences, the Netherlands-based Introdans makes its first return to The Joyce in over a decade. The company offers a diverse program highlighting the breadth of its choreographic commissions, with treasured dance heritage accompanying innovative new work. London-based choreographer Akram Khan bridges between the worlds of contemporary dance and the Indian classical dance form Kathak in his work, Kaash. Set to Henryk Górecki’s harpsichord concerto, Lucinda Child’s 1993 work, Concerto, exhibits her mastery of formalist architecture. Rounding out the program, the company performs Cantata by Mauro Bigonzetti, a vibrant portrayal of southern Italy through a series of swirling duets and spirited ensemble work. 

Flamenco Vivo Carlota Santana

EQUILIBRIO (Clásica/Tradición)
June 18-23
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, June 19
Family Matinee: Saturday, June 22 at 2pm
Tickets: $12-$62 (including fees)
 

Celebrating over 40 years carrying forth the flamenco legacy, Flamenco Vivo Carlota Santana returns to offer the US premiere of EQUILIBRIO (Clásica/Tradición), a new creation by acclaimed flamenco artist Emilio Ochando. The work embraces flamenco tradition while creating a unique environment of sound and creative staging. Shawl, bells, spoons, and castanets interact with an original musical composition by Daniel Jurado featuring multi-instrumentalist Gonzalo Grau. 

Paul Taylor Dance Company

Extreme Taylor
June 25-30
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, June 26
Tickets: $12-$82 (including fees)
 
The Paul Taylor Dance Company returns to The Joyce with Extreme Taylor, a series celebrating the radical and mesmerizing genius of Paul Taylor. Artistic Director Michael Novak has curated two programs from the Taylor Collection that provide a window into Taylor’s maximal interpretations of romance, evil, sublimity, and sensuality. From Airs to Big Bertha, Private Domain to Post Meridian, plus other Taylor classics, Extreme Taylor is a rare opportunity to connect with “America’s most magnificent dancing machine performing America’s most deeply communicative and wildly theatrical modern dance” (San Francisco Examiner).

tanzmainz

Soul Chain
July 2-7
Tue-Wed 7:30pm, Fri-Sat 8pm, Sun 2pm
Curtain Chat: Wednesday, July 3
Tickets: $12-$72 (including fees)
 

tanzmainz, the contemporary dance company of Staatstheater Mainz in Germany, returns with an encore performance of choreographer Sharon Eyal’s Soul Chain. A work about love, longing, and the great loneliness that lives within, Soul Chain creates mesmerizing rhythmic unison, rooted in the soundscape of electronic composer Ori Lichtik. In Eyal’s signature style, the piece juxtaposes the group and the individual, revealing the intricate variations that arise in the pursuit of harmony and the power love holds over us.

Smuin Contemporary Ballet

July 9-14
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, July 10
Tickets: $12-$72 (including fees)
 

Smuin Contemporary Ballet expands the boundaries of ballet with a contemporary style influenced by the company's late founder, Tony Award-winner Michael Smuin. The company returns to the Joyce with the New York premiere of Val Caniparoli’s Tutto Eccetto il Lavandino (2014), “an exacting neoclassical ballet that shows off the company's chops” (San Francisco Chronicle). Choreographer James Kudelka's The Man in Black (2010) is a searing quartet set to music covers by Johnny Cash. Closing the program is a stirring work by Smuin’s incoming Artistic Director Amy Seiwert. Featuring music by the Kitka Women’s Vocal Ensemble, Seiwert’s Renaissance (2019) honors the power of collective action.

Dorrance Dance

July 16-21
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, July 17
Family Matinee: Saturday, July 20 at 2pm
Tickets: $12-$82 (including fees)
 

Dorrance Dance is an award-winning tap dance company based in New York City. Led by artistic director Michelle Dorrance, the company supports dancers and musicians who embody and push the dynamic range that tap dance has to offer. The company’s mission is to engage with audiences on a musical and emotional level, and to share the complex history and powerful legacy of this Black American art form through performance and education. “Blasting open our notions of tap,” the company continues its passionate commitment to expanding the audience of tap dance in its return to The Joyce Theater this season. 

Pilobolus

re:CREATION
July 23-August 11
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm
Curtain Chat: Wednesday, July 24
Family Matinee: Saturday, August 3 at 2pm
Tickets: $12-$82 (including fees)
 

The physically daring Pilobolus returns with its re:CREATION program, a dynamic collection of pieces from its 50 year history. A transformative odyssey of reinvention, re: CREATION uncovers timeless Pilobolus creations, characterized by their lasting influence in the worlds of dance and theater. 

