Steven LaBrie and Ben Heppner Sign on for George London Foundation for Singers' 2015-16 Season
And so there will be a celebration: the George London Foundation Celebration Concert: Twenty Years of Recitals In Collaboration with the Morgan on Wednesday, April 6, 2016, at 7:00 PM. Renowned Canadian tenor Ben Heppner is the master of ceremonies for the starry event that features five George London Award winners who are among opera's biggest stars, and one recent winner: Sondra Radvanovsky, soprano (1997 George London Award); Christine Brewer, soprano (1991); Susanne Mentzer, mezzo-soprano (1983); Matthew Polenzani, tenor (1998); James Morris, bass-baritone (1973); and Brandon Cedel, bass-baritone (2012). Joining the singers on the recital stage will be two of the opera world's finest pianists, Ken Noda and Craig Rutenberg. The event also includes a festive post-concert reception.
For those attending the April 6 event, the Morgan will open at 6:00 pm its special exhibition Wagner's Ring: Forging an Epic (January 29-April 17, 2016), that will focus on the cycle's 1876 premiere at Bayreuth and the 1889 premiere of the cycle at New York's Metropolitan Opera.
- Erin Wall, soprano, and Steven LaBrie, baritone, with Spencer Myer, piano. Steven LaBrie is a 2013 George London Encouragement Award winner. Sunday, October 18, 2015, at 4:00 PM
- Dimitri Pittas, tenor, and Jennifer Johnson Cano, mezzo-soprano, with Christopher Cano, piano. Dimitri Pittas is a 2004 George London Award winner; Jennifer Johnson Cano won her award in 2014. Sunday, May 15, 2016, at 4:00 PM.
The 45th annual George London Foundation Awards Competition begins with three days of preliminary auditions and culminates with the final round and award ceremony open to the public. The 2016 competition takes place February 15-19, and the public is invited to attend the competition finals and awards announcement on Friday, February 19, 2016, at 4:00 PM. The 2015 competition winners were Julie Adams, Michael Brandenburg, Julia Dawson, Adam Lau, Sarah Mesko, and Reginald Smith, Jr.
All events will take place in Gilder Lehrman Hall at The Morgan Library & Museum, 225 Madison Avenue at 36th Street.
2015-16 Recital Series Artists:
Erin Wall, soprano, of Calgary, Alberta, sang the title role in Arabella at the Metropolitan Opera in spring 2014. In 2014-15 she performed her signature role, Donna Anna in Don Giovanni, at the Bayerische Staatsoper and Seattle Opera (where the Seattle Times praised her "resplendent soprano"). She also made her Lyric Opera Kansas City debut as Anna Sørensen in Kevin Puts's Pulitzer-winning opera Silent Night (about which KC Metropolis said, "Erin Wall (Anna) sang effortlessly, with a luminous clarity across an astounding range"), and made debuts with the Tonhalle Zurich (Charles Dutoit), the Bayerische Rundfunk (Mariss Jansons), and Royal Liverpool Philharmonic (Sir Andrew Davis). This summer she sings Clémence in Kaija Saariaho's L'amour de loin in a new Robert LePage production with L'Opéra de Québec, and performs in Beethoven's Symphony No. 9 with Bernard Haitink and the London Symphony Orchestra. Recent season highlights include Helena in A Midsummer Night's Dream at the Metropolitan Opera, and a 2013 performance in the BBC Proms presentation of Tippett's The Midsummer Marriage." www.erinwall.com.
Steven LaBrie (2013 George London Encouragement Award), baritone, a native of Dallas, Texas, is a recent graduate of the Academy of Vocal Arts in Philadelphia. In the 2015-16 season, Mr. LaBrie will be making his debut at Lyric Opera Baltimore heading the cast, as Figaro, in their production of Il barbiere di Siviglia. Last season, Mr. LaBrie reprised the role of Schaunard in La bohème for both his return to the Dallas Opera and his debut with the Washington National Opera. He also performed Schubert's Die schöne Müllerin with Jessica Lang Dance in Ms. Lang's ballet The Wanderer at the Brooklyn Academy of Music and at the Jacob's Pillow Festival, about which The New York Times said, "The robust baritone Steven LaBrie and the pianist Tyson Deaton rendered the score with compelling artistry. ... The integration of Mr. LaBrie is equally excellent ... heightening the intensity of his relation to [the dancers] and the audience close by." www.stevenlabrie.com
Jennifer Johnson Cano (2014 George London Award), mezzo-soprano, of St. Louis, Missouri, has over the last two seasons bowed at the Metropolitan Opera as Mercedes, Emilia, Wellgunde and Waltraute, and debuted as Meg Page in Falstaff and Bersi in Andrea Chenier. Other operatic debuts have included The Sharp Eared Fox in Janacek's Cunning Little Vixen with the Cleveland Orchestra and Franz Welser-Möst and Diana in La Calisto with Cincinnati Opera. Her 2014-15 season included Donna Elvira in Don Giovanni with Boston Lyric Opera, Beethoven Symphony No. 9 with Manfred Honeck and the Pittsburgh Symphony, and a return to the Baltimore Symphony with Marin Alsop for Leonard Bernstein's Jeremiah Symphony (which was recorded live for Naxos); writing about this last, the Baltimore Sun praised " the riveting contributions of soloist Jennifer Johnson Cano. Her deep, velvety mezzo and impassioned phrasing gave Jeremiah's warnings such startling immediacy that I wouldn't have been surprised to see people in the hall ducking under their seats." www.jenniferjohnsoncano.net
Dimitri Pittas (2004 George London Award), tenor, a native of New York City, sings the role of Cassio in the Metropolitan Opera's new production of Otello, which opens its 2015-16 season; he also appears later in the Met's season as Alfred in Die Fledermaus. In 2014-15 he sang Rodolfo in La bohème with Opera de Paris and Opera National de Bordeaux, and the title role of Don Carlo in a new production for Opera Philadelphia, directed by Tim Albery. Dimitri also sang the tenor solo in Verdi's Requiem with the Rundfunk Sinfonieorchester Berlin. Last season, Dimitri debuted with the Bolshoi Opera of Moscow in the title role of Don Carlo, and as Oronte in I Lombardi with the Hamburg State Opera. He also appeared as Rodolfo in La bohème and Riccardo in Un ballo in maschera with the Canadian Opera Company, Nemorino in L'elisir d'amore with Deutsche Oper Berlin. In New York, he sang in the Metropolitan Opera's 2012 production of Macbeth, about which the New York Times said, "As Macduff, Dimitri Pittas offered one of the most moving moments in [the] evening ... with a heartfelt, expressively rendered version of 'Ah, la paterna mano.'" www.dimitripittas.com
The George London Foundation Awards and Recital Series - The George London Foundation Awards competition is one of the oldest vocal competitions in the United States and Canada, and it offers among the most substantial awards. Through the annual juried competition for outstanding young American and Canadian opera singers (under the age of 35 who must have performed at least one professional engagement), awards are given to the most promising performers: at the 2015 competition, a total of $71,500 was given in the form of six George London Awards of $10,000, and eight Encouragement Awards of $1,000, with Honorable Mention awards of $500 going to the seven remaining finalists.
As is not always the case in musical competitions, no fee is charged to the applicants or competitors, a pianist is provided for the competition rounds, and the prizes are awarded immediately.
The recital series began at the Morgan in 1995 as a way to give grantees exposure and experience, and, in many cases, a New York debut. Each season consists of three recitals featuring recent award winners sometimes paired with a well-known international artist - often a past George London Award winner - that have in recent years included Joyce DiDonato, Eric Owens, Stephen Costello, Ailyn Perez, Matthew Polenzani, Christine Brewer, Renée Fleming, Thomas Hampson, Ben Heppner, René Pape, Samuel Ramey, Frederica von Stade, Bryn Terfel, and Dawn Upshaw.
The Legacy of George London - The goal of the London Foundation, the support and nurturing of young singers, was an abiding interest of the great American bass-baritone George London, who devoted a great part of the time and energy of his later years to this purpose. "Remembering his difficult road to success, George wanted to devise a way to make the road a little easier for future generations of singers," said George London Foundation President Nora London. Initially created under the auspices of the National Opera Institute, the George London Awards program has been administered since 1990 directly by the Foundation as a living legacy to George London's own exceptional talent and generosity. Visit www.georgelondon.org.
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