Did I Say No? 1931

Go inside the complete history of Stephen Sondheim and George Furth's Merrily We Roll Along, playing at Broadway's Hudson Theatre now!

Since 1979, Stephen Sondheim’s take on the Victorian myth about an exiled barber who pairs up with a cunning pie maker to seek revenge on the men who wronged him has delighted and enthralled audiences with its thrilling score, pitch black humor, and chaotic plot, but what is the real story behind this penny dreadful turned musical delight? Was there a real Sweeney Todd? Where did the story come from? And, most pressingly of all, what inspired Sondheim to spin this nauseating nightmare into gothic musical comedy gold? The answers just might surprise you as we delve into the history of Sweeney Todd.

Kaatsbaan Cultural Park will present a Bluegrass Concert by powerhouse acoustic duo Rob Ickes and Trey Hensley on Friday, February 24, 2023 at 7pm.

Mint Theater Company returns to New York City Ce nter Stage II with the American premiere of Noël Coward’s The Rat Trap, directed by Alexander Lass, opening Monday November 21st (7pm) at New York City Center Stage II for a limited Off-Broadway engagement through December 10th only. 

The Mint Theater company will be presenting the American Premiere of Noel Coward's The Rap Trap, and the world premiere of Becomes a Woman by Betty Smith (A Tree Grows in Brooklyn).

This is not your grandparents’ OKLAHOMA. During intermission, I heard one woman ask another, “Is this the Oklahoma you remember?” and it’s certainly not. If you’ve ever found the Rodgers and Hammerstein classic musical boring or problematic, then this is the revival for you.

The North American tour of Rogers & Hammerstein's Oklahoma! began performances at the Orpheum Theatre in Minneapolis, MN on November 9, 2021 and will continue to play over 25 cities during the 2021-2022 season including stops in Los Angeles, San Francisco, Dallas, Philadelphia, Washington D.C., Chicago and Nashville, and more. Read the reviews!

When you think 'haunted houses' you probably don't picture the inside of a theatre. But with an over 100 year history, many of Broadway's most famous houses are positively teeming with reports of the supernatural.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BroadwayWorld was deeply saddened this morning to report the passing of the legendary Carol Channing. The Broadway community took to social media to share memories and condolences.

Usually when people hear the word Frankenstein one image comes to mind: the inarticulate groaning hulk. Opening this weekend and running through Halloween on Stagecrafters' 2nd Stage is A. S. Peterson's version of Frankenstein, where The Monster is unlike the popular film adaptions that comes to everyone's mind. The play doesn't feature a terrifying and unthinking creature, instead The Monster feels emotions and asks questions that all humans ask themselves a?" according to Peterson, a?oehis Frankenstein is not your mama's Frankenstein.a?? BroadwayWorld Detroit was able to have an in-depth interview with the play's director, Andrew Clements, and the man behind The Monster in the show, Michael Meike, to find out what makes this new version so unique and thrilling, yet still be inspired by the classic Frankenstein story by Mary Shelley that audiences have come to know and love.

Hollywood Arms, the Carol Burnett story, is currently playing at Ridgedale Players. The show kicked the 2019-2020 season at one Michigan's oldest community theatres as Ridgedale Players has been around since 1931. Hollywood Arms is a memoir of Burnett's childhood in California. It's a funny and moving story of three generations of women living on welfare in a one-room apartment, one block north of Hollywood Boulevard. A tale about shattered hopes and realized dreams. 'Layered. Exposed. Lively. Reflective. Hearty.' That is how Erica Gunaca described Hollywood Arms before it closes this weekend. Read what else she had to say in our interview below:

Keeping us gasping is what Cabaret in all of its incarnations has always been about. Gasping at the opulence, gasping at the decadence, gasping at the heedlessness and the horror. It is intentionally strong stuff, and if it delivers, then it succeeds. And by that yardstick, this version, whatever it may or may not owe to its predecessors, is a smashing success.

The first time I heard bass-baritone Davone Tinesa--he off the sensual, resonant voice and startlingly vivid stage presence--it was in Handel's ACI, GALATEA E POLIFEMO (described as a spectacular, streamlined, Cliff-Notes version of a Handel opera), at Brooklyn's National Sawdust. Tines wowed me and I thought that I wanted to hear more of him. He opens July 24, 2019 at Mostly Mozart in THE BLACK CLOWN at the Gerald Lynch Theatre of John Jay College, near Lincoln Center.

In the early 1930's, The Lambs created 2-reel comedy short films with Columbia Pictures. These shorts were created as a means to raise fund for the Club during the Great Depression. Most of these films have never been seen in almost a century. The films offer a rare historical look at The Lambs, its famous members and activities. The presentation included: Shave it with Music (1932), The Curse of the Broken Heart (1933), Poor Fish (1933) and Hear'em and Weep (1931).

POTTED POTTER, a Harry Potter parody play by Daniel Clarkson and Jefferson Turner, returns to Houston, this time starring Brendan Murphy and Scott Hoatson.

CNBC Transcript: Bridgewater Associates Founder, Co-Chair and Co-Chief Investment Officer Ray Dalio

The Playhouse Wilkommen's UD grad Carl Pariso in the role of Cliff Bradshaw in a spectacular staging of CABARET opening March 13 through the 18th.

Upon entering the theater, brightly lit stars graced the stage. While it's intentions were to symbolically represent the stars on the American flag, it also indicated the level of talent the audience would endure.

Today, we very proudly shine the spotlight on PSM Daniel Brewer, the dean of production stage managers in this region, and the resident stage manager at Nashville Children's Theatre. In 2011, he was among that year's First Night Honorees in recognition of his truly exceptional career and for the grace and skill with which he does his job. In fact, we wouldn't be at all surprise to find his headshot next to the very definition of "stage manager" in reference books.

The 2016 BroadwayWorld Detroit Award winners were announced January 6th after weeks of theatre fans nominating then voting for their favorites in the Detroit community! It was the biggest year yet for awards with theatre fans first submitting their nominations in each category then having to make the tough decision on who to place that final vote for. Thanks to all who voted!

Always looking for new worlds to conquer, Gioachino Rossini wrote GUILLAUME TELL in French, as Paris became the center of the opera world. Despite his successes there, this was to be his operatic swan song, a story glorifying a revolutionary character--with a message that resonated, loud and strong, at the performance the night after the troubling American election.

Have you ever wanted to spend time with Stephen Sondheim in the lobby during one of his shows? Did you know that Patti LuPone once had a Broadway ghostly encounter? Have you wondered what it was like to be in the landmark Broadway premiere of Angels in America?

From October 21 - November 20, 2016, SpeakEasy Stage Company will proudly present the New England Premiere of THE SCOTTSBORO BOYS, a bold new musical by Broadway legends John Kander and Fred Ebb about a sensational true story that changed American history. 

Playwright Robert O'Hara's BARBECUE deservedly earned a rousing reception (and standing ovation) from The Geffen Playhouse's enthusiastic opening night audience September 14.  BroadwayWorld and I had a chance to chat with O'Hara's frequent collaborator, actor/playwright/director Colman Domingo a few days after his directorial success.