Ballet Festival

UNITE
August 13-18
Tue-Wed 7:30pm, Thu-Fri 8pm, Sat 2pm & 8pm, Sun 2pm & 7:30pm
Curtain Chat: Wednesday, August 14
Family Matinee: Saturday, August 17 at 2pm
Tickets: $12-$92 (including fees)
 

The Joyce Theater's Ballet Festival returns this summer with UNITE for a one-week celebration of ballet in all its splendor. Creatively directed and curated by Calvin Royal III, Principal Dancer with American Ballet Theatre, this year's festival showcases performances and programs by Royal and his community of world-renowned artists and influential choreographic voices. “As the Joyce represents ultimate artistry and dance legacy, it is important to me that the Festival evenings, taken together, honor the past; reflect the present; and reach toward the future of what our art form can be.” UNITE in our collective humanity. 

* * * 

CURTAIN CHATS 

The Joyce Theater holds free post-performance dialogues with artistic directors and/or company members following designated performances. These dialogues are open to all audience members attending that evening’s performance. 

FAMILY MATINEES

The Joyce invites young audiences and grown-ups to experience renowned companies together and to enjoy a special opportunity to meet the artists following the performances. Kids’ tickets are only $10. All children must be accompanied by an adult. Kids (ages 6-14) attending at least three family matinees automatically become Joyce Junior members and save 40% on the price of their tickets—that’s $10 reduced to only $6. Joyce Junior members get a special backstage tour of The Joyce, a t-shirt, and gift coupons, created just for them.

This Spring/Summer season’s Family Matinee series is as follows (Kids (ages 6-14) must be accompanied by an adult): 

FAMILY MATINEE PERFORMANCES

Hubbard Street Dance Chicago
Saturday, March 16 at 2pm

Max Roach 100
Saturday, April 6 at 2pm

Parsons Dance
Saturday, May 18 at 2pm

Flamenco Vivo Carlota Santana
EQUILIBRIO (Clásica/Tradición)
Saturday, June 22 at 2pm

Dorrance Dance
Saturday, July 20 at 2pm

Pilobolus
re:CREATION

Saturday, August 3 at 2pm

Ballet Festival
UNITE
Saturday, August 17 at 2pm

ABOUT The Joyce Theater 

The Joyce Theater Foundation (“The Joyce,” Executive Director, Linda Shelton), a non-profit organization, has proudly served the dance community for more than four decades. Under the direction of founders Cora Cahan and Eliot Feld, Ballet Tech Foundation acquired and renovated the Elgin Theater in Chelsea. Opening as The Joyce Theater in 1982, it was named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther’s clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to build the theater. Ownership was secured by The Joyce in 2015. The theater is one of the only theaters built by dancers for dance and has provided an intimate and elegant home for over 475 U.S.-based and international companies. The Joyce has also expanded its reach beyond its Chelsea home threw off-site presentations at venues ranging in scope from Lincoln Center’s David H. Koch Theater, to Brooklyn’s Invisible Dog Art Center, and outdoor programming in spaces such as Hudson River Park. To further support the creation of new work, The Joyce maintains longstanding commissioning and residency programs. Local students and teachers (1st–12th grade) benefit from its school program, and family and adult audiences get closer to dance with access to artists. The Joyce’s annual season of about 48 weeks of dance includes over 300 performances for audiences of over 100,000.

TICKET PRICES AND MEMBER INFORMATION 

To become a Joyce Member, ticket buyers simply purchase tickets to four different companies at the same time and they automatically save 25% on tickets (not applicable for $10 or $19 tickets). Joyce Members are entitled to the 25% discount on additional tickets purchased throughout the season – through August 18, 2024. For more information on becoming a Joyce Member, please visit www.Joyce.org or call JoyceCharge at 212-242-0800. Single tickets go on sale to the general public on January 4, 2024. Single ticket prices range from $12-$92 (including fees). Tickets can be purchased by calling JoyceCharge at 212- 242-0800, in person at the Box Office (Monday - Sunday 12-6pm), or online by visiting www.Joyce.org. Please note: ticket prices are subject to change. The Joyce Theater is located at 175 Eighth Avenue (at 19th Street).  

Test and expand your Broadway knowledge with our new game - The Broadway Match-Up! How well do you know your Broadway casting trivia?	Play the Daily Game, explore current shows, and delve into past decades like the 2000s, 80s, and the Golden Age. Challenge your friends and see where you rank!
How well do you know your Tony Awards history? Take our never-ending quiz of nominations and winner history and challenge your friends.	Can you beat your friends? Play today’s daily Broadway word game, featuring a new theatrically inspired word or phrase every day!