Little Shot 1935

Immerse yourself in the captivating world of a 1920s mystery theatre experience set in a historic West Chester mansion. Uncover secrets and solve puzzles in this unique and interactive production that will transport you back in time.

One of the region's most famous mansions will again host a famous Greystone Hall and the Colonial Playhouse of Delaware County present the 2023 production of The Manor, a two-act play by Kathrine Bates, directed by Sam Barrett. 

Yale Repertory Theatre will conclude its 2022 season with Between Two Knees. The play, written by the intertribal sketch comedy troupe The 1491s and directed by Eric Ting, is presented with Oregon Shakespeare Festival. Between Two Knees will be performed May 12–June 4 at Yale Repertory Theatre (1120 Chapel Street).

When you think 'haunted houses' you probably don't picture the inside of a theatre. But with an over 100 year history, many of Broadway's most famous houses are positively teeming with reports of the supernatural.

“I Love You Anne, We Love You Anne and Cousines directed by Richard Senecal and played by Gessica Geneus and Jimmy Jean-Louis are the most beautiful Haitian movies out there. to me there will be no other Haitian movie like this ever again.” Kadda Sheekoff notes.

Today Concord Theatricals, on behalf of The Irving Berlin Music Company and in coordination with CLI Studios, announced a new video series to celebrate the 85th anniversary of Irving Berlin's 1935 musical film TOP HAT, starring Ginger Rogers and Fred Astaire.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Now presented by the Annapolis Shakespeare Company in Patrick Barlow's adaptation (London 2006, Broadway 2010), The 39 Steps is part music hall, part slapstick, part sex comedy, part thriller a?" and requires the skills necessary for each. Add to this that it contains 157 roles written to be performed by only four actors.

This is an impressive and memorable evening in Fefu's house.

Working intimately with directors like Yasujiro Ozu, Akira Kurosawa, Kenji Mizoguchi and Kon Ichikawa on some of their most important films, Kazuo Miyagawa (1908-99) pushed Japanese cinema to its highest artistic peaks through his lyrical, innovative, and technically flawless camerawork. Considered the greatest cinematographer of postwar Japanese cinema whose career endured through the 1990s, Miyagawa has influenced generations of leading filmmakers around the world.

The Film Society of Lincoln Center and The Museum of Modern Art announce the complete lineup for the 47th annual New Directors/New Films (ND/NF), March 28-April 8. Throughout its rich, nearly half-century history, the festival celebrates filmmakers who represent the present and anticipate the future of cinema, daring artists whose work pushes the envelope in unexpected ways. This year's festival will introduce 25 features and 10 short films to New York audiences.

Against a backdrop of bitter intolerance and terrible violence in the Indian state of Assam in the 1980's, filmmaker Bidyut Kotoky's semi-autobiographical tale, Rainbow Fields (Xhoixobote Dhemalite), is told through the eyes of children impacted by events they don't fully understand. The children's playtime games lead to an incident that changes them forever, and years later as adults they must grapple with coming to terms with what happened, and with themselves. First rate acting, notably by Victor Banerjee (A Passage to India) and by the child actors, plus the rich cinematography, add to the depth of the film. For those who are familiar with, and especially for those who are unfamiliar with, this period of Indian history, this arresting film is a must-see.

Greece's most prominent film director of the post-1968 era, Theo Angelopoulos (1935–2012) was a master cinema stylist. His investigations into history and politics, tyranny and resistance, and spiritual anomie and emotional devastation place him on equal footing with filmmakers like Andrei Tarkovsky, Bernardo Bertolucci, and Wim Wenders. Today, at a time when Greece has struggled with impending economic collapse, and as the country's refugee crisis has worsened, with displaced populations fleeing war in the Middle East and massing on its borders, the themes of Angelopoulos's cinema are pressing once again. Museum of the Moving Image will present Eternity and History: The Cinema of Theo Angelopoulos, a complete retrospective of the director's career—the first in the United States in 25 years—from July 8 through 24, 2016. The retrospective will also be presented at the Harvard Film Archive in Cambridge, Massachusetts, from July 15 through August 22. The presentation of the retrospective at Museum of the Moving Image was made possible with support from the Stavros Niarchos Foundation and the Hellenic American Chamber of Commerce.

What do you do if you are bored? If you are Richard Hannay, the major character in Patrick Barlow's THE 39 STEPS, now on stage at Blank Canvas, you go to the theater to see 'something mindless and trivial.' If you, personally are bored and looking for something to fill your time, THE 39 STEPS should fill the bill!

Boston's 115-year-old Colonial Theatre, where so many notable (and not so notable) Broadway-bound productions worked out their kinks and licked their wounds, will be closing in October for at least a year, its future not determined.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Martin Sheen and Mischa Barton, stars of the film, Bhopal: A Prayer For Rain, will be among the participants kicking off the Seventh Annual Kat Kramer's Films That Change The World cinema series highlighting socially significant films,

Ten years ago, filmmaker Michael Maglaras screened his first film, 'Cleophas and His Own,' a monumental work 2 hours and 27 minutes long, about the American Modernist master and Lewiston, Maine native, Marsden Hartley.

The Jewish Museum and The Film Society of Lincoln Center will present the 23rd annual New York Jewish Film Festival at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, Jan. 8-23, 2014.

In the golden age of Hollywood cinema, actors may have all the glory, but studio execs have all the power. The Hoff-Federated studio has had its most successful star, Charlie Castle (Bobby Cannavale) , over a barrel ever since it helped cover up a mistake that could have ended his career. When a woman with insider knowledge threatens to come forward, the studio heads will stop at nothing to protect Charlie's secret... but how far is he willing to go before he quits the movie business for good?

At last year's Manhattan Association of Cabarets and Clubs (MAC) Awards, two of the big winners were T. Oliver Reid (photo left) for Male Debut and Eric Michael Gillett for Major Artist, Male (and both could very likely be MAC nominees again this year). Almost a year later, two of New York cabaret's leading men performed new shows one night apart at 54 Below; Reid on February 6 with Drop Me Off in Harlem, and Gillett the next night with Careless Rhapsody: An Evening Dedicated to the Lyrics of Lorenz Hart. Ironically, what the shows had in common--besides being a fairly good fit of material to singer--was that the majority of their sets featured songs written in the 1930s but in very different styles. With Reid it was the jazz, swing and blues of Harlem; with Gillette it was the romantic Broadway musical sensibility of Hart's lyrics (paired with the timeless melodies of Richard Rodgers). While neither Reid's 'Harlem,' nor Gillett's 'Hart' were stirring or spectacular shows, they were both solid and entertaining enough that both could be nominated for BroadwayWorld.com Awards in 2013.

The Film Society of Lincoln Center announces its upcoming film series and events: